Electric stringless toy guitar

• US 5,095,799 A
• Filed: 09/19/1988
• Issued: 03/17/1992
• Est. Priority Date: 09/19/1988
• Status: Expired due to Fees

• Current Assignee: Meyer, Charles S., Milner, Ronald E., Stephen M. Wallace
• Original Assignee: Meyer, Charles S., Milner, Ronald E., Stephen M. Wallace
• Inventors: Meyer, Charles S., Milner, Ronald E., Wallace, Stephen M.
• Primary Examiner(s): Grimley, A. T.
• Assistant Examiner(s): Smith, Matthew S.
• Application Number:
  US07/245,563
• Time in Patent Office: 1,275 Days
• Field of Search: 84/1.14-1.16, 84/1.03, 84/1.01, 84/DIG. 12, 84/1.13, 84/1.26, 84/DIG. 4, 84/1.25, 84/1.27, 84/1.28, 84/DIG. 2, 84/22, 84/29 , 84/601, 84/602, 84/609-615, 84/618, 84/622, 84/625-627, 84/629, 84/634-638, 84/671, 84/672, 84/678, 84/684, 84/692, 84/694-695 , 84/701-703, 84/706, 84/713-715, 84/DIG. 26, 446/408, 446/143
• US Class Current: 84/609
• CPC Class Codes: G10H 1/342 for guitar-like instruments with or without strings and with a neck on which switches or string-fret contacts are used to detect the notes being played electric guitars in which the tones are generated by the vibration of strings G10H3/18

Abstract

An electronic musical instrument shaped like an electric guitar sounds individual notes that are synthesized to sound like an electric guitar. These notes may either be selected randomly selected by a player or from segments of prearranged musical tracks. The instrument provides for maintaining the tempo of manually played or preprogrammed notes, synchronizing the transitions between sequentially selected musical tracks, overlaying manual notes on the tracks, and a number of electric guitar-like sound effects including vibrato, chorus, overdrive, slurs and soft picks.

Claims

1. An electric musical instrument comprising:

means for storing information defining the notes and timing of different preprogrammed musical tracks;

a number of manually operable track buttons, each associated with a different preprogrammed musical track;

means for sounding the notes of a preprogrammed musical track in response to the activation of the associated track button; and

tempo means for synchronizing the sound of the sounded notes with a clock signal;

wherein if a second track button is activated while a previously activated track button is still active, the sounding of the first musical track is suppressed and the second musical track is sounded without loss of tempo at the next quarter beat time from an intermediate time position in the second musical track corresponding to the time position in the first track.

2. An electric musical instrument comprising:

means for storing information defining the notes and timing of the different preprogrammed musical tracks;

a number of manually operable track buttons, each associated with a different preprogrammed musical track;

a number of manually operable note buttons, each button associated with a different musical note;

tempo means for synchronizing the sound of the sounded notes with a clock signal; and

tone generator means for generating an electrical signal corresponding to the notes of a preprogrammed musical track in response to the activation of the corresponding track button and for generating an electrical signal corresponding to a note in response to the activation of each of the corresponding note buttons, wherein the notes of any preprogrammed musical track are suppressed during the generation of the electrical signal corresponding to a note associated with a manually activated note button;

wherein if a track button has remained activated during the activation and release of a note button, the musical track will resume play after the release of the note button at the same place in the track as it would have been if the play of the track had not been suppressed, and wherein the suppressed track will resume play only after the note button is released and a delay of an eighth beat has elapsed without another manual note being played.

3. A frequency generator for use in a musical tone generator for generating a frequency independent of variations in the power supply voltage, said frequency generator comprising:

a digital-to-analog converter for providing an anlaog signal proportional to a power supply voltage and a digital value;

a tuning potentiometer coupled to the digital-to-analog converter for providing a pitch signal proportional to the analog signal and the position of the potentiometer;

a bias signal generator for generating a bias signal proportional to the power supply voltage; and

a voltage controlled oscillator coupled to the bias signal generator and to the tuning potentiometer for providing a periodic signal having a frequency proportional to the pitch signal and inversely proportional to the bias signal.

4. An electric musical instrument including a circuit for simulating an overdrive effect of an electric guitar, the circuit comprising:

frequency generator means for providing a periodic waveform having a first frequency;

a comparator having a first input, a second input, and an output;

a first diode having an anode coupled to the first input of the comparator and having a cathode;

a second diode having an cathode coupled to the second input of the comparator and having an anode coupled to the cathode of the first diode;

a power supply connection;

a ground connection;

a resistive voltage divider coupled between the power supply connection and the ground connection and having an upper and a lower tap;

a first resistor coupled between the upper tap and the first input of the comparator;

a second resistor coupled between the lower tap and the second input of the comparator; and

a capacitor having a first terminal coupled to the frequency generator means for receiving the periodic waveform and having a second terminal coupled to the cathode of the first diode.

5. An electric musical instrument including a tone generator for simulating an electric guitar as in claim 4 further comprising deactivation means comprising:

a third diode having a cathode coupled to the second input of the comparator;

a fourth diode having a cathode and having an anode coupled to the anode of the third diode;

control signal generator means for selectively coupling a ground or a high impedance to the cathode of the fourth diode, and

a third resistor having a first terminal coupled to the anodes of the third and fourth diodes and having a second terminal coupled to the first terminal of the capacitor.

6. Sound producing apparatus for generating triplets comprising:

a number of manually operable note buttons, each associated with a different musical note;

means for sounding a note in response to the activation of each of the note buttons; and

automatic triplet generator means for detecting when a first, a second and a third note button are all active at the same time, for suppressing the sounding of the note buttons by the means for sounding in response to said detection, and for sounding a triplet in response to said detection.

7. Sound producing apparatus for generating triplets as in claim 6 wherein said triplet comprises three consecutive notes of a musical scale including a note associated with the second note button.

8. Sound producing apparatus for generating triplets as in claim 6 further comprising tempo means for synchronizing the sounding of the notes produced by the means for sounding and the play of the triplet with a clock signal.

9. Sound producing apparatus for generating triplets as in claim 6 wherein the first two note buttons played are used to determine the starting pitch and the direction of the triplet, up or down, based on the relationship of the first two notes;

if the direction of the triplet is up, then the triplet is composed by playing the note below note 2 (the second note), note 2, and the note above note 2;

if the direction of the triplet is down, the triplet is composed by playing the note above note 2, note 2, and the note below note 2.

10. Sound producing apparatus for generating triplets as in claim 9 wherein the triplet is played repetitively in response to the continued detection of a first, a second and a third note buttons being pressed simultaneously.

11. Sound producing apparatus for generating triplets comprising:

a number of manually operable note buttons, each associated with a different musical note;

means for sounding a note in response to the activation of each of the note buttons; and

automatic triplet generator means for detecting when a first, a second and a third note button are all active at the same time, for suppressing the sounding of the note buttons in response to said detection, and for sounding a triplet in response to said detection; and

tempo means for synchronizing the sounding of the notes produced by the means for sounding and the play of the triplet with a clock signal;

wherein said triplet comprises three consecutive notes of a musical scale including a note associated with the second note button and the first two note buttons played are used to determine the starting pitch and the direction of the triplet, up or down, based on the relationship of the first two notes;

wherein if the direction of the triplet is up, then the triplet is composed by playing the note below note 2 (the second note), note 2, and the note above note 2;

or if the direction of the triplet is down, the triplet is composed by playing the note above note 2, note 2, and the note below note 2.

12. Sound producing apparatus for generating triplets as in claim 11 wherein the triplet is played repetitively in response to the continued detection of a first, a second, and a third note buttons all being active at the same time.