Andantephone: Sequential interactive multimedia environment, device, system, musical sculpture, or method of teaching musical tempo

• US 20090288545A1
• Filed: 10/23/2008
• Published: 11/26/2009
• Est. Priority Date: 10/23/2007
• Status: Abandoned Application

• Current Assignee: Mann Steve
• Original Assignee: Mann Steve
• Inventors: Mann, Steve (William George)
• Application Number:
  US12/257,385
• Publication Number:
  US 20090288545A1
• Time in Patent Office: Days
• US Class Current: 84/484
• CPC Class Codes: G09B 15/00 Teaching music metronomes G04F5/02
• CPC Class Codes: G09B 5/06 with both visual and audible presentation of the material to be studied

Abstract

A new way of teaching musical tempo and rhythm is disclosed, together with devices and systems for implementing it. A song-stepper moves through a song or other multimedia file a set amount for each footstep. For andantephonic songs, each step activates the next note in the song, so that there is perfect synchronization between the music and the speed of walking (i.e. if a player walks faster the song plays faster; if the player stops walking the song stops, etc.). The footsteps are sensed by pads such as patio stones arranged along a path. For example, walking to a garden causes a song to play in time with a person'"'"'s footsteps. Portable versions of the invention are also disclosed. These use sensors installed in shoes, skates, skis, or toboggans.

Claims

1. A musical instrument for being played by walking on it, said musical instrument comprising:

a sound generator;

an ordered list of sonels for being conveyed to said sound generator;

a footstep sensor;

a processor responsive to an input from said footstep sensor,

said musical instrument playing each of said sonels in response to an input from said foostep sensor, such that each sonel is played in response to one footstep of a player of said musical instrument.

2. The musical instrument of claim 1, said footstep sensor comprising a plurality of sensing pads arranged along a path, said processor responsive to an input from each of said sensing pads, said processor sending a command to said sound generator, said command being for playment of each of said sonels in one-to-one correspondence with a pressure sensed upon each of said sensing pads.

3. The musical instrument of claim 1, said footstep sensor comprising at least one sensor in at least one shoe, said processor responsive to an input from said sensor, said processor playing one sonel each time that pressure is sensed on said sensor.

9. A musical instrument having the features of claim 1, further including at least one ice skate, said sensor being a pickup disposed in or on said ice skate, said pickup for converting vibrations in the blade of said ice skate into electrical signals, said instrument having a processor, said processor having a plurality of filters, each filter tuned to a note on a musical scale, each filter associated with one row of a song matrix implemented in said processor.

10. A wearable musical instrument including the features of claim 1, said instrument further including:

at least one pickup for use with an article of footwear, said pickup for converting vibrations in said footwear into electrical signals;

a processor,

a bandpass filter operable by said processor,

each sensor connected to a control input of said bandpass filter, said processor receiving input from said user input sensors, said bandpass filter receiving signal input from said pickkup, said processor controlling a frequency of said bandpass filter, said frequency responsive to an input from said input sensors, output from said filter supplied to said audio system.

11. A wearable musical instrument including the features of claim 1, said instrument further including:

at least one pickup for use with an article of footwear, said pickup for converting vibrations in said footware into electrical signals;

a processor;

a bandpass filter controlled by said processor;

an audio output system,

said audio output system connected to an output of said bandpass filter, said bandpass filter receiving signal input from said pickkup, said processor also receiving input from said pickup, said processor adjusting a passband frequency of said bandpass filter in accordance with an andatephonic schedule, said andantephonic schedule determined by a lookup table, said lookup table sequenced according to steps or strokes of footsteps of a user of said instrument, output from said filter supplied to said audio system.

4. A method of teaching musical timing, tempo, rhythm, or the like, consisting of the steps of:

arranging segments of a song spatially, as an ordered set of entries, each entry occupying a spatial distance approximately equal to its duration, said spatial arrangement for being walked upon by a user of said invention;

attaching human-readable markings to each of said segments.

5. A method of teaching musical timing, tempo, rhythm, or the like, consisting of the steps of:

means for breaking multimedia content into temporally ordinal (timeordered) fragments;

sensor means to sense path advance of a participant, said sensor means spatialized into a finite number of possibly overlapping zones or a

means for generating multimedia fragments in response to each of said sensor means, each of said multimedia fragments chosen from an ordered list of multimedia fragments.

6. A method of teaching music, the method comprising the steps of:

breaking a song down into geospatial coordinates for placement along a walkable path, said geospatial coordinates corresponding to song fragments;

associating lyrics corresponding with said song fragments, such that each geospatial coordinate and associated song fragment has text associated with it;

affixing said text to said geospatial coordinate;

walking or instructing a person to walk, so that a song may be sung or played such that each footstop corresponds to one song fragment of the song.

7. The method of claim 6, where said text is affixed by writing it with chalk on a surface of said path, by writing song lyrics on said surface, one word on each of a plurality of regions correpsonding to a particular beat in the song, said regions spaced approximately proportional to the duration they occupy in the song.

8. The method of claim 6, where said text is affixed by way of a computer-mediated reality environment, said text being virtual text in a virtual environment, visible to a wearer of visual reality mediating eyeglasses.