Automated compilation of music

• US 20020172379A1
• Filed: 04/26/2002
• Published: 11/21/2002
• Est. Priority Date: 04/28/2001
• Status: Abandoned Application

• Current Assignee: Hewlett-Packard Development Company, L.P. (HP Inc.)
• Original Assignee: Hewlett-Packard Development Company, L.P. (HP Inc.)
• Inventors: Cliff, David Trevor
• Application Number:
  US10/132,569
• Publication Number:
  US 20020172379A1
• Time in Patent Office: Days
• US Class Current: 381/119
• CPC Class Codes: G11B 2220/20 Disc-shaped record carriers
• CPC Class Codes: G11B 2220/2545 CDs
• CPC Class Codes: G11B 27/002 Programmed access in sequence to a plurality of record carriers or indexed parts, e.g. tracks, thereof, e.g. for editing; transfer of record carriers from magazine G11B15/68, G11B17/10; G11B17/22
• CPC Class Codes: G11B 27/038 Cross-faders therefor
• CPC Class Codes: H04H 60/04 Studio equipment; Interconnection of studios

Abstract

During mixing of two musical tracks, the variations in combined output volume are reduced by analyzing either the intrinsic amplitude at which each track was mastered or the output amplitude (i.e. subsequent to amplification of the audio signal), and modifying either the intrinsic amplitude or amplification during the mixing phase. Musical clashes during mixing are avoided by analyzing intrinsic amplitudes of the two tracks at similar frequencies to detect the likelihood of a clash, and in the event a clash is detected, reducing the output amplitude of one of the tracks at the relevant frequency.

Claims

1. A method for automated mixing of first and second music tracks comprising the steps of:

selecting first and second sections of the first and second tracks respectively, over which a transition between the first and second tracks will occur;

for at least selected intrinsic peak amplitudes of the first track, determining, in accordance with at least one predetermined criterion, whether a musical clash exists with an intrinsic peak amplitude from the second track; and

in the event of a clash, reducing output amplitude of at least one of the tracks at least at a frequency of one of the clashing intrinsic peak amplitudes, and over a time interval at least equal to duration of the aforesaid one of the intrinsic peak amplitudes.

2. A method according to claim 1 wherein at least one predetermined criterion is whether intrinsic peak amplitudes from the first and second tracks have a frequency which is similar to within a predetermined range.

3. A method according to claim 2 wherein a further additional predetermined criterion is whether intrinsic peak amplitudes from the first and second tracks have an amplitude which is similar to within a predetermined range.

4. A method according to claim 3 wherein yet a further additional predetermined criterion is whether intrinsic peak amplitudes from the first and second tracks occur within a predetermined time interval.

5. A method according to claim 4, wherein the magnitude of at least the frequency range is weighted across a audible frequency spectrum in accordance with responsiveness of a human ear to different audible frequencies.

6. A method according to claim 1 further comprising the step of copying at least one of the first and second sections, and wherein output amplitude of one of the clashing intrinsic peak amplitudes is reduced by modifying intrinsic amplitude of the aforesaid one of the clashing intrinsic peak amplitudes in the copy.

7. A method according to claim 1 further comprising the step of varying amplification of at least one of the tracks during mixing to effect the aforesaid reduction in output amplitude.

8. A method according to claim 1 wherein determination of a musical clash is performed for all intrinsic peak amplitudes above a given level.

9. A method according to claim 1 wherein output amplitude of at least one of the tracks is reduced to a level such that the at least one predetermined criterion is no longer fulfilled.

10. A method according to claim 8 further comprising the step of limiting a number of iterations of the process, by preventing more than a given number of reductions in a given intrinsic peak amplitude.

11. Apparatus for automated mixing of first and second music tracks, the apparatus comprising first and second audio players for converting first and second audio source data into first and second audio signals respectively, a memory and a processor adapted:

for at least selected intrinsic peak amplitudes of the first track which occur over a section thereof during which mixing between the first and second tracks occurs, to determine, in accordance with at least one predetermined criterion, whether a musical clash exists with an intrinsic peak amplitude from the second track; and

in the event of a clash, to reduce output amplitude of at least one of the tracks at least at a frequency of one of the clashing intrinsic peak amplitudes, and over a time interval at least equal to duration of the aforesaid one of the intrinsic peak amplitudes.

12. Apparatus according to claim 11 further comprising an amplifier for amplifying the audio signals, and wherein the processor is adapted to reduce output amplitude by reducing amplification gain of the amplifier.

13. Apparatus according to claim 11 wherein the processor is adapted to reduce output amplitude by reducing intrinsic peak amplitude of a copy of one of the tracks stored in the memory.