MUSICAL COMPOSITION SYSTEM AND METHOD OF CONTROLLING A GENERATION OF A MUSICAL COMPOSITION

• US 20100043625A1
• Filed: 12/06/2007
• Published: 02/25/2010
• Est. Priority Date: 12/12/2006
• Status: Abandoned Application

• Current Assignee: Koninklijke Philips N.V.
• Original Assignee: Koninklijke Philips Electronics N.V. (Koninklijke Philips N.V.)
• Inventors: Van Geenen, Jurjen Lippold, Vignoli, Fabio, Clout, Ramon Antoine Wiro
• Application Number:
  US12/518,127
• Publication Number:
  US 20100043625A1
• Time in Patent Office: Days
• US Class Current: 84/600
• CPC Class Codes: G10H 1/0025 Automatic or semi-automatic music composition, e.g. producing random music, applying rules from music theory or modifying a musical piece automatically producing a series of tones G10H1/26
• CPC Class Codes: G10H 2210/125 Medley, i.e. linking parts of different musical pieces in one single piece, e.g. sound collage, DJ mix
• CPC Class Codes: G10H 2220/106 using icons, e.g. selecting, moving or linking icons, on-screen symbols, screen regions or segments representing musical elements or parameters
• CPC Class Codes: G10H 2240/145 Sound library, i.e. involving the specific use of a musical database as a sound bank or wavetable; indexing, interfacing, protocols or processing therefor

Abstract

A musical composition system, includes a plurality of tokens (5-7) of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens are configured for placement by at least one user in a spatial configuration; a system for determining respective locations and types of an assembly of tokens (5-7) placed in a spatial configuration by the user(s); a system (13-16;44-46) for translating a spatial ordering of the tokens (5-7) in the spatial configuration into a temporal ordering; a system (13,18,40;44-46) for translating the types of the tokens (5-7) into respective aspects of at least a fragment of a musical composition; and a system (13,18-20;44-46) for generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction. It is arranged to detect or prevent at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.

Claims

1. Method of controlling a generation of a musical composition, including

determining respective locations and types of an assembly of tokens (5-7) placed in a spatial configuration by the user(s), the tokens (5-7) being of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens (5-7) are configured for placement by at least one user in a spatial configuration;

translating a spatial ordering of the tokens (5-7) in the spatial configuration into a temporal ordering;

translating the types of the tokens (5-7) into respective aspects of at least a fragment of a musical composition using a database (40) relating token types to aspects of at least a fragment of a musical composition;

generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction, and

detecting or preventing at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.

2. Method according to claim 1, including detecting or preventing at least an attempted placement of each token (5-7) of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type, as it is placed in the spatial configuration by the user(s).

3. Method according to claim 1, wherein the tokens are configured to be placed in two dimensions and further configured to be placed such as to overlap in the two dimensions, including determining the tokens'"'"' respective positions in one of the two dimensions to translate the spatial ordering into the temporal ordering.

4. Method according to claim 1, wherein translating the types of tokens into respective aspects of at least a fragment of a musical composition includes selecting one of a plurality of aspects in dependence also on the location of a token in the spatial configuration.

5. Method according to claim 1, wherein translating the types of tokens into respective aspects of at least a fragment of a musical composition includes selecting one of a plurality of aspects in dependence also on a user input, for example prompted to be provided on determination of the token'"'"'s type and position.

6. Method according to claim 1, wherein, for at least one type of token, only the types of tokens placed immediately adjacent at least one other token are translated into respective aspects of at least a fragment of a musical composition.

7. Method according to claim 1, including providing pairs of tokens of associated types, visibly distinct from tokens of other types and both representing an aspect of a fragment of a musical composition, wherein, at least upon placement by the user(s), a first represents a commencement of the fragment and a second represents a termination of a fragment, translating a distance between the first and second token of a pair in the spatial configuration to an interval of time and extending a translation of the type(s) of the pair of tokens into an aspect of a fragment of a musical composition to the interval of time when generating the signal(s).

8. Method according to claim 1, including generating configuration data encoding the locations and types of at least one of the tokens placed in a spatial configuration by the user(s), comparing the data with at least one set of reference data, and providing on an output device an indication of the presence or absence of a match between the spatial configuration and at least a part of a configuration represented by the set(s) of reference data.

16. A Computer program incorporated in a machine readable medium including a set of instructions, capable of causing a system having information processing capabilities and including a plurality of tokens of visibly distinct types to perform a method according to claim 1.

9. Musical composition system, including

a system for determining respective locations and types of an assembly of tokens (5-7) placed in a spatial configuration by the user(s), the tokens (5-7) being of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens are configured for placement by at least one user in a spatial configuration;

a system (13-16;

44-46) for translating a spatial ordering of the tokens (5-7) in the spatial configuration into a temporal ordering;

a system (13,18,40;

44-46) for translating the types of the tokens (5-7) into respective aspects of at least a fragment of a musical composition; and

a system (13,18-20;

44-46) for generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction,

the system being arranged to detect or prevent at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.

10. System according to claim 9, wherein the tokens (5-7) are configured to allow engagement of at least a section of a side part of a token of a certain type with at least a section of a side part of only a token of any one of fewer than all other types.

11. System according to claim 9, including an at least one-dimensional playing space, configured to accommodate tokens to be placed in the spatial configuration, wherein the system for determining the respective locations of the assembly of tokens is arranged to determine co-ordinates of the tokens relative to the at least one-dimensional playing space.

12. System according to claim 11, wherein the playing space includes one of a plurality of differently configured structures (12a-12e) at each of a plurality of positions (9) defined to accept a token (5-7) and wherein the tokens (5-7) are configured only to allow engagement with fewer than all of the differently configured structures (12a-12e).

13. System according to claim 9, wherein the tokens (5-7) comprise respective tangible objects.

14. System according to claim 9, including a computer for generating representations of at least the tokens placed in the spatial configuration on a visual display unit.

15. System according to claim 9, configured to carry out a method of controlling a generation of a musical composition, including

determining respective locations and types of an assembly of tokens placed in a spatial configuration by the user(s), the tokens being of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens are configured for placement by at least one user in a spatial configuration;

translating a spatial ordering of the tokens in the spatial configuration into a temporal ordering;

translating the types of the tokens into respective aspects of at least a fragment of a musical composition using a database relating token types to aspects of at least a fragment of a musical composition;

generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction, and

detecting or preventing at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.

17. A method of controlling a generation of a musical composition, including:

determining respective locations and types of an assembly of tokens placed in a spatial configuration by at least one user, the tokens being of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens are configured for placement by said at least one user in the spatial configuration in at least one row and/or at least one column and/or at least one stack of one atop the other;

translating a spatial ordering of the tokens in the spatial configuration into a temporal ordering;

in dependence on the location of a token in the spatial configuration of the assembly of tokens, translating the types of the tokens into respective aspects of at least a fragment of a musical composition using a database relating token types to aspects of at least a fragment of a musical composition;

generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction; and

detecting or preventing at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.

18. A musical composition system, comprising:

a system for determining respective locations and types of an assembly of tokens placed in a spatial configuration by at least one user, the tokens being of visibly distinct types, each representing aspects of at least a fragment of a musical composition, wherein the tokens are configured for placement by said at least one user in the spatial configuration in at least one row and/or at least one column and/or at least one stack of one atop the other;

a system for translating a spatial ordering of the tokens in the spatial configuration into a temporal ordering;

a system for translating the types of the tokens into respective aspects of at least a fragment of a musical composition in dependence on the location of a token in the spatial configuration of the assembly of tokens; and

a system for generating at least one signal representing a synthesis of the respective aspects of fragments of a musical composition in accordance with the temporal ordering, the signals being suitable for audible reproduction,

the system being arranged to detect or prevent at least an attempted placement of a token of a certain type at a position in the spatial ordering violating any of at least one constraint associated with the certain type.