AUDIO EQUIPMENT

• US 20100195841A1
• Filed: 09/25/2008
• Published: 08/05/2010
• Est. Priority Date: 09/26/2007
• Status: Abandoned Application

• Current Assignee: Fernando Eid Pires
• Original Assignee: Fernando Eid Pires
• Inventors: Pires, Fernando Eid
• Application Number:
  US12/679,702
• Publication Number:
  US 20100195841A1
• Time in Patent Office: Days
• US Class Current: 381/61
• CPC Class Codes: H04R 27/00 Public address systems circuits for preventing acoustic reaction H04R3/02; circuits for distributing signals to loudspeakers H04R3/12; monitoring or testing arrangements for public address systems H04R29/007; amplifiers H03F

Abstract

“AUDIO EQUIPMENT”, which includes a) Intuitive user interface for easy equipment operation; b) “Audio Link”, “P. A. Control”, “Programmable Stage Monitors”, “Output Terminal” and “Instrument Input Selector” features; c) Integrated sound effects and sound treatment functionalities; d) Conventional Equipments integration capability, which the user interface includes the front and back panel; the equipment in question includes regarding the Input Channels, the Microphone input channels with JlO non balanced and XLR balanced connection each, allowing both kinds of microphones to be connected simultaneously at in the same channel; the equipment includes et six Instrument input channels, with non balanced JlO connection, compatible with Active, Passive and Microphone instrument pick-ups, which the selection is made through a 3-position selector switch (9) at the back panel, with indication leds (2) for each chosen option; a programmable stage monitors system developed to allow the user to listen one or more desired instruments or microphones at the stage monitor loudspeaker, having yet an output terminal that uses a “DB-37” connector and a digital output interface; a vintage tone simulator; a selector for different instrument pickups, and yet, includes an Mp3 Player/Recorder.

Claims

1. AUDIO EQUIPMENT, characterized by the fact of include many functionalities that covers a) intuitive user interface for easy equipment handle;

b) features Link, P.A. Control, Instrument Input Selector;

c) Sound treatment functionalities and integrated effects;

d) Integration capability with conventional pro-audio equipments to increase the flexibility, which the user interface includes the front and back panels;

the equipment in question includes regarding the input channels, three inputs for microphones with non-balanced J-10 connection and balanced XLR each that allow both kinds to be connected at the same channel;

the equipment also includes six instrument input channels with non-balanced J-IO connection, compatible with Active, Passive and Microphone instrument Pick-ups, plus the Bass-Instrument input channel, where the selection is given through a 3-position switch on the back panel with indicative leds for each option chosen;

the input channels of the present equipment also includes an Auxiliary Stereo input channel with volume control, to connect any kind of equipments;

other feature expected in the equipment is an Audio CD-Player, which is integrated and reproduces any Audio CD that can be executed manually or though a established pre-program mode;

the Audio CD Player works together with Audio Link, P.A. Control and have independent volume control;

the present equipment have the Audio Link that makes the user interface between two samples of the equipment with microcontroller management;

the Audio Link doubles all the features of the equipment, making it work like one integrated equipment since the moment that the samples are connected.

2. AUDIO EQUIPMENT, according to claim 1, characterized by the fact of having the Preprogram mode for the whole musical sequence and intervals of a presentation, avoiding unnecessary artist movement in order to configure the equipment in the desired way for each song and/or interval;

the Pre-Program mode memorizes before chosen attributes for each Microphone and Instrument input channels plus the CD-Player, then executes the sequence by receiving a command from the remote control for each step;

3. AUDIO EQUIPMENT, according to claim 1, characterized by the fact of having Audio Effects divided in two groups, being a) the Individuals and b) the Shared;

the Individuals are those audio functions that are present as individual modules for each channel, allowing particular adjustments for each input channel without any dependence;

while the Shared are those that are present as unitary modules, being connected to the channels chosen by the user, which leads the adjustment made in the effect to be shown in all channels connected to it.

4. AUDIO EQUIPMENT, according to claim 3, characterized by the fact of that inside the Independent group, are expected the independents for microphone, including the Compressor, that compress the voice, which makes it normalize (with level adjustment);

Echo, that repeats the obtained sounds (with mix and repeats controls);

HPF—

High Pass Filter Cleaner, that filters out the very low and subsonic frequencies, which optimizes the compressor response and cleans the sound; and

Mic Verb On/Off switch, that connects or not the respective microphone channel to the Shared Mic Verb effect module;

Inside the Shared group, for microphone is expected the Mic Verb, which creates artificial reverberation environments and flanger, such Mic Hall 1, Mic Hall 2, Mic Plate, Mic Room, Mic Flanger, where the selection control between the effects is given through the switches Previous and Next, also it has mix control.

5. AUDIO EQUIPMENT, according to claim 3, characterized by the fact of the present equipment also features other kinds of effects, including the independents for instruments, which includes the HPF—

High Pass Filter that filters the undesired low frequencies and also optimizes de Compressor response (with level adjustment);

Compressor that compress the Instrument'"'"'s sound, which makes it normalize.

6. AUDIO EQUIPMENT, according to claim 3, characterized by the fact that yet inside the instrument effects group, there are the Shared Effects Modules, which includes the Overdrive, that distort the sound through an electronic tube buffer (with level adjustment);

Oldalizer, that is a Vintage Sound Simulator, which works using specific frequency filters together with Tube distortion, in order to re-create the sound of vintage amplifiers (with Tone, Distortion and Age controls);

OverVerb, that distort the sound through a Tube buffer (with level control) plus the Tube Verb effect;

OldVerb, that is a vintage tone simulator, plus the TubeVerb effect;

InstrumentVerb, that create many effects such Reverbs, Delays, Echo, Chorus, Auto-Wah and Rotary Speaker, TubeVerb, that is exactly the same as InstrumentVerb, but it is dedicated to the Tube effects only;

the effects InstrumentVerb and TubeVerb have the following variables;

Hall 1, Hall 2, Room 1, Room 2, Room 3, Plate 1, Plate 2, Plate 3, Delay 1, Echo, Chorus, Chorus-Room, Auto-Wah, Flanger, Rotary Speaker.

7. AUDIO EQUIPMENT, according to claim 1, characterized by the fact that the proposed equipment also have output channels, being three Stereo Head-Phones output of any impedance and power;

two stereo auxiliary outputs channels, one non-balanced RCA and a balanced XLR, in order to interface with any equipments;

the present equipment also expects a integrated mono transducer that reproduces with hi performance and fidelity the results obtained through the equipment'"'"'s hardware, composed by professional and Hi-Fi drivers, bi-amplified with internal frequency crossover, yet expected in the same kind of channels the P.A. Control.

8. AUDIO EQUIPMENT, according to claim 1, characterized by the fact that the effect Oldalizer re-creates the ^λ

Λ

vintage sound character from the old amplifiers, this effect features three adjustments;

Tone that adjusts from the low to high sound character;

Distortion, that mixes the clean with the Tube distorted signal; and

Age, that mixes the signal without effect with the signal passed through the Oldalizer, which proportionally, as much less Oldalizer, more new is the obtained sound, as much more Oldalizer, more old is the obtained sound as well;

the Oldalizer works from a low impedance audio source, buffer 1, the audio goes forward to two different frequency filters, indicated as F1 and F2, both working the same way, but with different frequency setups;

in the Filter F1, the audio pass through HP1 that is a High Pass Filter, cutting 12 Db/oct in 1061 Hz, after that, the original signal is smoothly added by the resistor 22K, and then the audio goes to LP1, that is a Low Pass Filter cutting 12 Db/oct in 1592 Hz, where this filtering process simulates the vintage Hi timber, still in the mid human audible region;

the process repeats with F2, but with different frequency setups for the filters, 321 hz and 1026 Hz, creating this way the Lo sound character, and a sound attenuation is provided by resistors Ik and IkI, as it was necessary in the implementation;

after the filters F1 and F2, the sound goes to a simple audio buffer to match the impedance in order to correctly drive the potentiometer;

after the filters 1 and 2, the audio goes to the item 2, in order to provide to the user, ability to choose between Low and Hi sound character, this way we have the potentiometer Tone Lo/Hi, indicated by the numerical reference;

after the Tone potentiometer, the audio goes to another buffer indicated by the numerical reference 3, to match gain and impedance, where after this step, the audio goes to two different ways, clean and distorted patch;

to distort the sound, a 12AX7 electronic tube was used, under-supplied with a 5M6 resistor, this way the sound is distorted, as the tube can'"'"'t amplify the sound in the stipulated gain, creating a normalized and smooth distortion;

the tube buffer inverts the signal phase and it'"'"'s incapable to drive something with low impedance like the potentiometer ahead, so this signal coming from the tube pass through the inverted buffer 4, in order to correct the phase and match the impedance;

after the distortion step, the audio enters the potentiometer Distortion indicated by the numerical reference 5, located between the clean and distorted signal patches, it allows the user to mix the signals from clean to totally distorted;

after the potentiometer Distortion 5, the audio passes through another buffer 6 to match the impedance, in order to go directly to the Age potentiometer, which is indicated by the numerical reference 7, that also receives the signal without effect;

the Age potentiometer 7, is the component that mixes the Oldalizer effect amount.

14. AUDIO EQUIPMENT, according to claim 1, characterized by the fact of having an output terminal that uses a DB37 connector to put out all in balanced form all the equipments internal channels, which can be connected to equipments that the input is balanced or non-balanced;

it also counts with a digital output interface, in order to be compatible with modern digital mixers;

through these, all internal channels of the equipment in question can be accessed from external equipments, these channels are;

microphones, instruments, bass-instrument, Oldalizer, overdrive, OverVerb, InstrumentVerb, TubeVerb and MicVerb.

15. AUDIO EQUIPMENT, according to claim 8, characterized by the fact of have the Oldalizer with 3 adjustments:

Tone;

Adjusts between the Lo and Hi sound character;

QTD Dist;

Adjusts the Tube buffer to obtain the desired distortion;

Age;

Mix the clean with the signal from Oldalizer;

having a Tube step and two internal frequency filters (Low and High sound character), the Oldalizer creates again with fidelity the vintage sound characteristics from a variety of old amplifiers);

the audio provided by a low impedance source (buffer, item 1) goes to the first system block that is the distortion, which 10KVR-A (QTD Dist) potentiometer, the audio goes through the Block 4 to match the gain and impedance, wherein after this step, the audio is sent to item 3 (10KVR-D—

Age), that also is connected to item 1, so the audio signal from Oldalizer meets the clean audio, allowing the user to mix between Old and New sound character;

at the end, after the Age potentiometer (10KVR-D), the audio goes to block 5, that is a simple buffer to match the impedance.

19. AUDIO EQUIPMENT, according to claim 1, characterized by the fact that the present equipment expects a Mp3 Player/Recorder that at any moment during the equipments operation, the user can push Record button and then all audio sum, even of another equipment sample in Audio Link mode is recorded and will be stored as compressed or uncompressed audio file.

20. AUDIO EQUIPMENT, according to claim 1, characterized by the fact that the present equipment expects an Audio Link system, that uses a microcontroller for smart managing, in the interface of two identical equipment samples, wherein the Link joins the audio channels of both equipments over the link mode.

9. AUDIO EQUIPMENT, characterized by the fact that the equipment in question allows total flexibility regarding the instruments connection, as it is compatible with any kind of pick-ups, being possible to connect it to any of the available instrument input channels.

10. AUDIO EQUIPMENT, according to claim 9, characterized by the instrument (input selector works with the signal coming from a connected instrument, connecting it to its adequate pre-amplifier through the manual switch (1), in such a way that the input impedances are changed according to selected preamplifier.

18. AUDIO EQUIPMENT, according to claim 9, characterized by selection procedure is given through the following way:

when the equipment is powered on the active pick-up kind is selected by default, shown by the Led 0;

when the selection button is pushed for the first time, the instrument channel will be muted and the led that was on will start to blink;

when pushed the second time, the blinking led is turned off and the next led starts to blink as the last was blinking, and so on;

during this selection processes while the leds are blinking, the channel is absolutely muted, so, as soon as the user is sure of which kind of instrument pick-up must be selected, the selection button must be held about 2 seconds, so the current blinking led that represents the kind of pick-up to be selected is turned constantly on and the channel leaves the mute mode.

11. AUDIO EQUIPMENT, characterized by the fact that the present equipment expects yet a P.A. Control system, which through the use of 3-pin J-10 connectors, each output can be connected to equipments with balanced or non balanced input;

the system in question have;

Master P.A. Volume, which controls the amplitude of all outputs;

Bass—

Equalizer, bass equalizer for the P.A.;

Treble—

Equalizer, treble equalizer for the P. A.;

Stereo P.A. Output, through two JlO connectors, with independent volume control for each Stereo channel side Left-L and Right-R;

Mono P.A. Output, through a JlO connector, with volume control;

Stereo Stage Monitor Output, through two JlO connectors with independent volume control for each side Left-L and Right-R, with a two positions selector switch for Mono/Stereo Modes;

the whole audio sum of the present equipment (Stereo, L-R) passes through a two-band equalizer with Bass and Treble controls, where the equalizer uses dual potentiometers, in order to equalize both channels (L and R) at the same time;

after the equalizer, the audio signal passes through the potentiometer Master P.A. Volume (1), that will control the audio amplitude of every block ahead;

after this potentiometer, the signal passes again through audio buffers to match the impedance and correct the phase;

after this step, the audio passes through three different ways, being;

a) P.A. Mono output;

b) P.A. Stereo output; and

c) output for Stereo/Mono Stage Monitor;

as for the first way the stereo signal becomes mono by joining both channel sides with 5k6 resistors;

after that it passes through an audio buffer (3), to match the impedance with the next potentiometer P.A. Mono VoI ahead, which will control the signal amplitude in the mono output, then the audio goes to the output-conditioning block;

for the second way, each side of the Stereo channel goes to an independent potentiometer, P.A. —

R VoI and P.A. —

L VoI, items indicated by the numerical references 8 and 9, offering the user, the ability to control the Left and Right P.A. volume sides separately, then the audio goes to the output-conditioning block;

for the third way, we have a manual two-position double switch (4), which for the two contacts of one side, the Stereo channels arrive;

for the two contacts of the other side, the mono channel arrives, making it possible to select between Stereo and Mono channels, both as low impedance source to drive the potentiometer correctly;

after this selector switch MO/ST (4), there are two potentiometers Stage Monitor VoI-L and Stage Monitor VoI-R indicated by the images 6 and 7, to control the audio amplitude for each channel side, then the audio goes to the output-conditioning block;

the output conditioning block receives the audio signal through a non-inverted buffer (10) (phase +), that goes to the tip pin of the J-IO connector (12) through the decoupling resistor 220R, yet in this buffer'"'"'s output, there'"'"'s another inverted buffer (11) (phase −

), that goes to the middle pin of the J-IO connector, through another 220R resistor, this way, we have a completely balanced output, if we use 3-pins P-IO connector, as the positive (+) and negative (−

) signal phases are present, plus the ground, if we use 2-pins P-IO connector, the negative (−

) phase is grounded through the 220R resistor and only the positive (+). phase goes to the pin together with the ground, generating this way, an usual non-balanced output.

12. AUDIO EQUIPMENT, developed to give the user the ability to listen to one or more desired instruments/microphones in the stage monitor in dynamic way, according with the claimed in 1, characterized by showing eight options for programmable stage monitor usage, which:

1) 1°

Microphones (all, with or without MicVerb);

     2) 2°

Instrument Channel 1;

     3) 3°

Instrument Channel 2;

     4) 4°

Instrument Channel 3;

     5) 5°

Instrument Channel 4;

     6) 6°

Instrument Channel 5;

     7) 7°

Instrument Channel 6;

     8) 8°

Bass Instrument Channel;

the selection works through the microcontroller, using tact push buttons and Display for interactive user interface.

16. AUDIO EQUIPMENT, according to claim 12, characterized by the fact of having a selection for the three existent kinds of instrument pick-ups:

Actives;

Have built in pre-amplifier, low output impedance and high gain;

Passives, send the signal from the pick-up element direct to the amplifier, low gain and high output impedance;

Microphone, are all the instruments that uses a microphone as pick-up element.

17. AUDIO EQUIPMENT, according to claim 12, characterized by the fact of having an user interface, which has three leds, Led 0, Led 1 and Led 2 that represents the Active, Passive and Microphone instruments pick-ups respectively;

only one selection push button being a tact switch, a J-10 non balanced input which is compatible with all three available kinds through the developed selection system.

13. AUDIO EQUIPMENT, as claimed in 12, characterized by showing a programmable stage monitors switching, working through microcontroller, display and tact push buttons;

the microcontroller have two Wizards in its internal software, the wizard of programmable stage monitors and the pre program mode wizard;

both Wizards share the Mp3—

Player buttons, which change the function when activated in the described way;

STOP=Button PGM;

PLAY/PAUSE=Button OK;

Previous Track=Back;

Next Track=Next;

REPEAT=Change button;

EJECT=Delete button;

the wizard activation is given by holding the PGM button about two seconds, then the Wizard Selector is opened, which the user can choose between programmable stage monitors and pre program mode wizards through a cursor on the display;

As the programmable stage monitors wizard is selected, the user chooses between monitor 1 and 2 using the Back and Next buttons and then pushing OK;

after this step, the selected monitor appears on the second display line, and bars are accumulated on the first display line according to the chosen options to be reproduced in the selected monitor, which the maximum options allowed are eight, being;

MICS;

INST 1;

INST 2;

INST 3;

INST 4;

INST 5;

INST 6 and BASS;

after programming the selected monitor, pushing PGM will end the wizard with the settings saved;

to program the monitor two or open the pre program mode wizard, the user must hold back about 2 seconds and the wizard will go back to the screen shown before—

monitor selector, wizard selector.