Musical-instrument controller with triad-forming note-trigger convergence points

• US 20040060422A1
• Filed: 09/15/2003
• Published: 04/01/2004
• Est. Priority Date: 05/09/2002
• Status: Abandoned Application

• Current Assignee: Clifton L. Anderson, Zenon Q. Anderson
• Original Assignee: Clifton L. Anderson, Zenon Q. Anderson
• Inventors: Anderson, Zenon Q., Anderson, Clifton L.
• Application Number:
  US10/662,869
• Publication Number:
  US 20040060422A1
• Time in Patent Office: Days
• US Class Current: 84/443
• CPC Class Codes: G10H 1/34 Switch arrangements, e.g. keyboards or mechanical switches specially adapted for electrophonic musical instruments
• CPC Class Codes: G10H 1/386 One-finger or one-key chord systems
• CPC Class Codes: G10H 2220/251 arranged as 2D or 3D arrays; Keyboards ergonomically organised for playing chords or for transposing, e.g. Janko keyboard special keyboards for playing chords, e.g. accordion G10H2230/245

Abstract

A musical instrument controller provides an array keyboard in which most note triggers form major 3rd, minor 3rd, and perfect fifth intervals at line segment boundaries with adjacent note triggers, and form major and minor triads at vertices or other convergence points where three note triggers meet. The segments and vertices provide for single-finger triggering of intervals and triads. After-pressure and movement in the array plane (even crossing trigger boundaries) provide for three dimensions of per-key continuous control.

Claims

1. A musical-instrument controller comprising an array of note triggers assigned respective notes, first, second, and third of said note triggers converging at a first convergence point so as to define a triad.

2. A musical-instrument controller as recited in claim 1 wherein said triad can be triggered at said first convergence point.

3. A musical-instrument controller as recited in claim 1 wherein a fourth note trigger of said array converges at a second convergence point with said first note trigger and said third note trigger to define a minor triad, said first, second, and third note triggers defining a major triad at said first convergence point.

4. A musical-instrument controller as recited in claim 3 wherein said major triad can be triggered at said first convergence point and said minor triad can be triggered at said second convergence point.

5. A musical-instrument controller as recited in claim 3 further comprising a first interval trigger located at least partially between said first note trigger and said second note trigger and a second interval trigger located at least partially between said first note trigger and said fourth note trigger, said first interval trigger triggering a major third interval and said second interval trigger triggering a minor third interval.

6. A musical-instrument controller as recited in claim 5 further comprising a third interval trigger located at least partially between said first and third note triggers, said third interval trigger triggering a perfect fifth interval.

7. A musical-instrument controller as recited in claim 4 wherein said array is a hexagonal array and said first note trigger is adjacent to six note triggers.

8. A musical-instrument controller as recited in claim 4 wherein said array is a rectangular array.

9. A musical-instrument controller as recited in claim 8 wherein said array has rows of interleaved chromatic progressions offset from each other by a half of a perfect fifth.

10. A musical-instrument controller as recited in claim 8 wherein said array is an offset rectangular array.

11. A musical-instrument controller as recited in claim 1 further providing motion sensing so that when a force initially contacts said first note trigger and then executes a motion to said second note trigger while maintaining contact with said array, said motion causes a change in the value of a continuous controller and does not trigger a note associated with said second note trigger.

12. A musical instrument controller as recited in claim 11 wherein said array is two dimensional and said motion sensing senses motion in each of said array'"'"'s dimensions.

13. A musical instrument controller as recited in claim 11 wherein said array has a perimeter, said motion sensing continuing monotonically when following a motion vector that reverses a motion vector component at said perimeter.

14. An musical instrument controller having an array of note triggers, said note triggers including first and second note triggers, said controller providing motion sensing so that when a force initially contacts said first note trigger and then executes a motion to said second note trigger while maintaining contact with said array, said motion causes a change in the value of a continuous controller and does not trigger said second note associated with said second note trigger.

15. A musical instrument controller as recited in claim 14 wherein said array is two dimensional and said motion sensing senses motion in each of said array'"'"'s dimensions.

16. A musical instrument controller as recited in claim 14 wherein said array has a perimeter, said motion sensing continuing monotonically when following a motion vector that reverses a motion vector component at said perimeter.

17. A method of playing a musical instrument comprising triggering a first triad at a first convergence point for first, second, and third note triggers respectively assigned the component notes of said triad.

18. A method of playing a musical instrument as recited in claim 17 further comprising triggering a minor triad at a second convergence point for said first note trigger, said third note trigger, and a fourth note trigger, said first triad being a major triad.