Technique for contouring amplitude of musical notes based on their relationship to the succeeding note

• US 4,999,773 A
• Filed: 08/02/1988
• Issued: 03/12/1991
• Est. Priority Date: 11/15/1983
• Status: Expired due to Fees

• Current Assignee: Clynes, Manfred
• Original Assignee: Clynes, Manfred
• Inventors: Clynes, Manfred
• Primary Examiner(s): NOT, DEFINED
• Application Number:
  US07/227,108
• Time in Patent Office: 952 Days
• Field of Search: 364/419, 84/1.03, 84/1.19, 84/1.24, 84/1.25, 84/1.26, 84/1.27, 84/DIG. 4, 84/DIG. 5, 84/DIG. 12, 84/622, 84/626, 84/635
• US Class Current: 84/622
• CPC Class Codes: G10H 1/02 Means for controlling the tone frequencies, e.g. attack or decay; Means for producing special musical effects, e.g. vibratos or glissandos
• CPC Class Codes: G10H 5/002 Instruments using voltage controlled oscillators and amplifiers or voltage controlled oscillators and filters, e.g. Synthesisers

Abstract

A technique for imparting an emotionally expressive microstructure to the respective notes in the score of a musical composition constituted by successive notes whose notation gives the nominal value for each note in regard to its pitch and duration. The techinque includes the steps of entering into a digital computer data representing the nominal pitch and duration of each of the successive notes in the musical score to be processed therein; processing the notes in the computer to contour the amplitude of each note in accordance with its relationship to the succeeding note in the score; and generating and audibly reproducing tones representing the amplitude-contoured notes in the processed score to impart expression to the reproduced music derived therefrom.

Claims

1. A technique for imparting an emotionally expressive microstructure to the respective notes in the score of a musical composition constituted by successive notes whose notation gives the nominal value for each note in regard to its pitch and duration, said technique comprising the steps of:

(A) entering into a digital computer data representing the nominal pitch and duration of each of the successive notes in the musical score to be processed therein;

(B) processing the notes in the computer to contour the amplitude of each note in accordance with its relationship to the succeeding note in the score; and

(C) generating and audibly reproducing tones representing the amplitude-contoured notes in the processed score to impart expression to the reproduced music derived therefrom.

2. A technique as set forth in claim 1, in which in the step in which the amplitude of each note is contoured, each note is skewed forward from a neutral shape if the next note is higher in pitch and is skewed backwards if the next note is lower in pitch.

3. A technique as set forth in claim 1, in which in the step in which the amplitude of each note is contoured, the desired amplitude contour for each note is determined by two parameters of a beta function.

4. A technique as set forth in claim 3, wherein no changes are made in beta function values throughout the score.

5. A technique as set forth in claim 1 further including a processing step in which the notes are processed to effect changes in the vibrato of each note in accordance with its relationship to the succeeding note in the score.

6. A technique as set forth in claim 1, further including a processing step in which the notes are processed to effect changes in the timbre of each note.

7. A process as set forth in claim 6, wherein the step in which timbre is imparted to each note having a tone of nominal pitch by generating a sinusoidal wave of the same frequency and combining this wave with a non-sinusoidal wave of the same period to produce harmonics of the sinusoidal wave.

8. A technique as set forth in claim 1, further including a processing step to effect changes in the relative loudness of each note being processed.