Arpeggio generating system and method

• US 4,444,081 A
• Filed: 06/04/1982
• Issued: 04/24/1984
• Est. Priority Date: 06/04/1982
• Status: Expired due to Fees

• Current Assignee: Gibson Piano Ventures, Inc.
• Original Assignee: Baldwin Piano Incorporated (Gibson Brands, Inc.)
• Inventors: Jones, Edward M., Simmons, Carlton J. Jr.
• Primary Examiner(s): Isen, F. W.
• Application Number:
  US06/384,856
• Time in Patent Office: 690 Days
• Field of Search: 84/1.03, 84/1.24, 84/DIG. 12, 84/1.01
• US Class Current: 84/638
• CPC Class Codes: G10H 1/28 to produce arpeggios
• CPC Class Codes: G10H 2230/151 Spint banjo, i.e. mimicking a stringed instrument with a piece of plastic or animal skin stretched over a circular frame or gourd, e.g. shamisen or other skin-covered lutes
• CPC Class Codes: Y10S 84/12 Side; rhythm and percussion devices

Abstract

In an electronic musical instrument, an apparatus and method are described for automatically generating arpeggios from selected chords while requiring only a minimum amount of performance sophistication and dexterity. In the preferred embodiment, a plurality of voice priority switches are included, each of which corresponds to a voice-related rhythmic pattern or an arpeggio variation of tones played. The desired variation of the voice-related rhythmic pattern of tones is implemented as selected notes are played. The played notes and corresponding notes in higher octaves are stored in a random access memory and subsequently accessed by a microprocessor which searches up or down in frequency to find the available notes in the random access memory. Subsequently, the microprocessor converts chosen notes to audible tones. The system of the subject invention, under certain predetermined conditions, reverses the order of search whenever the highest or lowest notes are reached or exceeded, stops the search, and produces a five-note trill. Further, the system of the subject invention, under certain predetermined conditions, skips one or more active notes during a search and immediately searches for another note in the chord or changes the direction of search in the middle of the chord or sequence.

Claims

1. In an electronic musical instrument having an array of playing keys, an apparatus for generating arpeggios from one or more musical notes, said apparatus comprising:

a plurality of stored musical voice related patterns of tones, each pattern having a controlled number of sequential progressions;

musical voice priority means for selecting a dominant musical voice-related pattern of tones from said plurality of musical voice-related patterns of tones;

means for selecting a rhythm synchronization variation;

up/down flag means included in each musical voice-related pattern for controlling the upward or downward sequential progression of the pattern;

first memory means for storing data representing notes of the keys played and notes in higher octaves corresponding to the keys played;

second memory means for storing data representing the lowest note and highest note stored in said first memory means, the selected musical voice-related pattern, the selected rhythm synchronization variation, and the condition of the up/down flag means;

sequencing means for placing data representing the selected musical voice-related pattern for a current progression into said second memory means;

third memory means for receiving data from said first memory means;

selector means for scanning said first and second memory means and for placing one or more selected notes from the played and higher octave notes available in said first memory means into said third memory means in a progression controlled by the data stored in said second memory means;

processing means for generating from the data in said third memory means ouput pulses in said controlled progression; and

audio output means for generating and sounding the notes of the selected musical voice-related pattern corresponding to said output pulses generated by said processing means, whereby an arpeggio commences upon the playing of one or more keys and continues until all the keys are released.

2. The apparatus as claimed in claim 1 wherein said audio output means sounds each note of the selected musical voice-related pattern as the processing means generates data for that note.

3. The apparatus as claimed in claim 1 wherein said first memory means stores data representing notes of the keys played for only the lowest played keys up to a predetermined number of keys.

4. The apparatus as claimed in claim 1 wherein said first memory means stores the exact positions of the played keys on a descending scale basis with respect to a preselected note with the lowest note stored first.

5. The apparatus of claim 1 wherein said processing means includes counter means for controlling the length of said output pulses applied to said audio output means.

6. The apparatus as claimed in claim 1 wherein said selector means initially detects data in said second memory means representing the lowest note stored in said first memory means and places the lowest note data from said first memory menas into said third memory means.

7. The apparatus as claimed in claim 1 including a first flag means for triggering said selector means to initially detect a note other than the lowest played note stored in said first memory means when said first flag means is in an active condition and wherein data representing the condition of said first flag means is stored in said second memory means.

8. The apparatus as claimed in claim 1 including second flag means for changing the upward progression of the arpeggio to a downward progression when the highest note in said first memory means is reached.

9. The apparatus as claimed in claim 1 including means for deactivating said selector means whenever the highest or lowest note of the group is reached.

10. The apparatus as claimed in claim 1 including means for producing a five-note trill by said audio output means whenever the highest or lowest note in the first memory means is reached.

11. The apparatus as claimed in claim 1 including a second flag means for triggering said selector means to place at least two notes from said first memory means into said third memory means when said second flag means is in an active condition for a current progression, a third flag means for triggering said selector means to skip at least one of the notes detected in said first memory means during the time said selector means places notes in said third memory means in a controlled progression when said third flag means is in an active condition and wherein data representing the conditions of said second and third flag means for a current progression are stored in said second memory means by said sequencing means.

12. The apparatus as claimed in claim 1 including fourth flag means for automatically reversing the direction of said selector means when said fourth flag means is in an active condition and wherein data representing the condition of said fourth flag means is stored in said second memory means.

13. The apparatus of claim 1 wherein said selector means includes a delay counter means for delaying the start of the controlled progression.

14. In an electronic musical instrument having an array of playing keys, an apparatus for generating arpeggios from one or more played keys, said apparatus comprising:

a plurality of stored musical voice-related patterns of tones, each pattern having a controlled number of sequenctial progressons;

musical voice means for selecting one of said plurality of musical voice-related patterns of tones;

means for selecting a rhythm synchronization variation;

first memory means for storing data representing notes of the keys played and notes of the same nomenclature in higher octaves;

second memory means for storing data representing the lowest note and highest note stored in said first memory means, said selected musical voice-related pattern, and the selected rhythm synchronization variation;

selector means for scanning said first and second memory means and for detecting in a controlled progression data repressenting a first note in said first memory means and then data repressenting additional notes from the notes stored in said first memory means;

up/down flag means included in each musical voice-related pattern for controlling the direction of said selector means;

processing means for rearranging and storing the data detected by said selector means in said first memory means and generating output pulses in a controlled progression , said up/down flag means controlling the direction of said controlled progression; and

audio output means for generating and sounding the notes of the selected musical voice-related pattern corresponding to said output pulses generated by said processing means, whereby an arpeggio commences upon the playing of one or more keys and continues until all the keys are released.

15. A method for automatically generating arpeggios from an array of playing keys in an electronic musical instrument comprising the steps of:

selecting at least one musical voice-related pattern of tones from which tonal sequences will be sounded;

selecting a rhythm synchronization variation;

selecting an upward or downward sequential progression for the arpeggio;

storing data in a first random access memory representing the notes of keys played and the notes in higher octaves corresponding to the keys played;

storing data in a second random access memory representing the lowest note and highest note stored in said first random access memory, the selected musical voice-related pattern, and the direction of a current progression of the arpeggio;

scanning said first and second random access memories and selecting the stored data representing the note of the lowest played key from said first random access memory and storing said data in a third random access memory, then selecting additional notes from the notes available in the first random access memory according to the data stored in the second random access memory and storing those notes in said third random access memory ; and

sounding each note stored in said third random access memory in accordance with the selected musical voice-related pattern.

16. The method of claim 15 including the step of storing at least three notes of a chord in said random access memory even if just one note is played.

17. The method of claim 15 including the step of scanning said random access memory by starting at the beginning or in the middle of the stored data.

18. The method of claim 15 including the step of reversing the direction of scanning whenever the highest or lowest note represented by the stored data is reached.

19. The method of claim 15 including the step of reversing the direction of scanning whenever the highest or lowest note represented by the stored data is exceeded.

20. The method of claim 15 including the step of stopping the scanning whenever the highest or lowest note represented by the stored data is detected.

21. The method of claim 15 including the step of stopping the scanning whenever the highest or lowest note stored in said second random access memory is exceeded.

22. The method of claim 15 including the step of sounding a five-note tril whenever the highest or lowest note represented by the stored data is detected or exceeded.

23. The method of claim 15 including the step of skipping stored data representing at least one note during scanning.

24. The method of claim 15 including the step of scanning for stored data representing another not to be sounded simultaneously with the detected note.

25. The method of claim 15 including the step of reversing the direction of scanning when the first flag in said second random access memory is in an active condition.

26. The method of claim 15 including the step of limiting the arpeggio range in forming a particular arpeggio to an integral number of octaves relative to the starting note of the arpeggio.

27. The method of claim 15 including the step of limiting the notes sounded in forming a particular arpeggio to an integral number of octaves.

28. The method of claim 15 including the step of sounding various combinations of voices with the first voice-related pattern chosen having priority.

29. The method of claim 15 including the step of implementing a first sequence when selecting notes for the arpeggio is in an upward sequential progression and a second sequence when selecting notes for the arpeggio is in a downward sequential progression.

30. The method of claim 15 including the step of sounding the last note at the end of the arpeggio twice.

31. The method of claim 15 including the step of scanning upward and downward for data representing the notes stored in said first random access memory to produce various sized note groups, chords, and up-down sequences thereby allowing the arpeggio to initially progress upward or downward depending upon the active conditions of the selected sequential progressions.

32. The method of claim 23 including the step using a first look up table to control the skipping of stored data and using a second look up table to control the skipping of stored data when more than three notes per octave are available in the stored data.