Method of producing a mosaic expression on fabric

• US 4,675,023 A
• Filed: 06/13/1985
• Issued: 06/23/1987
• Est. Priority Date: 06/13/1985
• Status: Expired due to Fees

• Current Assignee: Barbara Hyink
• Original Assignee: Barbara Hyink
• Inventors: Hyink, Barbara
• Primary Examiner(s): Lieberman, Paul
• Assistant Examiner(s): THERKORN, LINDA SKALING
• Application Number:
  US06/744,257
• Time in Patent Office: 740 Days
• Field of Search: 8/482, 8/485, 8/478, 8/447, 428/906.6
• US Class Current: 8/447
• CPC Class Codes: D06B 11/0089 the textile material being a surface
• CPC Class Codes: D06B 11/0093 Treatments carried out during or after a regular application of treating materials, in order to get differentiated effects on the textile material
• CPC Class Codes: D06P 5/12 Reserving parts of the material before dyeing or printing ; Locally decreasing dye affinity by chemical means

Abstract

A new and unique method of producing a mosaic-like work of art on a sheet of fabric material. Once the fabric and its basic color is selected, a coating of melted wax is applied to one surface thereof. After the wax is dry, the fabric is crackled so as to form random and skewed cracks. Dye is then applied which penetrates the cracks and is absorbed by the fabric, whereby random skewed lines are left in the fabric after the wax is removed. The random skewed lines define a multiplicity of contiguous areas to be selectively painted so as to render a mosaic-like work of art.

Claims

1. A new and unique process of forming a mosaic-like work of art consisting of the steps of:

providing a fabric material that is capable of being dyed, or inked;

coloring said fabric to form a batik;

applying a melted-wax coating over the surface of said fabric;

allowing said melted wax to dry to a hardened state;

crackling said hardened wax over selected portions of the said fabric, whereby skewed cracks are formed in the waxed surface;

painting an ink over selected cracks in the wax, whereby said ink penetrates through said cracks and is absorbed in said fabric, thereby defining skewed lines thereon without bleeding into the fabric;

removing said wax from said fabric by melting the wax with heat and absorbing the melted wax with an absorbent material, sufficient wax being retained to leave the fabric in a flexible, but stiffened condition, and permit inking a mosaic thereon without bleeding into the fabric;

selecting a multiplicity of various areas outlined by said skewed lines so as to create the desired artistic design of said work of art; and

,

painting said selected areas in ink to form a mosaic overlaying the said coloring so as to complete the rendition of said work of art.

2. A new and unique process as recited in claim 1, wherein at least three or more random skewed lines define each contiguous area to be selectively painted.

3. A mosaic-like work of art, comprising:

a. a fabric material adapted for dyeing or inking, the fabric having imprinted thereon a batik pattern; and

,

b. a mosaic pattern superimposed over the batik pattern, the mosaic pattern being form by the steps, comprising;

i. applying a melted-wax coating over the surface of said fabric;

ii. allowing said melted wax to dry to a hardened state;

iii. crackling said hardened wax over selected portions of the said fabric, whereby skewed cracks are formed in the waxed surface;

iv. painting an ink over selected cracks in the wax, whereby said ink penetrates through said cracks and is absorbed in said fabric, thereby defining skewed lines thereon without bleeding into the fabric;

v. removing said wax from said fabric by melting the wax with heat and absorbing the melted wax with an absorbent material, sufficient wax being retained to leave the fabric in a flexible, but stiffened condition, and permit inking a mosaic thereon without bleeding into the fabric;

vi. selecting a multiplicity of various areas outlined by said skewed lines so as to create the desired artistic design of said work of art; and

,

vii. painting said selected areas in ink to form a mosaic overlaying the said coloring so as to complete the rendition of said work of art.