Computer-aided musical apparatus and method

• US 4,022,097 A
• Filed: 07/15/1974
• Issued: 05/10/1977
• Est. Priority Date: 07/15/1974
• Status: Expired due to Term

• Current Assignee: Christopher E. Strangio
• Original Assignee: Christopher E. Strangio
• Inventors: Strangio, Christopher E.
• Primary Examiner(s): Witkowski, Stanley J.
• Application Number:
  US05/488,821
• Time in Patent Office: 1,030 Days
• Field of Search: 84/1.01, 84/1.03, 84/1.28, 84/12, 84/18, 84/25, 84/115, 84/337-339, 84/461, 84/462, 84/464, 84/DIG. 29, 84/DIG. 12, 84/DIG. 22
• US Class Current: 84/635
• CPC Class Codes: G10G 1/00 Means for the representation of music
• CPC Class Codes: G10H 1/005 on magnetic tape
• CPC Class Codes: G10H 7/00 Instruments in which the tones are synthesised from a data store, e.g. computer organs
• CPC Class Codes: Y10S 84/12 Side; rhythm and percussion devices
• CPC Class Codes: Y10S 84/22 Chord organs

Abstract

This disclosure is concerned with simplifying the performance of musical compositions and the like by triggering the release of successive electronically stored coded data corresponding to the successive notes of the musical composition and in accordance with the rhythm thereof, and, upon such release, decoding the successive data to generate electrical oscillations which are then converted into corresponding audible tones of the notes of the composition.

Claims

1. A method of electronically aided musical performing, that comprises, electronically storing coded data corresponding to successive musical notes in a musical composition;

successively triggering by a human performer the controlled release of successive coded data from said storing in accordance with the rhythm of such composition;

upon said release, generating from the successive data, oscillations corresponding in frequency to the corresponding musical notes; and

converting said oscillations into the corresponding audible tones of the notes of the composition.

2. A method as claimed in claim 1 and in which said generating is effected by producing electrical oscillations, and said converting is effected by transducing said oscillations into sound.

3. A method as claimed in claim 1 and in which said generating and converting are effected by operating electrically controlled valves corresponding to tone-producing pipes of different lengths of a pipe organ to produce vibrational column oscillations in the pipes corresponding in frequency to the corresponding musical notes, such vibrational oscillations being converted within the corresponding pipes into corresponding audible tones of the notes of the composition.

4. A method as claimed in claim 1 and in which said generating is effected by operating solenoid-actuated keys of a piano corresponding to different frequency strings to produce vibrational oscillation of the strings corresponding in frequency to the corresponding musical notes, such oscillations being converted in the air into corresponding audible tones of the notes of the composition.

5. A method as claimed in claim 1 and in which said triggering is effected at a plurality of locations, sometimes simultaneously, to enable the generating of simultaneous notes including chords.

6. A method as claimed in claim 1 and in which said storing is effected by recording numerically encoded musical data in its native sequence on one or more recording channels of a digital magnetic tape;

and said release of data is effected by playback from said tape to enable electronic processing in said generating step that reconstructs recognizable musical tones and patterns.

7. A method as claimed in claim 1 and in which said storing is effected in a known order in a semiconductor memory;

and said release of data is effected by withdrawing the same from the semiconductor memory in the proper sequence to enable electronic processing in said generating step that reconstructs recognizable musical tones and patterns.

8. A method as claimed in claim 1 and in which said triggering is effected by depressing levers physically resembling at least one of piano and organ keyboards, and organ pedalboards.

9. A method as claimed in claim 1 and in which said musical notes are selected from a domain of musical notes ranging from four octaves below middle C to four octaves above middle C, and subsets thereof.

10. A method as claimed in claim 1 and in which said generating step comprises exciting vibratory oscillations in pipes, and said converting step comprises causing said oscillations to resonate air in the pipes to produce audible tones.

11. A method as claimed in claim 1 and in which said generating step comprises vibrating strings, and said converting step comprises causing the vibrating strings to react in air to produce audible tones.

12. Electronically aided musical apparatus having, in combination, electronic memory means for storing successive coded data corresponding to successive musical notes in a musical composition;

decoding means;

oscillator means for producing oscillations;

control circuit means connected between said memory means and said decoding means for releasing, when effective, successive coded data from the memory means to the decoding means in order to decode the same;

trigger means operable by a human performer connected to render the control circuit means effective, thereby to cause the decoding means to decode the successive coded data released from said memory means;

means for connecting the oscillator means with said decoding means to respond to the successive decoded data and correspondingly to generate corresponding-frequency electrical oscillations; and

audio means connected with the oscillator means for converting said oscillations into corresponding audible tones of the notes of the composition.

13. Apparatus as claimed in claim 12 and in which said oscillator means comprises a plurality of oscillators each of which is operated by a flip-flop, such that when the flip-flop is in the `set` state, the oscillator corresponding to said flip-flop is excited and produces its tone;

whereas when a flip-flop is in the `reset` state, the oscillator corresponding to said flip-flop is quiescent and produces no tone, and with the flip-flops being ordered selectively to set and reset according to the musical data decoded by said decoding means.

14. Apparatus as claimed in claim 12 and in which binary adder-subtractor means is inserted between said memory means and said decoding means numerically to modify the numerical musical codes in a predictable manner by way of addition or subtraction of a given numerical quantity to each code, thereby producing a modification of the decoding, resulting in a modification of the oscillator means excited and a corresponding modification of the musical tone produced.

15. Apparatus as claimed in claim 12 and in which said electronic memory means comprises (a) a digital magnetic tape player on which digital magnetic tapes bearing coded numerical data that represent the musical notes of the musical composition may be played;

one or more buffer registers to which data from the digital magnetic tape is distributed, said buffer registers being operated in such a manner that their input and output control functions are asynchronous and rate independent and such as to provide data at their outputs at a different instantaneous rate than the data provided to them by the digital magnetic tape player.

16. Apparatus as claimed in claim 12 and in which means is provided containing rhythm information corresponding to said musical composition in coded form, an ancillary data to said coded note data;

such ancillary coded data means operable, when decoded, to cause the generation of trigger signals corresponding to the rhythm of said musical composition.

17. Apparatus as claimed in claim 12 and in which means is provided containing rhythm information corresponding to said musical composition and such means is connected to said control circuit by an external pre-recorded record to provide said trigger signals, enabling the automatic performing of a musical performance.

18. Apparatus as claimed in claim 12 and in which means is provided for appending to said successive coded data, corresponding to successive musical notes in a musical composition, additional coded data specifying a particular note timbre to be associated with each coded note frequency;

further decoding means is provided connected to said last-named means to translate said appended note data; and

filter and modulation means is provided, connected to said oscillator means and responsive to said decoding means, to modify the fundamental frequencies produced by said oscillator means in accordance with the appended note data.

19. Apparatus as claimed in claim 12 and in which means is provided for appending to said successive coded data, corresponding to successive musical notes in a musical composition, additional coded data representing identification numbers which correspond to both the encoded musical notes and to the printed musical score;

further decoding means is provided connected to said last-named means for decoding said identification numbers; and

further display means is provided visually to display the decoded identification numbers to allow coordination between the musical score and the encoded note data, providing a reference point for the performer should he become disoriented with respect to the musical score.

20. Apparatus as claimed in claim 12 and in which means is provided for appending additional coded data for producing at least one of alpha-numeric display, rhthym coordination, visual display, timing information and automatic page turning.