Method for transitioning between two different frame rates during a showing of a single motion picture film

• US 5,096,286 A
• Filed: 03/07/1990
• Issued: 03/17/1992
• Est. Priority Date: 03/07/1990
• Status: Expired due to Fees

• Current Assignee: Weisgerber, Robert C.
• Original Assignee: Weisgerber, Robert C.
• Inventors: Weisgerber, Robert C.
• Primary Examiner(s): Hayes, Monroe H.
• Application Number:
  US07/489,962
• Time in Patent Office: 741 Days
• Field of Search: 352/91 R, 352/91 C, 352/91 S, 352/121, 352/167, 352/180, 352/40
• US Class Current: 352/40
• CPC Class Codes: G03B 21/32 Details specially adapted for motion-picture projection with film moving continuously through the gate G03B41/02
• CPC Class Codes: G03B 21/48 for altering frame speed; for regulating constancy of film speed

Abstract

A method is disclosed whereby a motion picture projector is equipped to operate at two or more different speeds, such as 24 and 30 frames per second. It is envisioned that different parts of a motion picture may be recorded at different frame rates, to variably impart a highly intense effect upon the audience, expanding the parameters of creative control for the producer of the film. In operation, the method described facilitates switching between these different frame rates, both during the presentation of a single motion picture and between pictures. Cue signals recorded onto the film actuate the change in speed. The projector is automatically set to switch operation into a different speed, and the frames of the film that will be shown during the transitional period are prepared to give the audience the impression of a smooth transition between speeds. Alternate frames to be shown during this transitional period are underexposed, the degree of underexposure increasing or decreasing linearly until the new speed is attained. The illusion of flicker is thus created during transition, so that the audience will perceive flicker as disappearing suddenly at the higher speed, or appearing suddenly as soon as deceleration begins. Audio information is digitally processed to be played back at the marginal speed of each specific frame as it is projected. The system described can be combined with other elements of a high-impact picture-dominance system, such as a high level of screen brightness and the expansion of a film image to provide a highly realistic experience.

Claims

1. A method for preparing a finite length of motion picture film, during the projection of which the frame rate at which said film is projected increases or decreases as part of a series of events which accommodate a change from one projector frame rate to another during the showing of a single motion picture, comprising:

the selection of a specific number of frames of said film for preparation, representing a specific time interval, over the course of which said frame rate change is fully accomplished;

underexposure of selected frames to be projected during the period of transition from one frame rate to another, with the effect that the illusion of flicker is maintained during the period of transition from one frame rate to another; and

recording the audio information to be reproduced during said transitional period, on a frame-by-frame basis, at frequencies commensurate with the speed at which each particular frame is projected, with the effect that audience members hearing such audio information will not notice said speed change.

2. The method as in claim 1, in which the length of the transitional period is sixty frames.

3. The method as in claim 2, in which the maximum amount of underexposure is one half of one f-stop.

4. The method as in claim 1, in which the frames to be underexposed are evenly spaced along said film, separated by frames of film that are fully exposed.

5. The method as in claim 4, in which every other frame is underexposed.

6. The method as in claim 1, in which the amount of underexposure for each underexposed frame increases or decreases at a constant rate from each underexposed frame to the next.

7. The method as in claim 6, in which the amount of underexposure increases as frame rate increases and decreases as frame rate decreases.

8. The method in claim 6, in which the amount of underexposure increases or decreases from one underexposed frame to the next by a fraction in which the numerator is the numerator of the fractional expression representing the number of f-stops constituting the maximum amount of underexposure to be administered;

and the denominator is the product of the denominator of the fractional expression representing the number of f-stops constituting the maximum amount of underexposure to be administered, and the number of frames during said transitional period that are underexposed.

9. The method as in claim 8, in which the maximum amount of underexposure occurs in the penultimate frame and the minimum amount of underexposure occurs in the first frame of the transition from a slower frame rate to a faster frame rate.

10. The method as in claim 8, in which the maximum amount of underexposure occurs in the first frame and the minimum amount of underexposure occurs in the penultimate frame of the transition from a faster frame rate to a slower frame rate.

11. The method as in claim 1, in which audio information recorded in the digital mode is transferred to the film to be projected during said transitional period on a frame-by-frame basis, the frequencies at which said audio information is to be reproduced having been altered for reproduction at the speed at which said frame is traveling at the moment when it passes through the projector.

12. The method as in claim 1, further comprising a means for operating a film projector at two or more different speeds.

13. The method as in claim 12, in which said means comprises a variable frequency power supply capable of providing alternating current at two or more reference frequencies and an AC synchronous motor which accepts such power and actuates the movement of the film to be shown through said projector.

14. The method as in claim 13, in which said projector is operated at the rate of twenty-four frames per second through the provision of alternating current at the frequency of sixty Hertz and thirty frames per second through the provision of alternating current at the frequency of seventy-five Hertz.

15. The method as in claim 14, in which the transition from 24 to 30 frames per second is accomplished over the length of 60 frames of film by underexposing the first frame by one sixtieth of one f-stop and subsequently increasing the magnitude of the underexposure of each odd-numbered frame by one sixtieth of one f-stop, concluding with the fifty-ninth frame photographed underexposed by one half of one f-stop.

16. The method as in claim 15, in which the transition from 30 to 24 frames per second is accomplished over the length of 60 frames of film by underexposing the first frame by one half of one f-stop and subsequently decreasing the magnitude of the underexposure of each off-numbered frame by one sixtieth of one f-stop, concluding with the fifty-ninth frame photographed by one sixtieth of one f-stop.

17. The method as in claim 1, further comprising increasing screen brightness from conventional levels to a level which allows a greater visual impact to be observed by the viewers of said motion picture, for projection only of the frames that are shown at the higher frame rate.

18. The method as in claim 17, in which said increased screen brightness is twenty foot-lamberts or more.

19. A method for achieving a transition from one projector frame rate to another during the showing of a motion picture, where the improvement consists of sequentially and variably altering the amount of underexposure of selected evenly-spaced frames of film to produce the illusion of flicker during said frame rate transition.