System and method for music composition
First Claim
1. A music composition system, comprising:
- a processing device; and
a display;
wherein;
said processing device executes computer readable code to create a first visual representation of a first musical structure within a composition for output on said display;
wherein;
said first visual representation is generated according to a method comprising the steps of;
(a) labeling the perimeter of a circle with twelve labels corresponding to twelve respective notes in an octave, such that moving clockwise or counter-clockwise between adjacent ones of said labels represents a musical half-step;
(b) identifying an occurrence of a first one of the twelve notes within said musical structure;
(c) identifying an occurrence of a second one of the twelve notes within said musical structure;
(d) identifying a first label corresponding to the first note;
(e) identifying a second label corresponding to the second note;
(f) creating a first line connecting the first label and the second label, wherein;
(1) said first line is a first color if the first note and the second note are separated by a half step;
(2) said first line is a second color if the first note and the second note are separated by a whole step;
(3) said first line is a third color if the first note and the second note are separated by a minor third;
(4) said first line is a fourth color if the first note and the second note are separated by a major third;
(5) said first line is a fifth color if the first note and the second note are separated by a perfect fourth; and
(6) said first line is a sixth color if the first note and the second note are separated by a tri-tone; and
wherein;
said first visual representation is displayed on a time axis on said display.
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Accused Products
Abstract
The present disclosure relates to music composition devices and methods. A system is provided which allows composers of all skill levels to easily create music that is pleasurable to the ear. The system may also assist more advanced composers in creating complex musical arrangements based off of partially completed compositions. The system also streamlines composition and arrangement in multi-instrument environments. The user is able to select from a variety of available music visualizations and instrument views, allowing comparison therebetween. The system may comprise composition error checking functions, free-play performance abilities, and recording and playback features. Certain embodiments incorporate remote access for collaboration between users.
107 Citations
101 Claims
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1. A music composition system, comprising:
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a processing device; and a display; wherein; said processing device executes computer readable code to create a first visual representation of a first musical structure within a composition for output on said display; wherein; said first visual representation is generated according to a method comprising the steps of; (a) labeling the perimeter of a circle with twelve labels corresponding to twelve respective notes in an octave, such that moving clockwise or counter-clockwise between adjacent ones of said labels represents a musical half-step; (b) identifying an occurrence of a first one of the twelve notes within said musical structure; (c) identifying an occurrence of a second one of the twelve notes within said musical structure; (d) identifying a first label corresponding to the first note; (e) identifying a second label corresponding to the second note; (f) creating a first line connecting the first label and the second label, wherein; (1) said first line is a first color if the first note and the second note are separated by a half step; (2) said first line is a second color if the first note and the second note are separated by a whole step; (3) said first line is a third color if the first note and the second note are separated by a minor third; (4) said first line is a fourth color if the first note and the second note are separated by a major third; (5) said first line is a fifth color if the first note and the second note are separated by a perfect fourth; and (6) said first line is a sixth color if the first note and the second note are separated by a tri-tone; and wherein; said first visual representation is displayed on a time axis on said display. - View Dependent Claims (2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33)
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34. A method of music composition, comprising the steps of:
(1) arranging a visual representation of a musical structure along a time axis on a display, whereby said visual representation is generated by a method comprising the steps of; (a) labeling the perimeter of a circle with twelve labels on a display corresponding to twelve respective notes in an octave, such that moving clockwise or counter-clockwise between adjacent ones of said labels represents a musical half-step; (b) identifying an occurrence of a first one of the twelve notes; (c) identifying an occurrence of a second one of the twelve notes; (d) identifying a first label corresponding to the first note; (e) identifying a second corresponding to the second note; (f) creating a first line connecting the first label and the second label on the display, wherein; (1) said first line is a first color if the first note and the second note are separated by a half step; (2) said first line is a second color if the first note and the second note are separated by a whole step; (3) said first line is a third color if the first note and the second note are separated by a minor third; (4) said first line is a fourth color if the first note and the second note are separated by a major third; (5) said first line is a fifth color if the first note and the second note are separated by a perfect fourth; and (6) said first line is a sixth color if the first note and the second note are separated by a tri-tone. - View Dependent Claims (35)
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36. A music composition system, comprising:
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a processing device; and a display; wherein; said processing device executes computer readable code to create a first visual representation of a first musical structure within a composition for output on said display; wherein; said first visual representation is generated according to a method comprising the steps of; (a) providing a helix having a plurality of turns; (b) labeling the perimeter of the helix with labels, wherein; (1) each turn of the helix has a respective plurality of labels corresponding to a plurality of respective notes in a respective octave; and (2) moving clockwise or counter-clockwise on the helix from any label to an adjacent label represents a first interval; (c) identifying an occurrence of a first note; (d) identifying which of the plurality of respective notes and which respective octave corresponds to the first note; (e) identifying an occurrence of a second note; (f) identifying which of the plurality of respective notes and which respective octave corresponds to the second note; (g) identifying a first label corresponding to the first note; (h) identifying a second label corresponding to the second note; (i) creating a first line connecting the first label and the second label, wherein; (1) each line is a first color if the first note and the second note are separated by the first interval; (2) each line is a second color if the first note and the second note are separated by a second interval; (3) each line is a third color if the first note and the second note are separated by a third interval; (4) each line is a fourth color if the first note and the second note are separated by a fourth interval; (5) each line is a fifth color if the first note and the second note are separated by a fifth interval; and (6) each line is a sixth color if the first note and the second note are separated by a sixth interval; and wherein; said first visual representation is displayed on a time axis on said display. - View Dependent Claims (37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68)
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69. A method of music composition, comprising the steps of:
(1) arranging a visual representation of a musical structure along a time axis on a display, whereby said visual representation is generated by a method comprising the steps of; (a) providing a helix having a plurality of turns; (b) labeling the perimeter of the helix with labels, wherein; (1) each turn of the helix has a respective plurality of labels corresponding to a plurality of respective notes in a respective octave; and (2) moving clockwise or counter-clockwise on the helix from any label to an adjacent label represents a first interval; (c) identifying an occurrence of a first note; (d) identifying which of the plurality of respective notes and which respective octave corresponds to the first note; (e) identifying an occurrence of a second note; (f) identifying which of the plurality of respective notes and which respective octave corresponds to the second note; (g) identifying a first label corresponding to the first note; (h) identifying a second label corresponding to the second note; (i) creating a first line connecting the first label and the second label, wherein; (1) each line is a first color if the first note and the second note are separated by the first interval; (2) each line is a second color if the first note and the second note are separated by a second interval; (3) each line is a third color if the first note and the second note are separated by a third interval; (4) each line is a fourth color if the first note and the second note are separated by a fourth interval; (5) each line is a fifth color if the first note and the second note are separated by a fifth interval; and (6) each line is a sixth color if the first note and the second note are separated by a sixth interval. - View Dependent Claims (70)
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71. A music composition system, comprising:
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a processing device; and a display; wherein; said processing device executes computer readable code to create a first visual representation of a first musical structure for output on said display; wherein; (a) said visual representation comprises a first substantially circular shape having a first maximum diameter if said first musical structure represents the sounding of a first rhythmic instrument;
said first rhythmic instrument having a first primary frequency;(b) said visual representation comprises a second substantially circular shape if said first musical structure represents the sounding of a second rhythmic instrument;
said second rhythmic instrument having a second primary frequency that is higher than said first primary frequency;
said second substantially circular shape having a second maximum diameter which is greater than said first maximum diameter; and(c) said visual representation comprises a third substantially circular shape if said first musical structure represents the sounding of a third rhythmic instrument;
said third rhythmic instrument having a third primary frequency that is higher than said second primary frequency;
said third substantially circular shape having a third maximum diameter which is greater than said second maximum diameter; andwherein; said first visual representation is displayed on a time axis on said display. - View Dependent Claims (72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99)
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100. A method of music composition, comprising the steps of:
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(1) arranging a visual representation of a musical structure along a time axis on a display; wherein; (a) said visual representation comprises a first substantially circular shape having a first maximum diameter if said first musical structure represents the sounding of a first rhythmic instrument;
said first rhythmic instrument having a first primary frequency;(b) said visual representation comprises a second substantially circular shape if said first musical structure represents the sounding of a second rhythmic instrument;
said second rhythmic instrument having a second primary frequency that is higher than said first primary frequency;
said second substantially circular shape having a second maximum diameter which is greater than said first maximum diameter; and(c) said visual representation comprises a third substantially circular shape if said first musical structure represents the sounding of a third rhythmic instrument;
said third rhythmic instrument having a third primary frequency that is higher than said second primary frequency;
said third substantially circular shape having a third maximum diameter which is greater than said second maximum diameter. - View Dependent Claims (101)
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Specification