Musical instrument with digitally controlled virtual frets

• US 20100206157A1
• Filed: 02/19/2009
• Published: 08/19/2010
• Est. Priority Date: 02/19/2009
• Status: Active Grant

• Current Assignee: Will Glaser
• Original Assignee: Will Glaser
• Inventors: Glaser, Will
• Granted Patent: US 7,939,742 B2
• Time in Patent Office: Days
• US Class Current: 84/647
• CPC Class Codes: G10H 1/0555 using magnetic or electromagnetic means
• CPC Class Codes: G10H 2230/051 Spint theremin, i.e. mimicking electrophonic musical instruments in which tones are controlled or triggered in a touch-free manner by interaction with beams, jets or fields, e.g. theremin, air guitar, water jet controlled musical instrument, i.e. hydrolauphone

Abstract

A musical instrument that can play notes and scale tones without physically touching the device. Microprocessor control, and its associated DSP functionality, permit designer and performer to determine fine musical characteristics and virtual frets resulting in a pleasant and playable digital Theremin. Control over key, scale, octave, slew, snap and other characteristics are provided.

Claims

1. An instrument that comprises:

a sensor that;

determines a performer'"'"'s gesture in the absence of physical contact between the sensor and the performer and

converts the intent into an electrical signal, and

digital logic that is operatively coupled to the sensor and that receives the electrical signal from the sensor and transforms the electrical signal into an audio signal that can be audibly presented to a listener.

2. An instrument as described in claim 1 wherein the sensor is configured to determine the intent of the human user by sensing the position of a part of the body of the human user relative to the sensor.

3. An instrument as described in claim 2 where the digital logic is configured to calibrate the sensor.

4. An instrument as described in claim 2 where the sensor is a proximity sensor.

5. An instrument as described in claim 2 where the sensor includes a capacitance sensor.

6. An instrument as described in claim 1 where the digital logic substantially alters the transfer function of the electrical signal into the audio signal.

7. An instrument as described in claim 6 where the transfer function is discontinuous.

8. An instrument as described in claim 6 where the transfer function has many-to-one mappings between the electrical signal and the audio signal.

9. An instrument as described in claim 6 where the transfer function limits the audio signal to include only notes of a musical scale.

10. An instrument as described in claim 6 where the transfer function biases the audio signal toward notes of a musical scale.

11. An instrument as described in claim 10 where the musical scale is selected from a group consisting essentially of chromatic, diatonic, whole tone, and pentatonic.

12. An instrument as described in claim 10 where the musical scale is selected by the performer.

13. An instrument as described in claim 10 where a degree of the bias is selected by the performer.

14. An instrument comprising:

a sensor for determining a performer'"'"'s intent in the absence of physical contact wherein the sensor produces an electrical signal,

digital logic that is operatively coupled to the sensor and that receives the electrical signal from the sensor and produces, using the electrical signal, an audio signal that can be audibly presented to a listener, and

transforming logic that is operatively coupled to the digital logic and that causes the digital logic to bias the audio signal toward notes of a musical scale.

15. A process for producing an audible waveform, the process comprising:

sensing the position of a part of the body of a human user in the absence of physical contact between the part and any sensor,

calculating an output frequency based on the position, and

generating the audible waveform having the output frequency as a predominant frequency.

16. A process as described in claim 15 where the process is repeated 2 or more times per second.

17. A process as described in claim 15 where the calculating biases the output frequency toward frequencies of a musical scale.

18. A process as described in claim 15 that makes changes in the output frequency in such a way so as to preserve the phase of the audible waveform.