Image making medium

• US 8,921,473 B1
• Filed: 04/28/2005
• Issued: 12/30/2014
• Est. Priority Date: 04/30/2004
• Status: Active Grant

• Current Assignee: Sydney Hyman
• Original Assignee: Sydney Hyman
• Inventors: Hyman, Sydney
• Primary Examiner(s): CAIN, EDWARD J
• Application Number:
  US11/118,975
• Time in Patent Office: 3,533 Days
• Field of Search: 423/445.R, 423/DIG.39, 423/DIG.40, 524/445, 524/495, 524/496
• US Class Current: 524/445
• CPC Class Codes: B41M 5/00 Duplicating or marking methods; Sheet materials for use therein by using light-sensitive materials G03; electrography, magnetography G03G ; repeatedly usable boards or tablets for writing or drawing B43L1/00
• CPC Class Codes: C08K 3/04 Carbon

Abstract

The invention relates to an image support medium for creation of an aesthetic image that is a work or object for display. This support medium is made from a smart or intelligent material so that the medium provides or enables formation of an image having at least one aesthetic element that can be responsive, interactive, controlled, changed, programmed, and/or modulated. The support medium can further comprise stimuli, triggers or influences that cause the smart or intelligent material to respond to change shape, size, volume, density, light properties, color, appearance, and/or another physical property of the aesthetic element. In a preferred embodiment, the smart or intelligent material is reversibly responsive to the stimuli, triggers or influences.

Claims

1. A method for making a mural with, upon or from an image-making support medium that is a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas or mural support, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

preparing the work with at least one ingredient or part so that it has the form of a mural,

making the macroscopic work of, from or incorporating at least one nanomaterial, and

making the work with distinct edges or boundaries;

preparing the work with means for creating and showing a two or three-dimensional aesthetic, picture or design that can be seen from one or more sides or angles,

making the work as or developing it into an aesthetic mural with a visible purpose for visual observation or display,

integrating all of its elements visibly into the work as one whole, and

creating the aesthetic mural as or developing it into macroscopic two or three-dimensional art that is;

pictorial;

fine art free of utilitarian function;

a design;

showing;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, collage, a pattern or a depiction or representation of a recognizable subject;

or art that is a combination of these, and

making the aesthetic mural so that it is free of being purely commercial or informational, and

making the aesthetic mural free of a computer, or making the aesthetic mural with a computer that serves the purpose described in this claim and making the work other than a conventional computer.

15. The method of claim 1, in which the image-making support medium and/or the mural are two or three-dimensional, and also one or more of:

(i) pictorial;

kinetic;

fine art;

a work of design or architecture;

(ii) showing;

a figure, an animal, a still life, landscape, nature, the sky, light of a sky, a part or aspect of any of these;

subject matter that is not physically present;

drawing;

collage;

a pattern;

a depiction or representation of a recognizable subject;

a two-dimensional depiction of three-dimensional form;

showing at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

(iii) with at least one light effect;

or capable of emitting light, capable of serving as a light fixture and/or as lighting design;

(iv) with at least part or with the entire work capable of changing over time or self-actuating, capable of being changed, or capable of being changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input, using a wireless means, the Internet or a broadcast method;

(v) the mural is two or three-dimensional, and with a form that is partially or entirely;

transparent, translucent, opaque, rigid, inflexible, flexible;

capable of rolling, scrolling and/or folding;

with at least one curve, angle or undulation;

made with two or more parts or layers that are joined or separate;

layered;

made with a layer, part or other ingredient that enhances permanence or stability;

made with at least one image support, image support stabilizer, strengthening stabilizer, underlayer, frame, framework, support or bracing;

or any combination of these;

(vi) the mural has;

means of installation or display;

it has means of display on or in a wall or vertical surface;

it has a mount, a mount part or means of mounting;

it has means enabling it to roll out, roll up, scroll, fold or unfold;

it has a hook, wire, holes and/or means to enable it to be hung;

or it has a combination of these; and

/or

the mural has one or more parts for mounting, installation or display, one or more utilitarian parts;

electronics, wiring, cords, control buttons, it'"'"'s battery or power source;

a framework, support or bracing;

an interactive feature or part, and/or most or all of it'"'"'s utilitarian elements hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole;

(vii) the mural is part or all of;

an architectural form or structure, a wall, a work of design, a door, a ceiling, a floor, a building faç

ade, a window, a skylight, a lunette, a stage set, a partition, a screen, furniture, a table, a cabinet, a case or container, a shade, a grouping or set of tiles, a freestanding work, craft design;

a work that functions as lighting;

a set, grouping or compositional arrangement of forms that is a single work of art, design or architecture;

or any combination of these;

or

(viii) a combination of any of these.

2. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

developing the work so that it shows at least one pictorial, artwork or design element that can be seen from one or more of the work'"'"'s sides or angles;

preparing the work as or developing it into an aesthetic work; and

preparing it according to one or more of (A)-(D);

(A) integrating the aesthetic work'"'"'s utilitarian elements visibly into the work as a whole, including any wiring, batteries and utilitarian mount parts the work might have, so that most or all of it'"'"'s utilitarian elements are hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole;

(B) preparing the aesthetic work for viewing with one or more of;

a framework, a support or bracing hidden from viewer'"'"'s visibility;

a matt or a frame;

a rigid mount system, a wire mount system, or a combination rigid and wire mount system;

means of installation, mounting or display that leaves space between it and the wall, ceiling, floor or other structure from which it is installed, mounted or displayed;

preparing the aesthetic work with a base, a stand or a pedestal for viewing;

or preparing the aesthetic work with means by which at least part of it can scroll, roll out and/or physically unfold;

(C) preparing the aesthetic work with a fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artists'"'"' paints; and

/or

(D) making the aesthetic work so that the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass are different from what this ratio would be if it were entirely free of nanomaterials such that the aesthetic work is either;

(i) stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if the work were entirely free of nanomaterials;

or

(ii) about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if the work were entirely free of nanomaterials; and

making the aesthetic work prepared according to one or more of (A)-(D) above, with a visible overall aesthetic and with a visible purpose for visual observation or display,

integrating all of the aesthetic work'"'"'s elements visibly into the work as one whole, and

creating the aesthetic work as or developing it into macroscopic, two or three-dimensional art that is;

pictorial;

sculpture, a mural, a kinetic work, a mobile, an openwork art form, or fine art free of utilitarian function;

a design;

with means of display as art;

showing;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, collage, a pattern, or a depiction or representation of a recognizable subject;

or art that is a combination of these, and

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

16. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made with most or all their utilitarian elements hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at it as a whole.

17. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made with one or more of:

a framework, a support or bracing hidden from viewer'"'"'s visibility.

18. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made such that at least part of it can scroll, roll out and/or physically unfold.

19. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made with one or more of:

a matt or a frame;

a rigid mount system, a wire mount system, or a combination rigid and wire mount system;

means of installation, mounting or display that leaves space between it and the wall, ceiling, floor or other structure from which it is installed, mounted or displayed; and

/or a base, a stand or a pedestal for viewing.

20. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made with:

a fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artists'"'"' paints;

at least one fine art stabilizer that is or has at least one nanomaterial;

or at least one fine art stabilizer that is a combination of these.

21. The method of claim 2, in which the image-making support medium, the aesthetic work and/or the work or art, design or architecture are made with a ratio of strength to weight, structure, form and/or mass different from the ratio the work would have if it were made entirely free of nanomaterials such that:

(i) the work is stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if the work were entirely free of nanomaterials;

or

(ii) the work is about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if the work were entirely free of nanomaterials.

3. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

developing the work so that it shows at least one pictorial, artwork or design element that can be seen from one or more of the work'"'"'s sides or angles;

preparing the work as or developing it into an aesthetic work; and

preparing it according to one or more of (A)-(D);

(A) creating the aesthetic work as or developing it into macroscopic, two or three-dimensional art, and hanging, installing or mounting it for display as art;

(B) cleaning the surface of the image-making support medium or the aesthetic work sufficiently to render it receptive to superimposed artists'"'"' paint, so that it has enhanced bond strength and permanence;

(C) creating a two or three-dimensional, pictorial, artwork or design element by adding to the work and/or by subtracting from it so that this pictorial, artwork or design element can be seen from one or more of the work'"'"'s sides or angles; and

/or

(D) creating a visible, two or three dimensional, pictorial, artwork or design element that employs light emitted from and/or transmitted through part or all of the aesthetic work that can be seen from one or more of it'"'"'s sides or angles; and

making the aesthetic work prepared according to one or more of (A)-(D) above, with a visible overall aesthetic and with a visible purpose for visual observation or display,

integrating all of the aesthetic work'"'"'s elements visibly into the work as one whole, and

creating the aesthetic work as or developing it into macroscopic, two or three-dimensional art that is;

pictorial;

sculpture, a mural, a kinetic work, a mobile, an openwork art form, or fine art free of utilitarian function;

a design;

with means of display as art;

showing;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, collage, a pattern, or a depiction or representation of a recognizable subject;

or art that is a combination of these, and,

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

4. The method of claim 3 in which the aesthetic work has or is:

(a) an organic light emitting diode (OLED);

(b) at least one small molecule which provides, enables, enhances, or contributes to light emission;

(c) a light emitting device or a light emitting device made with at least one nanomaterial;

(d) a light emitting transistor, an organic transistor, a transistor that is at least partially transparent or translucent, or a transistor that is a combination of these;

(e) a form that is at least partially transparent or translucent, or such a form that is made with at least one nanomaterial;

(f) a work made with one or a combination of these variations that has at least one light effect, is photochromic and/or electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, such a work that has a power source, a solar cell, and/or photovoltaics;

(g) a work made with one or a combination of theses variations that is capable of changing over time or of being changed in a process in which it is active rather than entirely passive, or in a process using it'"'"'s ability to be interactive, programmed, responsive or responsive to input, a trigger, a stimulant, an influence, wireless communication, the Internet or a broadcast, or any combination of these;

or (h) any combination of these.

22. The method of claim 3, in which the work of art, design or architecture is:

prepared with means of display as art;

it is displayed as art;

it is hung, installed or mounted for display;

or a combination of these.

23. The method of claim 3, in which part or all of the surface of the image-making support medium, the aesthetic work and/or the work of art, design or architecture is cleaned sufficiently to render it receptive to superimposed artists'"'"' paint, so that it has enhanced bond strength and permanence.

24. The method of claim 3, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture have:

a visible, two or three-dimensional, pictorial, artwork or design element made by adding to the work and/or by subtracting from it; and

/or the work has at least one aesthetic property from inlay, incising or carving; and

part or all of the work;

can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or

the work has a combination of any of these.

25. The method of claim 3, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with one or more visible, two or three dimensional, pictorial, artwork or design elements that employ light emitted from part or all of the work, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

26. The method of claim 3, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with one or more visible, two or three dimensional, pictorial, artwork or design elements that employ light transmitted through part or all of the work, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

5. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

developing the work so that it shows at least one pictorial, artwork or design element that can be seen from one or more of the work'"'"'s sides or angles;

preparing the work as or developing it into an aesthetic work;

wherein the image-making support or the aesthetic work is prepared according to one or more of (A)-(D);

(A) preparing the work with means of having and using energy from a source that is part of it or separate from it; and

creating a two or three-dimensional visual element that is observed in the work, that employs energy or that is enhanced by or reliant upon a feature of the work that employs energy;

(B) preparing the work with at least one interactive feature that enables the creation, development or change of a visible pictorial, artwork or design element on one or more viewable areas wherein the work is active, with this interactive feature more complex than or other than a conventional on/off switch or dimmer, and also developing the work so that it shows at least one pictorial, artwork or design element that can be seen from one or more of the work'"'"'s sides or angles;

(C) preparing the work with means enabling the creation, development and/or change of a visible pictorial, artwork or design element on one or more viewable areas wherein the work actively responds;

to movement, gesture, light, sound, temperature, the environment, a trigger or a stimulant;

to a subject that is separate from the work and/or not present with it;

to a process that uses sensing, detection or recognition capability, wireless communication, broadcasting, input or the Internet;

or the work actively responds using a combination of these, and in addition, developing the work so that it shows at least one pictorial, artwork or design element that can be observed in the work;

or

(D) creating a two or three-dimensional, pictorial, artwork or design element that can change over time with the work being active, that can be seen from one or more of the work'"'"'s sides or angles, and that is more complex than or other than the visual effect of a conventional on/off switch, or a conventional dimmer, and

making the aesthetic work prepared according to one or more of (A)-(D) above, with a visible overall aesthetic and with a visible purpose for visual observation or display,

integrating all of the aesthetic work'"'"'s elements visibly into the work as one whole, and

creating the aesthetic work as or developing it into macroscopic, two or three-dimensional art that is;

pictorial;

sculpture, a mural, a kinetic work, a mobile, an openwork art form, or fine art free of utilitarian function;

a design;

with means of display as art;

showing;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, collage, a pattern, or a depiction or representation of a recognizable subject;

or art that is a combination of these, and,

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

27. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with one or more of:

means of having and using energy from a source that is part of it or separate from it;

a power source, a battery, a thin film battery, a solar cell or panel;

a non-silicon solar or photovoltaic cell;

a photovoltaic device or cell;

a circuit, conductive ink, or a composition, material or technology that provides or carries power;

one or more of these made with at least one nanomaterial, carbon nanotube or carbon nanomaterial;

means of conducting energy or electricity using at least one nanomaterial;

or one of these that is at least partially transparent or translucent, flexible, thin or very thin;

or a combination of these.

28. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with or as:

a visible display device that has multiple non-light-emissive colorants capable of changing their visibility, their color or both with energy, to create a visual effect sufficient to enable at least a portion of the work to have a display that can show a visible aesthetic, design or pictorial element, and this is a work of design for viewing or display apart from direct contact with the human body rather than worn on it;

or this is a work of fine art or architecture.

29. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with or as a technology, material or display that is one or more of:

electronic paper;

an e-material;

electro-optic, reflective, a reflective display, a non-light-emitting display, bistable and/or electrophoretic.

30. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with or as a technology, material or display prepared with:

(i) cells, globes, capsules, spheres, a honeycomb structure, or enclosed parts, electrochromic molecules, conductive polymer, liquid crystal, cholesteric liquid crystal, micro-variations of any of these, or organic electronics;

(ii) parts that show different coloration when their position changes or when the position of their contents or parts changes;

(iii) non-light-emissive colorants in one or multiple microcapsules; and

/or

(iv) charged non-light-emissive colorants that are able to change from visible to hidden, or from hidden to visible with electrical current which causes their position to change within a fluid with respect to an electrode.

31. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with at least one interactive feature, it is made with at least one interactive feature in which the work is capable of being responsive, or it is made with at least one of these features that enables the creation, development or change of a visible pictorial, artwork or design element on one or more viewable areas with the work being active, and this interactive feature is more complex than or other than a conventional on/off switch or dimmer, or

the work has at least one such interactive feature and:

it has a control mechanism or device;

it has means or a part that enables it or part of it to be controlled, modulated or changed;

it is capable of using a trigger, stimulant or influence;

it has sensing, detection or recognition capability;

it has means of activation, input, or programming;

it is capable of using a wireless connection, the Internet or a broadcast method;

or the work has a combination of these.

32. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling:

(i) the work to actively respond to light or to changes in light, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to light or changes in light;

(ii) the work to visibly change as a whole or partially, in relation to change in natural light, skylight or nature, or such visible change that resembles or looks like change in natural light, skylight or nature;

(iii) the work or part of it to be capable of changing;

self-actuating;

using a control mechanism or device;

using means or a part that enables it or part of it to be controlled, modulated or changed;

using a trigger, stimulant or influence;

using sensing, detection or recognition capability;

using means of activation, input, or programming;

using a wireless connection, the Internet or a broadcast method;

or a combination of these;

(iv) the work to produce sound, music and/or voice, and/or respond to sound, music or voice;

(v) the work to have one or more of the variations above that is part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

-a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural or

(vi) any combination of any of these.

33. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond to one or more triggers and/or stimulants, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to one or more triggers and/or stimulants, or

the work is capable of at least one of these kinds of active responses and it includes:

use of a control mechanism or device;

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

34. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond to movement and/or gesture, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to movement and/or gesture, or

the work is capable of at least one of these kinds of active responses and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

35. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond to temperature, to heat, to the environment, to an aspect of one or more of these, or to a combination of these, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to temperature, to the environment, to an aspect of one or both of these, or to a combination of these, or

the work is capable of at least one of these kinds of active responses and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

36. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling interacting with, controlling and/or changing the work from a distance, using the Internet, using a wireless connection, or using a broadcast method, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to a subject that is separate from it and/or not present with it, or

the work is capable of at least one of these and it uses:

a trigger, stimulant or influence;

sensing, detection or recognition capability;

programming;

a wireless connection, the Internet or a broadcast method;

or a combination of these.

37. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond in a process that uses sensing, detection and/or recognition capability, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses sensing, detection and/or recognition capability.

38. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond in a process that uses the Internet, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses the Internet.

39. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively respond in a process that uses means of input or means of viewer input, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses means of input or means of viewer input, or

the work is capable of at least one of these kinds of active responses and it includes:

the work changing or self-actuating;

use of a control mechanism or device;

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

40. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with a two or three-dimensional, pictorial, artwork or design element, or at least one aesthetic element that can change over time with the work being active, that can be seen from one or more of the work'"'"'s sides or angles, and that is more complex than or other than the visual effect of a conventional on/off switch, or a conventional dimmer.

41. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to use a wireless connection, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process that uses a wireless connection, or

the work is capable of at least one of these variations and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of the Internet or a broadcast method;

or a combination of these.

42. The method of claim 5, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared or developed with means enabling it to actively use a broadcast, or enabling the creation, development and/or change of a visible pictorial, artwork or design element using a broadcast, or

the work is capable of at least one of these variations and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection or the Internet;

or a combination of these.

43. The method of claim 5, in which the work or the image-making support medium is made with one or more of the components or properties below:

A) it is capable of being responsive, self-actuating, interactive, controlled, modulated, changed and/or programmed, or it has a part with this capability;

it has this capability when stimulated, activated, influenced or triggered or when externally stimulated, activated, influenced or triggered;

B) use of the capability in A) above causes or assists in causing the image or the image-making support medium, or at least one of their aesthetic elements;

to change, modulate, move or stop moving;

to be visible, hidden, audible or silent;

or to change it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property, or a visible aesthetic property;

C) the work or the image-making support medium has means, a part, an area, a layer, an element, a device or a mechanism that can be activated, stimulated, triggered or used by;

a person intentionally or unintentionally, the environment, temperature, heat, radiation, light, movement, acidity or pH, magnetism or magnetic field, a solvent, a chemical, a liquid, moisture, pressure, stress, programming, electricity, ionic energy, an electron beam, or by change in any of these, and this causes or assists in causing change, modulation or another response in the image, in the image-making support medium, in a part of one of these or in one or more of their aesthetic elements;

D) the work or the image-making support medium is prepared with one or more of;

programming, means which enables it to be programmed;

a computer, part of a computer or memory;

an interactive part, means device or system;

sound, music, light, or the presence and the absence of sound, magnetism or a magnetic force, music or light;

a microphone or a speaker;

a control mechanism or device;

a viewer input device, a switch, a dial, a button, a touch control or touch activated device;

a mechanism or device which enables control or change when pressure or stress is applied, a drawing device, a stylus or wand to control, interact with or change the image or image-making support medium;

a trackball or a mouse;

a computer vision system;

means of responding to sound or voice command;

technology or capability for;

speech or voice recognition, movement or gesture recognition, capacitive sensing, human hand gesture recognition, motion recognition, human body motion recognition, sign language recognition, facial gesture recognition, pattern recognition, sensing or detecting;

a fabric strain gage or a technology, sensor, device or ability that is sensitive to or that detects being bent or extended, or, such a technology, sensor, device or ability plus the ability to respond to this as a stimulant, trigger or influence;

means of controlling, interacting with or changing the image or image-making support medium from a distance, using the Internet, using wireless communication or using a broadcast method;

a sensor, means of sensing or detecting a viewer, movement, sound, light, the environment or an aspect of it, heat, temperature, change in any of these or other change, or such means of sensing or detecting plus means of responding or responding with a change in the image or image-making support medium, or in one of their aesthetic elements;

programming or means by which a person can intentionally or unintentionally control, change or vary the electrical current, color, light, form, shape, movement, position, volume, form, density, viscosity, appearance, a physical property or an aesthetic element of the image-making support medium or image;

an interactive feature or part which is hidden from view, unobvious or unapparent to viewers, or which is perceived to be visually continuous with, or visually integrated with the appearance of the rest of the image-making support medium or image;

a photorefractive polymer absorbent polymer, polymer gel, hydrogel, or redox polymer;

a shape memory polymer;

an ionomeric polymer-metal composite;

conductive polymer;

or polymer capable of changing or responding to stimulation, a control, activation, a trigger or influence;

a solar cell, photovoltaics;

a non-silicon solar or photovoltaic cell;

a solar cell or photovoltaics applied or partially applied by painting, brushing, printing, spraying, spin casting, solution processing or a solution coating method;

a power source, means of carrying power, a battery, a thin film battery, a circuit, an electrode, conductive ink, or a composition, material or technology that provides or carries power;

polymer electronics, printed electronics, an integrated circuit or chip, a non-silicone integrated circuit or chip;

a transistor, a thin film transistor (TFT), a backplane, a TFT backplane, an organic transistor, an active matrix backplane;

a nanoscale device, machine or system;

a light emitting material, light emitting silicon;

an electroluminescent material, a metal coated polymer, a polymer coated metal or a semiconductor;

a material or a polymeric material that is;

photochromic, thermochromic, piezorochromic, piezoelectric, piezochromic, solvatechromic, carsolchromic, electroactive, gasochromic, a photonic colorant, a photonic crystal, a photonic material, a synthetic opal or a synthetic opal containing silica spheres or imbibed with liquid crystal, polymerized crystalline colloidal arrays, gel particles embedded in crystalline colloidal arrays, a photonic band gap material or structure;

a phase change material;

liquid crystal, liquid crystal elastomer;

a smart fluid that is a particle filled, oil based suspension that changes in viscosity reversibly or that changes from liquid to solid reversibly;

electro-rheological or magneto-rheostatic fluids;

a polymer or conductive polymer magnet;

porphyrin;

a polymer that is re-mendable, self-healing or regenerative;

a hologram or a hologram that appears two or three dimensional and at least partially intangible;

or

one or more of these or a conductive-electronic material or device that is;

at least partially transparent, translucent or flexible;

thin or very thin;

made with polymer or conductive polymer;

a nanomaterial or made with at least one nanomaterial, carbon nanotube or carbon nanomaterial;

or made in a roll to roll or continuous manufacturing process, a printing process, a coating process or a non-vacuum process;

E) the work or the image-making support medium has one or more from A) or B) above that functions with, that employs, that is activated by, stimulated by, triggered by, produced by, or produced in part by one or more from C) or D) above;

F) the work or the image-making support medium has or is an OLED, a LED, a light emitting device, a field emission display, an e-material, or another device, machine or system, or alternately, it is prepared with or as at least one of these and also with one or more from A)-E) above;

or

G) the work or the image making support medium is prepared according to one or more from A)-F) above with polymer, with transparent or translucent polymer, or with a form that is at least partially transparent or translucent and made with polymer.

6. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

making the image-making support medium useful for creating art so that;

art can be created as the image-making support medium is made or developed, art can be created on the image-making support medium, art can be created with the image-making support medium, or a combination of these;

preparing this work with means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

making or developing the work so that it shows at least one pictorial, artwork or design element that can be seen from one or more of it'"'"'s sides or angles; and

when the work is made with a feature that employs energy, preparing the work with means of providing energy from a source that is part of it or separate from it; and

making the work as or developing it into an aesthetic work, with a visible overall aesthetic and a visible purpose for visual observation or display,

integrating all of the aesthetic work'"'"'s elements visibly into the work as one whole, making the aesthetic work a whole in and of itself, and

creating the aesthetic work as or developing it into macroscopic, two or three-dimensional art that is;

pictorial;

sculpture, a mural, a kinetic work, a mobile, an openwork art form, or fine art free of utilitarian function;

a design;

with means of display as art;

showing;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, collage, a pattern, or a depiction or representation of a recognizable subject;

or art that is a combination of these, and,

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

44. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one aesthetic property and:

(i) it is from;

an additive or subtractive process;

a conventional image-making process;

a conventional image making medium, a conventional artist'"'"'s medium or a conventional artist'"'"'s painting or drawing medium;

at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

a depiction or representation of a recognizable subject;

a primer conventionally used to make images;

an underlayer;

a colorant;

a light source, light emitting display or means of emitting light;

a material, a device or another means that provides or effects light properties;

a filter;

crystal, gem, stone, fabric, paper, clay, ceramic, wood, metal, an air pocket;

a conductive, semi-conductive or holographic pigment;

a photographic image, a photographic emulsion or a photographic transparency;

writing, text, incising, inlay, carving or embossing;

texture, irregular texture or texture deeper than a sandblasted surface or a sanded surface;

or moving part or means to be capable of movement;

music or sound;

or a combination of these;

or

(ii) the work has an aesthetic property that changes over time;

that is visible discontinuously;

that self-actuates;

that is visible by interactivity;

that is visible as a response; and

/or that is visible using;

a trigger, a stimulant, an influence;

sensing, detection or recognition capability;

a control mechanism or device;

means or a part that enables the work or part of it to be interactive, responsive, controlled, modulated or changed;

programming or means of activation or input;

using a wireless connection, the Internet or a broadcast method;

or any combination of these;

(iii) the work has an aesthetic property as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iv) a combination of any of these.

45. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

(i) a portrayal or depiction of the sky, the light of the sky, nature, a natural environment or scene, part thereof, plants, flowers or animals, that is;

static, changing or that can be changed;

that is;

abstract, representational, realistic, surrealistic, or the depiction or representation of a recognizable subject;

any of these along with a figure, landscape or a still life;

any of these that is at least partially formed with light in one or more colors;

or

any of these that is at least partially formed by color or light changing as the real version of it'"'"'s subject matter might change or in a manner that portrays or represents the real version of it'"'"'s subject matter;

or

(ii) one or more of the variations above, that changes over time, self-actuates, that changes discontinuously, interactively, in a responsive process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(iii) any of the variations above with the work capable of producing sound, music and/or voice, and/or capable of responding to sound, music or voice;

or

(iv) one or more of the above as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(v) a combination of any of these.

46. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one visual effect or aesthetic property that is:

(i) a portrayal, representation or abstraction of one or more people, human forms, part thereof, human heads or human torsos that is static, that is capable of changing or of being changed, or such a work that has light or color that changes, another visible aesthetic element that changes, the ability to produce sound, music and/or voice, and/or to respond to sound, music or voice;

(ii) one or more of the variations above or part or all of the work that changes over time, self-actuates, discontinuously, interactively, in a responsive process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(iii) such a visual effect or aesthetic property as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) a combination of any of these.

47. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared as or with one or more light emitting devices;

light emitting materials;

light emitting silicon;

electroluminescent materials;

lighting;

light fixtures;

as a set, grouping or compositional arrangement with two or more light emitters that is a single work; and

/or as lighting design, or

such a work that is at least partially flexible, thin, very thin, transparent or translucent, or made with at least one light effect;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

48. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared as or with one or more organic light emitting diodes (OLEDs), or

it is or it has one or more OLEDs that are at least partially flexible, thin, very thin, transparent or translucent;

or

it is or it has one or more OLEDs, and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or it is or it has a combination of these.

49. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared as or with at least one

(i) conductive polymer, or polymer that is capable of conducting electricity and/or emitting light;

or

(ii) layered form that has conductive polymer in between two or more layers that are;

transparent, translucent, polymeric, glass, non conductive or poorly conductive or a combination of these;

or such a layered form with conductive polymer between it'"'"'s other layers wherein this conductive polymer is capable of conducting electricity to one or more devices or light emitters that are also sandwiched in between it'"'"'s other layers.

50. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared as or with one or more light-emitting diodes (LEDs), or

it is or it has one or more LEDs that are at least partially flexible, thin, very thin, transparent or translucent;

or

it is or it has one or more LEDs, and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or it is or it has a combination of these.

51. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture is made with a transistor, thin film transistor (TFT), a backplane, a TFT backplane, an active matrix backplane;

light emitting transistor, an organic transistor, one of these that is at least partially transparent or translucent;

or a combination of these.

52. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with one or more of:

(i) at least one visible light effect;

with at least one visible light effect and at least part of the work is light-emissive, transparent and/or translucent; and

/or a material, a device or another means that provides or effects light properties;

or

(ii) a visible element, effect or part that is partially or entirely;

electrochromic, reflective, photochromic;

dichroic;

iridescent;

a hologram;

crystal, a filter;

an air pocket;

a pigment that is conductive, semi-conductive or holographic;

or a combination of these;

(iii) a form that functions as;

a lens;

a Fresnel lens;

a grating;

a diffraction grating;

a prism;

or a lenticular lens or form;

or a combination of these;

or a visual effect from one or more of these,

(iv) the work has one or more of the variations above, that is visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, that is visible as a response, and/or that is visible in using;

a trigger, a stimulant, an influence, programming, means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method; and

/or

(v) the work has a light effect as part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(vi) any combination of these.

53. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture has one or more visible elements, effects or parts that are entirely or partially reflective.

54. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture has one or more visible elements, effects or parts that are entirely or partially photochromic.

55. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work and/or the work of art, design or architecture has an electrochromic technology, material, display or effect, or it is electrochromic and capable of changing color;

capable of changing it'"'"'s state of or level of transparency, translucency, reflectivity and/or light emission; and

/or capable of changing the light passing through it;

or

it has an electrochromic effect and it has means of having and using energy or electricity from a source that is part of it or separate from it;

or

it has an electrochromic effect and it'"'"'s means of having and using energy is hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole;

or

any combination of these.

56. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

the ability to visibly change it'"'"'s level of transparency;

the ability to visibly change from being entirely or partially transparent or translucent, to being entirely or partially opaque; and

/or the ability to visibly change from being entirely or partially light emitting to being entirely or partially transparent or translucent, or;

(i) the work is capable of such a change that is visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, in a response process, using;

a trigger, a stimulant, an influence, programming or a means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method; and

/or

(ii) the work is capable of such a change that is visible on part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) any combination of these.

57. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a visible effect or aesthetic property created or contributed to by the use of electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change, to align, to become more aligned, to become random or to become more random;

or

(i) the work is capable of having this effect or aesthetic property visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, in a response process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method; and

/or

(ii) the work is capable of having this effect or aesthetic property visible on part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) any combination of these.

58. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanomaterial that is man-made and/or grown by man, or that is non-natural.

59. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanocomposite, hybrid nanomaterial or both.

60. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanotube, carbon nanotube or single wall carbon nanotube.

61. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with graphene and/or buckypaper.

62. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanoparticle.

63. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanocrystal and/or quantum dot.

64. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanowire, nanofiber and/or nanoclay, or with molybdenum or a nanomaterial made with molybdenum.

65. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a nanocomposite, a hybrid nanomaterial, a polymer nanocomposite or a polymer hybrid nanomaterial, that is in the form of a thin or very thin layer, in or on which there is:

graphene, buckypaper, or at least one but optimally many nanoscale nanomaterials, carbon nanotubes, single wall carbon nanotubes, nanoparticles, nanowires, nanocrystals, nanofibers or molybdenum.

66. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one fine-art stabilizer;

at least one fine art stabilizer that is or has at least one nanomaterial;

at least one fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artists'"'"' mediums or paints;

or

a fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artist'"'"'s paints, and this fine-art stabilizer is at least one conventional artist'"'"'s paint, conventional artist'"'"'s painting primer, or conventional artist'"'"'s paint binder;

or at least one fine-art stabilizer that is a combination of these.

67. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

(i) a monomer that is methacrylate ester, methacrylamide derivative or methyl methacrylate;

(ii) a polymer that is poly(methyl methacrylate) or that is made from methacrylate ester or methacrylamide derivative;

(iii) any of these that are strengthened, made stiffer or made more rigid by at least one nanomaterial, by a fine art stabilizer or by another polymer;

(iv) polycarbonate;

(v) a polymer and a fine art stabilizer;

(vi) a polymer and a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light;

or (vii) any of these that are transparent or translucent forms.

68. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

(i) a conventional image-making medium made with at least one nanomaterial, or

(ii) a conventional image making medium that is improved, enhanced, changed or made more permanent by at least one nanomaterial, or

(iii) a nanocomposite or hybrid nanomaterial made with a conventional image making medium that is more permanent, stronger, tougher, more resilient, more durable, stiffer, less flexible, less breakable, less fragile, less brittle, or less fibrous than the conventional image-making medium in it'"'"'s conventional state, or that is enhanced for use in art, design or architecture or for use in making such works in comparison to the conventional image-making medium.

69. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with at least one nanomaterial and also with at least one material or medium that is entirely free of nanotechnological processing that is made:

(i) using bulk technology;

(ii) by nature or a by a natural process; and

/or (iii) with natural rather than manmade, nanoscale, structure(s), feature(s), or physical phenomena.

70. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a conventional medium that is more permanent, stronger, tougher, more resilient, more durable, stiffer, less flexible, less breakable, less fragile, less brittle, less fibrous or enhanced for use in art, design or architecture or for use in making such works, due to one or more nanomaterials.

71. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with metal, glass, crystal, ceramic, clay, stone, paper, wood, conventional artist'"'"'s canvas fabric, or plaster in a nanocomposite, a hybrid nanomaterial or a nanomaterial.

72. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

polymer, transparent or translucent polymer, acrylic, poly(methyl methacrylate), methacrylate ester or methacrylamide derivative, absorbent polymer or conductive polymer, or they are prepared with one or more of these in a nanocomposite or hybrid nanomaterial, or in a polymer carbon nanotube nanocomposite, or a polymer clay nanocomposite.

73. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a nanomaterial that is partially, largely or completely:

(i) nano-pure;

(ii) made, manipulated, or engineered on an atomic or molecular scale or from the bottom up;

(iii) made, manipulated, or engineered using nanotechnology to control most or all atoms, or to control most atoms or every atom that serves a particular function or that is in a particular position or on a particular part of the image;

or (iv) one or more of (i)-(iii) and the nanomaterial is visible to the unaided or naked eye or it is unseen by viewers.

74. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with or as one or more devices, machines and/or systems that is nanoscale or larger, made with one or more nanomaterials.

75. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with or as one or more fabrics, conventional artist'"'"'s canvas fabrics, textiles, meshes and/or woven materials, that is nanoscale or larger, made with one or more nanomaterials.

76. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with one or more nanomaterials that are conductive.

77. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a form that is sufficiently strong, stabile or permanent, and one or more of:

it is structural or it is sufficient to serve as the work'"'"'s structure;

it is rigid, planar, slight, thin or very thin;

unreinforced, unbacked, or unbolstered;

it is a form made with a strengthening stabilizer;

it is a form that is an image support or an image support stabilizer or it is a form made with an image support or image support stabilizer; and

/or

it is a form prepared as a mural or as a design on a wall, ceiling or other architectural structure.

78. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with:

(i) a form that is largely or almost completely made of a conventional artist'"'"'s support medium or of it'"'"'s ingredient or ingredients;

(ii) a form that visually resembles or looks similar to a conventional artist'"'"'s support medium, canvas, paper, acrylic sheeting or clay, or it is such a form that also functions in a manner that is like or similar to the conventional artist'"'"'s support medium it looks similar to or resembles;

(iii) the visual appearance of or resembling a conventional artist'"'"'s canvas;

texture resembling conventional canvas;

deckled edges;

irregularities resembling handmade paper, or

(iv) any combination of these.

79. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a form or a planar form with sufficient mechanical or structural properties so that it can support its own weight or be freestanding.

80. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with a form with sufficient mechanical or structural properties so that it can support its own weight or be freestanding, and this form or part of it:

(i) bonds to a conventional artist'"'"'s medium; and

/or

(ii) is one or more of;

transparent, translucent, planar, polymeric, resembling a conventional artist'"'"'s canvas, canvas board, acrylic sheeting or sheet of paper, made with a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light, or made with a fine art stabilizer that enables or enhances bonding.

81. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are prepared with means of installation, mounting or display on a wall or vertical surface or by hanging;

a hook or wire attached to enable hanging;

or holes to enable hanging.

82. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with a form that is partially or entirely:

rigid, inflexible and/or flexible;

capable of folding, unfolding, rolling out or scrolling;

or a combination of these.

83. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with a form that is linear;

that is non-planar;

that has at least one curve, angle or undulation;

or that is a combination of these.

84. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with a form that is non-geometric, non-uniform, irregular and/or uneven;

made with a form that has irregularities so that it looks handmade;

made with deckled edges;

or a combination of these.

85. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture have forms that are:

(i) discontinuous, (ii) made with two or more parts that are joined or that are separate;

(iii) a strong, stabile or permanent form made of two or more parts with joints, bonds or points of contact that appear visually to be too slight, too small or too few in number for the form to be strong, stabile or permanent;

or (iv) a combination of these.

86. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture have forms that are partially or entirely:

(i) layered, (ii) transparent and/or translucent;

(iii) made with one or more image supports;

(iv) made with a layer, part or other ingredient that enhances it'"'"'s permanence or stability; and

/or (v) a combination of these.

87. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture have a planar or two dimensional form that is transparent or translucent and made with polymer, glass or both, with (i) one or more light sources, OLEDs or other LEDs within it, attached to it, or included as part of the work;

(ii) a conductive polymer; and

/or (iii) an electrical conductor that is not visible or not apparent to viewers.

88. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are at least partially:

hollow;

with a form that has at least one open space within it;

openwork;

with at least one air pocket;

or a combination of these.

89. The method of claim 6 wherein the work is free of a computer;

the work has a display screen which is the screen of a computer and it leaves the work free from a functionality that is a separate alternative to the purpose described in claim 6;

or the work has a computer that is subsidiary or subordinate to the work'"'"'s visible aesthetic effect or effects.

90. The method of claim 6 wherein the work has one or more of:

a display screen in addition a computer that functions with its own display screen;

it has a computer that works free of a visible display screen;

it has a computer that is a hidden part of the work;

it has a computer that is free of word processing capability or free of an alphanumeric keyboard;

the work'"'"'s has a light emitting display screen that is;

(1) free of visible clearly legible text and numbers,

(2) partially free of visible clearly legible text and numbers, and;

(i) partially continuously showing clearly legible text, numbers or both,

(ii) temporarily showing text, numbers or both, or

(iii) both (i) and (ii);

or

(3) the display screen shows text, numbers or both that are poetic, nonsensical, unclear in appearance, with an aesthetic purpose, or a combination of these; and

/or

the work has a computer with its display screen meeting the requirements of options (1), (2) and/or (3) above.

91. The method of claim 6 wherein the aesthetic work has a computer with a visible display screen that provides or contributes to an aesthetic element, and the utilitarian elements of this computer are mostly or entirely hidden from view, they are entirely or predominantly unobvious or unapparent to viewers looking at the whole work, or a combination of these.

92. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made with one or more parts for mounting, installation or display;

with one or more utilitarian parts;

with electronics, wiring, cords, control buttons, it'"'"'s battery or power source;

a framework, support or bracing;

an interactive feature or part, and/or with most or all of it'"'"'s utilitarian elements hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole.

93. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, or as a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

94. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a tile or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

95. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a door, partition, a screen, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

96. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a gate, a fence, a column, a stage set, a tent, an awning, a fountain, a candelabrum, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

97. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as:

a basket, a case or container, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

98. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a window, a skylight, a lunette, or as a set, grouping or compositional arrangement of these that is a single work, or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, such a work that has a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or any combination of these.

99. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as:

shades, shutters, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

100. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

an architectural form or structure, a building faç

ade, stairs, a crosswalk or a bridge, or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

101. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as a wall, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

102. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as a ceiling, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

103. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as a floor, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

104. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as craft design, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

105. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a work of design for household use, or as a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen or a placemat, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

106. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art, design or architecture are made capable of serving as:

a work of art, design or architecture for spiritual or religious use, or as an altar, or a menorah, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

107. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are:

made capable of serving as;

a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial image;

or

made capable of serving as;

a plurality of associated sheets arranged in a book or pad form capable of use for image making;

or

made capable of serving as book design, optimally free or nearly free of visible legible text;

or

made as such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

108. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as:

a work of graphic design, or

such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

109. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as a wearable work of art or design;

as fashion design; and

/or as a costume, or

such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

110. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as jewelry, or

such a work that partially or entirely:

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

111. The method of claim 6, in which the image-making support medium, the aesthetic work and/or the work of art or design are made capable of serving as:

a fashion accessory, a hat, a belt, a handbag, or a tote bag, or

such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

140. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is prepared or developed so that it has an overall aesthetic shape or form that depicts or represents a recognizable subject, or that is figurative.

141. The method of claim 6 wherein the work has a title as art.

142. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is accompanied by instructions for developing it as or into art, design or architecture;

and/or for displaying it as art, design or architecture.

143. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture are prepared or developed so that they have the visible signature or distinguishing mark identifying the artist, designer or group of artists and/or designers who created it, which is other than the mark of an industrial or commercial manufacturer or scientific organization.

144. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is pictorial;

or it is pictorial and figurative, realistic, abstract, surrealistic, representational, a landscape or a still life;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

145. The method of claim 6, in which the image-making support medium, the aesthetic work, and/or the work of art, design or architecture has at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

or it has a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using a means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

146. The method of claim 6, in which the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is:

sculpture;

it is prepared with drawing, painting, a conventional artist'"'"'s medium, paint, an imprimatura, a ground and/or collage;

it is kinetic, a mobile or made with at least one part capable of moving, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using a means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

147. The method of claim 6, in which the image-making support medium and/or the aesthetic work is made as or developed into fine art, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

148. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture shows a portrayal, representation or abstraction of one or more people, human forms, part thereof, human heads or human torsos;

one or more animals or parts of animals;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

149. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture shows a portrayal or depiction of the sky, the light of the sky, nature, a natural environment or scene, part thereof, plants, flowers, animals or still life that is:

abstract, representational, realistic, surrealistic, or the depiction or representation of a recognizable subject;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

150. The method of claim 6, in which the image-making support medium and/or the aesthetic work is made as or developed into a work of design, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

151. The method of claim 6, in which the image-making support medium and/or the aesthetic work is made as or developed into a work of architecture, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

152. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture shows subject matter that is not physically present, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

153. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture shows a pattern;

and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

154. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is representational;

it shows a depiction or representation of a recognizable subject;

it shows a two-dimensional depiction or representation of three-dimensional form;

it shows a combination of these;

or it shows one such subject and part or all of the work;

changing, that is unchanging, self-actuating, that can be changed, or that can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detecting or recognition capability;

using programming or using means of activation or input;

using a wireless connection, the Internet or a broadcast method;

or a combination of these.

155. The method of claim 6, in which the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is prepared or developed so that it has a visual aesthetic element visible to viewers resembling that in an image by Rembrandt, Vermeer, Turner, Van Gogh, Monet, Seurat, an Impressionist artist, Jackson Pollack, Marc Rothko, Brancusi, Noguchi, Tiffany or I.M. Pei, or resembling that in a known work of or kind of fine art or design, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

156. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from:

a colorant;

a conventional image making medium, a conventional artist'"'"'s medium, a conventional artist'"'"'s painting or drawing medium, a primer conventionally used to make images or an underlayer;

from the use of a conventional image-making process, or from a combination of these; and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

157. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from a picture that may be complete or partial or from such a picture that is figurative, realistic, representational, abstract, surrealistic, landscape or a still life, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

158. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from a design that may be complete or partial, or from such a design that is figurative, realistic, representational, abstract, surrealistic, landscape or a still life, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

159. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is made with at least one specification from each of (A) and (B):

(A) the work is made with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if the work were entirely free of nanomaterials such that;

(i) the work is stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if the work were entirely free of nanomaterials;

or

(ii) the work is about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if the work were entirely free of nanomaterials;

(B) the work or the image-making support medium is made with a utilitarian part, or it is made so that it can also serve a utilitarian function as;

furniture;

a door, a gate, a fence, a stage set, a partition, a screen, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work;

an architectural form or structure;

a building faç

ade, a wall, a ceiling, a floor;

craft design;

a work of design for household use;

a work for spiritual or religious use;

a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial image;

a plurality of associated sheets arranged in a book or pad form capable of use for image making;

a work of graphic design;

a work of book design optimally free or nearly free of visible legible text;

a wearable work of design or art;

fashion design, a fashion accessory, a handbag, jewelry, a hat, a belt, a tote bag or a costume;

a mural;

a work of art, design, or architecture;

a combination of any of these;

or one of these or a combination of any of these that is at least partially capable of light emission, changing over time, flexing, folding, rolling, transparency and/or translucency.

160. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from a photographic image, a photographic emulsion, a photographic transparency or a combination of these, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

161. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have texture and:

(i) it is an aesthetic texture made by taking one or more positive or negative impressions from one or more organic or natural materials, or it is an aesthetic texture resembling this; and

/or

(ii) the texture provides at lest one aesthetic property, or the texture provides at lest one aesthetic property and it is irregular, deeper than a sandblasted surface or a sanded surface, embossing or a combination of these, and

(iii) part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

162. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from writing or text, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

163. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from the use of it'"'"'s ability to move or from movement of a part, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

164. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have at least one aesthetic property from:

metal, fabric, paper, wood, clay, ceramic, a gem, a stone, or a combination of these, and

part or all of the work can change over time, is unchanging, is self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

165. The method of claim 6, in which the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is capable of producing sound, music and/or voice;

it has at least one aesthetic property from music and/or sound;

it is capable of responding to sound, music or voice; and

/or

it has one or more of these capabilities and part or all of the work is;

self-actuating, programmed, interactive, responsive, it has means of input or activation, it can use means of broadcast, a wireless means and/or the Internet;

it can use a trigger, stimulant or influence, it can use sensing, detection or recognition capability; and

/or it has a microphone and/or speaker;

it has technology or capability for voice or speech recognition;

it has means of sensing or detecting sound;

or a combination of these.

166. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture has:

(i) a hologram or it has a hologram that appears two or three dimensional and partially or entirely intangible;

(ii) it has at least one such hologram and it or part or all of the work;

can change over time, can self-actuate, is unchanging, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

(iii) it has at least one such hologram that partially or wholly;

activates, triggers, stimulates, produces, interactively, by the use of sensing, detecting or recognition capability or by sensing or detecting touch, movement or gesture, is at least part of a process by which part or all of the work or one of its aesthetic elements;

changes, modulates, moves or stop moving;

becomes visible, hidden, audible or silent;

or changes it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property or a visible aesthetic property;

or

(iv) any combination of these.

167. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is capable of being interactive, responsive, controlled, modulated and/or changed;

or

it has this capability when stimulated, activated, self-activated, influenced, triggered, and/or programmed;

it has this capability with input, with the use of a control mechanism or device;

with the use of sensing, detection or recognition capability; and

/or with the use of a wireless method, the Internet or a broadcast method;

or

the work has any combination of these.

168. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is made so that:

A) it is capable of being responsive, self-actuating, interactive, controlled, modulated, changed and/or programmed, or it has a part with this capability;

it has this capability when stimulated, activated, influenced or triggered or when externally stimulated, activated, influenced or triggered; and

/or

B) use of the capability in A) above causes or assists in causing the work, or the image-making support medium, or at least one of their aesthetic elements;

to change, modulate, move or stop moving;

to be visible, hidden, audible or silent;

or to change it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property, or a visible aesthetic property.

169. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have a touch control or a touch activated device.

170. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have one or more of:

a control mechanism or device;

an interactive part or device;

a viewer input device;

a switch, a dial, a button;

a touch control or a touch activated device;

a drawing device;

a stylus or wand to control, interact with or change the work or image-making support medium;

a trackball or a mouse;

a computer vision system;

a mechanism or device which enables control or change when pressure or stress is applied;

or a combination of these.

171. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have:

(i) a sensor and/or means detecting, (ii) it is capable of sensing and/or detecting;

a viewer;

movement, gesture, sound, light, the environment or an aspect of it, heat, temperature, change in any of these, or other change;

(iii) it has means of sensing and/or detecting plus means of responding or responding with change in the work, the image-making support medium, or one of their aesthetic elements;

(iv) it has a technology, sensor, device or ability that is sensitive to or that detects being bent or extended, or, such a technology, sensor, device or ability plus the ability to respond to this as a stimulant, trigger or influence, and/or it has a fabric strain gage or and/or (v) it has a combination of any of these.

172. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture have the technology or the capability for:

speech or voice recognition, movement or gesture recognition, capacitive sensing, human hand gesture recognition, motion recognition, human body motion recognition, sign language recognition, facial gesture recognition, pattern recognition, sensing or detecting any of these, or a combination of these.

173. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture has means, a part, an area, a layer, an element, a device or a mechanism that can be activated, stimulated, triggered or used by:

a person intentionally or unintentionally, the environment, temperature, heat, radiation, light, movement, gesture, acidity, pH, magnetism, a magnetic field, a magnetic force, a solvent, a chemical, a liquid, moisture, pressure, stress, programming, electricity, ionic energy, an electron beam, by change in any of these, by sound, voice, using the Internet, using broadcasting, using wireless connection, from a distance, or a combination of these; and

this causes or assists in causing change, modulation or another response in the work, in the image-making support medium, in a part of one or more of these, or in one or more of their aesthetic elements.

174. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture has programming and/or means by which a person can intentionally or unintentionally control, change or vary:

the electrical current;

it'"'"'s color, light, form, shape, movement, position, volume, density, viscosity or appearance;

a physical property;

an aesthetic element;

or a combination of these.

175. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture is capable of:

(i) visible change, or visible change of at least one aesthetic element;

(ii) visible change that is;

a modulation;

movement or stopping movement;

a change from visible to unseen, or from unseen to visible;

change in color, in a light property or in emitted light;

to be audible, to be silent;

change in form, in a physical property, in appearance, in it'"'"'s electrical current, in shape, in position, in volume, in density, or in viscosity;

or (iii) a combination of these.

176. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture are made with liquid crystal, cholesteric liquid crystal, a liquid crystal display (LCD), or liquid crystal elastomer, or

it is made as such and it is at least partially transparent or translucent, flexible, thin or very thin, or

it has one or more of these and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

177. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture are made with one or more organic electronics, polymer electronics, printed electronics;

one or more of these that is at least partially transparent or translucent, or a combination of these.

178. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture are made with a conductive electronic material or device that is:

made with at least one nanomaterial;

at least partially transparent or translucent;

flexible;

made with polymer or conductive polymer;

or a combination of these.

179. The method of claim 6, in which part or all of the image-making support medium, the aesthetic work, and/or the work of art, design or architecture are made with an integrated circuit or chip, or a non-silicone integrated circuit or chip.

180. The method of claim 6, in which the image making support medium, the aesthetic work, and/or the work of art, design or architecture have:

a polymer that is re-mendable, self-healing and/or regenerative;

a polymer that is capable of changing or responding to stimulation, a control, activation, a trigger or influence;

a photorefractive polymer, a polymer gel, hydrogel, or redox polymer;

a shape memory polymer; and

/or an ionomeric polymer-metal composite.

181. The method of claim 6, in which the image making support medium, the aesthetic work, and/or the work of art, design or architecture has a material or a polymeric material that is:

electroactive, thermochromic, piezochromic, piezorochromic, piezoelectric, solvatochromic, carsolchromic or gasochromic; and

/or it has a phase change material.

182. The method of claim 6, in which the image making support medium, the aesthetic work, and/or the work of art, design or architecture has a photonic colorant, a photonic crystal, a photonic material, a photonic band gap material or structure, a synthetic opal or a synthetic opal containing silica spheres or imbibed with liquid crystal, polymerized crystalline colloidal arrays, or gel particles embedded in crystalline colloidal arrays;

the work has or is a field emission display;

it has a smart fluid that is a particle filled, oil based suspension that changes in viscosity reversibly or that changes from liquid to solid reversibly;

electro-rheological or magneto-rheostatic fluids;

a polymer or conductive polymer magnet;

or porphyrin;

or

a combination of any of these.

183. The method of claim 6, in which the image making support medium, the aesthetic work, and/or the work of art, design or architecture are prepared with or as one or more threads, yarns, cords, cables, fibers, wires, and/or ropes, that is nanoscale or larger, made with one or more nanomaterials.

184. The method of claim 6 wherein the image making support medium, the aesthetic work, and/or the work of art, design or architecture has a form or a part that is substantially or entirely transparent or translucent;

or it has such a form or part made with at least one nanomaterial and/or polymer.

185. The method of claim 6 wherein at least part of one external surface of the image making support medium, the aesthetic work, and/or the work of art, design or architecture is made with a polymer, and a stabilizer is present to enhance the ability of the work to remain color stable or to remain unchanged with exposure to ultraviolet light.

7. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

making the image-making support medium useful for creating art so that;

art can be created as the image-making support medium is made or developed, art can be created on the image-making support medium, art can be created with the image-making support medium, or a combination of these;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

preparing the work as or developing it according to one or more of (A)-(E);

(A) preparing the work with or as;

(i) one or more sheets, or (ii) a plurality of associated sheets arranged in a pad or book form for image making, or arranged in a pad or a book with a form of or similar to a conventional blank paper pad or blank book for image making;

(B) preparing the work so that it has;

the visual appearance of or resembling a conventional artist'"'"'s canvas;

deckled edges;

irregularities resembling handmade paper;

texture resembling conventional canvas;

or preparing the work so that it has an aesthetic texture made by taking one or more positive or negative impressions from one or more organic or natural materials, or an aesthetic texture resembling this;

(C) drawing or painting on the work, or applying an imprimatura, a ground, collage or a conventional artist'"'"'s medium to it;

(D) accompanying the work with instructions for developing it as or into art, and/or for displaying it as art; and

/or

(E) preparing or developing the work with a form that is largely or entirely transparent or translucent, so that the work provides and/or enables the creation of a two or three-dimensional, pictorial, artwork or design element employing light transmitted through it that can be seen from one or more of the work'"'"'s sides or angles, with the work having one or more of (i)-(iv);

(i) an external surface made with poly(methyl methacrylate), methacrylate ester or methacrylamide derivative;

(ii) an external surface of a non-conductive or poorly conductive polymer with a stabilizer present to enhance the ability of the work to remain color stable or to remain unchanged with exposure to ultraviolet light;

(iii) an external surface that has a varnish, sealant or coating that provides or contributes to permanence of the image; and

/or

(iv) one or more nanomaterials acting as a stabilizer; and

making the work prepared according to one or more of (A)-(E) above, with a visible overall aesthetic,

integrating all of the work'"'"'s elements visibly into the work as one whole, and

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

112. The method of claim 7 wherein the image-making support medium or the work is prepared with or as:

(i) one or more sheets, or (ii) a plurality of associated sheets arranged in a pad or book form for image making, or arranged in a pad or a book with a form of or similar to a conventional blank paper pad or blank book for image making.

113. The method of claim 7 wherein the image making support medium or the work is prepared so that it has:

the visual appearance of or resembling a conventional artist'"'"'s canvas;

deckled edges;

irregularities resembling handmade paper;

texture resembling conventional canvas;

or the work is prepared with an aesthetic texture made by taking one or more positive or negative impressions from one or more organic or natural materials, or an aesthetic texture resembling this.

114. The method of claim 7 wherein the image making support medium or the work is prepared with:

drawing, painting, a conventional artist'"'"'s medium or paint, an imprimatura, a ground and/or collage.

115. The method of claim 7 wherein the image making support medium or the work is accompanied by instructions for developing it as or into art, design or architecture;

and/or the work is accompanied by instructions for displaying it as art, design or architecture.

186. The method of claim 7 wherein wherein at least part of one external surface of the image making support medium and/or the work is made with poly(methyl methacrylate), methacrylate ester or methacrylamide derivative.

187. The method of claim 7 wherein at least part of one external surface of the image making support medium and/or the work is made with a polymer and a stabilizer is present to enhance the ability of the work to remain color stable or to remain unchanged with exposure to ultraviolet light.

188. The method of claim 7 wherein at least part of one external surface of the image making support medium and/or the work has a varnish, sealant or coating.

8. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

making the image-making support medium useful for creating art so that;

art can be created as the image-making support medium is made or developed, art can be created on the image-making support medium, art can be created with the image-making support medium, or a combination of these;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

preparing the work as or developing it according to one or more of (A)-(E);

(A) preparing the work so that it has an overall aesthetic shape or form that is figurative or that depicts or represents a recognizable subject;

(B) preparing or developing the image-making support medium with a fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artist'"'"'s paints, and this fine-art stabilizer is at least one conventional artist'"'"'s paint, conventional artist'"'"'s painting primer, or conventional artist'"'"'s paint binder;

(C) preparing or developing the image-making support medium with a viewable surface at least part of which has an absorbent polymer, and superimposing this absorbent polymer with a paint or other colorant to modify or change it'"'"'s color and/or light property;

(D) integrating the aesthetic work'"'"'s utilitarian elements visibly into the work as a whole, including any wiring, batteries, control buttons, electrical parts, and utilitarian mount parts the work might have, so that most or all of it'"'"'s utilitarian elements are hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole; and

/or

(E) preparing the work with the visible signature or distinguishing mark identifying the artist, designer or group of artists and/or designers who created it, which is other than the mark of an industrial or commercial manufacturer or scientific organization;

or preparing the work with a title as art; and

making the work prepared according to one or more of (A)-(E) above, with a visible overall aesthetic,

integrating all of the work'"'"'s elements visibly into the work as one whole, and

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

116. The method of claim 8 wherein the image making support medium or the work is prepared or developed so that it has an overall aesthetic shape or form that depicts or represents a recognizable subject or that is figurative.

117. The method of claim 8 wherein the image making support medium or the work is prepared or developed with a fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artist'"'"'s paints, and this fine-art stabilizer is at least one conventional artist'"'"'s paint, conventional artist'"'"'s painting primer, or conventional artist'"'"'s paint binder.

118. The method of claim 8 wherein the image making support medium or the work is prepared or developed with a viewable surface at least part of which has an absorbent polymer, and this absorbent polymer is superimposed by a paint or other colorant to modify or change it'"'"'s color and/or light property.

119. The method of claim 8 wherein the image making support medium or the work is prepared or developed with most or all of it'"'"'s utilitarian elements are hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole, including any wiring, batteries, control buttons, electrical parts, and utilitarian mount parts the work might have.

120. The method of claim 8 wherein the image making support medium or the work is prepared or developed so that it has the visible signature or distinguishing mark identifying the artist, designer or group of artists and/or designers who created it, which is other than the mark of an industrial or commercial manufacturer or scientific organization.

189. The method of claim 8 wherein the work has a title as art.

9. A method for making an image-making support medium as a new reinvented version of the conventional utilitarian fine artist'"'"'s canvas, wherein the reinvented image support medium facilitates artistic expression and the creation and display of art, design or architecture made therewith, thereupon or therefrom, which method comprises:

creating a macroscopic image-making support medium of, from or incorporating at least one nanomaterial, and creating this work with distinct edges or boundaries;

making the image-making support medium useful for creating art so that;

art can be created as the image-making support medium is made or developed, art can be created on the image-making support medium, art can be created with the image-making support medium, or a combination of these;

preparing the work so that it has means for creating and showing a two or three-dimensional artwork, picture or design that can be seen from one or more sides or angles;

preparing the work as or developing it according to one or more of (A)-(E);

(A) preparing or developing the work so that it shows;

a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, a pictorial subject, drawing, collage, a pattern, a two-dimensional depiction of three-dimensional form, or a depiction or representation of a recognizable subject; and

/or preparing or developing the work as a mobile or with a matt or a frame like that used on a conventional image;

(B) preparing or developing the work with means that provides or enables interactivity enabling a visible pictorial, artwork or design element to be created, developed and/or changed, to make, develop and/or change an aesthetic image or an overall aesthetic effect in a process in which the work is active, wherein this interactive means is other than conventional computer word processing and it is more complex than or other than a conventional on/off switch or dimmer;

(C) preparing the work with means enabling the creation, development and/or change of a visible pictorial, artwork or design element to make, develop and/or change an aesthetic image or an overall aesthetic effect in a process in which the work actively responds;

to movement, gesture, light, sound, temperature, the environment, a trigger or a stimulant;

to a subject that is separate from the work and/or not present with it;

the work actively responds in a process that uses sensing, detection and/or recognition capability, wireless communication, means of broadcast, means of input and/or the Internet;

or the work actively responds using a combination of these;

(D) preparing the work so that it has a visual aesthetic element visible to viewers resembling that in an image by Rembrandt, Vermeer, Turner, Van Gogh, Monet, Seurat, an Impressionist artist, Jackson Pollack, Marc Rothko, Brancusi, Noguchi, Tiffany or I. M. Pei, or resembling that in a known work of or kind of fine art or design; and

/or

(E) preparing the work with the means enabling the creation and/or development of a two or three-dimensional, pictorial, artwork or design element that can change over time with the work being active, that can be seen from one or more of the work'"'"'s sides or angles, and that is more complex than or other than the visual effect of a conventional on/off switch, or a conventional dimmer, to make and/or develop an aesthetic image or an overall aesthetic effect; and

making the work prepared according to one or more of (A)-(E) above, with a visible overall aesthetic,

integrating all of the work'"'"'s elements visibly into the work as one whole, and

making the work so that it is free of being purely commercial or informational,

making the work free of a computer, or making the work with a computer that serves the purpose described in this claim and making the work other than a conventional computer;

making the work free of a camera, or making the work with a part that is a camera that is subsidiary or that is subordinate in proportion to the visible work as a whole or hidden from view, and also

making the work so that it is other than a conventional phone, personal digital assistant device or portable media player device.

10. The method of claim 9 in which the aesthetic work has or is:

(a) an organic light emitting diode (OLED);

(b) at least one small molecule which provides, enables, enhances, or contributes to light emission;

(c) a light emitting device or a light emitting device made with at least one nanomaterial;

(d) a light emitting transistor, an organic transistor, a transistor that is at least partially transparent or translucent, or a transistor that is a combination of these;

(e) a form that is at least partially transparent or translucent, or such a form made with at least one nanomaterial;

(f) a work made with one or a combination of these variations that has at least one light effect, is photochromic and/or electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, such a work that has a power source, a solar cell, and/or photovoltaics;

(g) a work made with one or a combination of theses variations that is capable of changing over time or of being changed in a process in which it is active rather than entirely passive, or in a process using it'"'"'s ability to be interactive, programmed, responsive or responsive to input, a trigger, a stimulant, an influence, wireless communication, the Internet or a broadcast, or any combination of these;

or (h) any combination of these.

11. The method of claim 9, in which the work or the image-making support medium is made with one or more of the components or properties below:

A) it is capable of being responsive, self-actuating, interactive, controlled, modulated, changed and/or programmed, or it has a part with this capability;

it has this capability when stimulated, activated, influenced or triggered or when externally stimulated, activated, influenced or triggered;

B) use of the capability in A) above causes or assists in causing the image or the image-making support medium, or at least one of their aesthetic elements;

to change, modulate, move or stop moving;

to be visible, hidden, audible or silent;

or to change it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property, or a visible aesthetic property;

C) the work or the image-making support medium has means, a part, an area, a layer, an element, a device or a mechanism that can be activated, stimulated, triggered or used by;

a person intentionally or unintentionally, the environment, temperature, heat, radiation, light, movement, acidity or pH, magnetism or magnetic field, a solvent, a chemical, a liquid, moisture, pressure, stress, programming, electricity, ionic energy, an electron beam, or by change in any of these, and this causes or assists in causing change, modulation or another response in the image, in the image-making support medium, in a part of one of these or in one or more of their aesthetic elements;

D) the work or the image-making support medium is prepared with one or more of;

programming, means which enables it to be programmed;

a computer, part of a computer or memory;

an interactive part, means device or system;

sound, music, light, or the presence and the absence of sound, magnetism or a magnetic force, music or light;

a microphone or a speaker;

a control mechanism or device;

a viewer input device, a switch, a dial, a button, a touch control or touch activated device;

a mechanism or device which enables control or change when pressure or stress is applied, a drawing device, a stylus or wand to control, interact with or change the image or image-making support medium;

a trackball or a mouse;

a computer vision system;

means of responding to sound or voice command;

technology or capability for;

speech or voice recognition, movement or gesture recognition, capacitive sensing, human hand gesture recognition, motion recognition, human body motion recognition, sign language recognition, facial gesture recognition, pattern recognition, sensing or detecting;

a fabric strain gage or a technology, sensor, device or ability that is sensitive to or that detects being bent or extended, or, such a technology, sensor, device or ability plus the ability to respond to this as a stimulant, trigger or influence;

means of controlling, interacting with or changing the image or image-making support medium from a distance, using the Internet, using wireless communication or using a broadcast method;

a sensor, means of sensing or detecting a viewer, movement, sound, light, the environment or an aspect of it, heat, temperature, change in any of these or other change, or such means of sensing or detecting plus means of responding or responding with a change in the image or image-making support medium, or in one of their aesthetic elements;

programming or means by which a person can intentionally or unintentionally control, change or vary the electrical current, color, light, form, shape, movement, position, volume, form, density, viscosity, appearance, a physical property or an aesthetic element of the image-making support medium or image;

an interactive feature or part which is hidden from view, unobvious or unapparent to viewers, or which is perceived to be visually continuous with, or visually integrated with the appearance of the rest of the image-making support medium or image;

a photorefractive polymer absorbent polymer, polymer gel, hydrogel, or redox polymer;

a shape memory polymer;

an ionomeric polymer-metal composite;

conductive polymer;

or polymer capable of changing or responding to stimulation, a control, activation, a trigger or influence;

a solar cell, photovoltaics;

a non-silicon solar or photovoltaic cell;

a solar cell or photovoltaics applied or partially applied by painting, brushing, printing, spraying, spin casting, solution processing or a solution coating method;

a power source, means of carrying power, a battery, a thin film battery, a circuit, an electrode, conductive ink, or a composition, material or technology that provides or carries power;

polymer electronics, printed electronics, an integrated circuit or chip, a non-silicone integrated circuit or chip;

a transistor, a thin film transistor (TFT), a backplane, a TFT backplane, an organic transistor, an active matrix backplane;

a nanoscale device, machine or system;

a light emitting material, light emitting silicon;

an electroluminescent material, a metal coated polymer, a polymer coated metal or a semiconductor;

a material or a polymeric material that is;

photochromic, thermochromic, piezorochromic, piezoelectric, piezochromic, solvatechromic, carsolchromic, electroactive, gasochromic, a photonic colorant, a photonic crystal, a photonic material, a synthetic opal or a synthetic opal containing silica spheres or imbibed with liquid crystal, polymerized crystalline colloidal arrays, gel particles embedded in crystalline colloidal arrays, a photonic band gap material or structure;

a phase change material;

liquid crystal, liquid crystal elastomer;

a smart fluid that is a particle filled, oil based suspension that changes in viscosity reversibly or that changes from liquid to solid reversibly;

electro-rheological or magneto-rheostatic fluids;

a polymer or conductive polymer magnet;

porphyrin;

a polymer that is re-mendable, self-healing or regenerative;

a hologram or a hologram that appears two or three dimensional and at least partially intangible;

or

one or more of these or a conductive-electronic material or device that is;

at least partially transparent, translucent or flexible;

thin or very thin;

made with polymer or conductive polymer;

a nanomaterial or made with at least one nanomaterial, carbon nanotube or carbon nanomaterial;

or made in a roll to roll or continuous manufacturing process, a printing process, a coating process or a non-vacuum process;

E) the work or the image-making support medium has one or more from A) or B) above that functions with, that employs, that is activated by, stimulated by, triggered by, produced by, or produced in part by one or more from C) or D) above;

F) the work or the image-making support medium has or is an OLED, a LED, a light emitting device, a field emission display, an e-material, or another device, machine or system, or alternately, it is prepared with or as at least one of these and also with one or more from A)-E) above;

or

G) the work or the image making support medium is prepared according to one or more from A)-F) above with polymer, with transparent or translucent polymer, or with a form that is at least partially transparent or translucent and made with polymer.

12. The method of claim 9, in which the work or the image-making support medium is made with a form that has one or more from A), B) or C):

A) a nanocomposite or hybrid nanomaterial;

a polymer, a transparent or translucent polymer, a carbon nanotube, a single wall carbon nanotube, a polymer nanocomposite, a polymer carbon nanotube nanocomposite or a polymer clay nanocomposite;

nanoclay, graphene, buckypaper, a nanocrystal, quantum dot, nanowire, nanoparticle, or nanofiber;

molybdenum or nanomaterials made with molybdenum;

at least one fine-art stabilizer;

a nanocomposite or hybrid nanomaterial with at least one nanomaterial that is unseen by viewers;

a polymer hybrid nanomaterial, a nanocomposite or hybrid nanomaterial in the form of a thin or very thin layer, in or on which there is graphene, buckypaper, or at least one but optimally many nanoscale nanomaterials, carbon nanotubes, single wall carbon nanotubes, nanoparticles, nanowires, nanocrystals, nanofibers or molybdenum unseen by viewers;

a monomer that is methacrylate ester, methacrylamide derivative or methyl methacrylate;

a polymer that is poly(methyl methacrylate) or that is made from methacrylate ester or methacrylamide derivative;

any of these that are strengthened, made stiffer or made more rigid by at least one nanomaterial, by a fine art stabilizer or by another polymer;

polycarbonate;

a polymer and a fine art stabilizer;

a polymer and a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light;

or any of these that are transparent or translucent forms;

a conventional image making medium that is improved, enhanced, changed, or made more permanent by at least one nanomaterial;

a nanomaterial made with a conventional image making medium;

a conventional image-making medium made with a nanomaterial that is unseen by viewers;

a nanocomposite or hybrid nanomaterial made with a conventional image making medium that is more permanent, stronger, tougher, more resilient, more durable stiffer, less flexible, less breakable, less fragile, less brittle, or less fibrous than the conventional image-making medium in it'"'"'s conventional state, or that is otherwise enhanced for use in making images or for images in comparison to the conventional image-making medium in it'"'"'s conventional state;

metal, glass, crystal, ceramic, clay, paper, conventional artist'"'"'s canvas fabric, wood, stone, plaster, polymer, acrylic, absorbent polymer or conductive polymer in a nanocomposite or hybrid nanomaterial, or a conventional medium that is more permanent, stronger, tougher, more resilient, more durable, stiffer, less flexible, less breakable, less fragile, less brittle, less fibrous or enhanced for image making or for images due to one or more nanomaterials;

at least one nanomaterial in the image or in the image-making support medium with a material or medium that is entirely free of nanotechnological processing that is made;

(i) using bulk technology;

(ii) by nature or a by a natural process;

or (iii) with natural rather than manmade, nanoscale, structure(s), feature(s), or physical phenomena;

a nanomaterial that is partially, largely or completely;

(i) nano-pure;

(ii) made, manipulated, or engineered on an atomic or molecular scale or from the bottom up;

(iii) made, manipulated, or engineered using nanotechnology to control most or all atoms, or to control most atoms or every atom that serves a particular function or that is in a particular position or on a particular part of the image;

or (iv) one or more of (i)-(iii) and the nanomaterial is visible to the unaided or naked eye or it is unseen by viewers;

B) preparing the form of the work or of the image-making support medium with one or more of these features;

it bonds to one or more colorants, paints, inks, dyes, markers, pencils, charcoals, pastels or conventional image making mediums;

it is able to bond to a conventional artist'"'"'s medium so the bond endures well through the image making process and through the use or display of the resultant image;

it'"'"'s bonding capability is enhanced or provided by at least one fine art stabilizer, by a nanomaterial or by a surface preparation stabilizer;

the form is cleaned sufficiently to render it receptive to artist'"'"'s paint, or sufficiently cleaned to provide enhanced bond strength and permanence to a superimposition or to facilitate development of the aesthetic image;

the form is strong, stabile or permanent, and one or more of;

planar, slight, thin or very thin, structural or sufficient to serve as the image'"'"'s structure, rigid, unreinforced, unbacked, or unbolstered;

it is a form made with a strengthening stabilizer;

it is a form that is an image support or an image support stabilizer;

it is a form made with an image support or image support stabilizer;

it is a form prepared as a mural or as a design on a wall, ceiling or other architectural structure, or it is a form that is developed as a mural;

the form is prepared that is largely or almost completely made of a conventional artist'"'"'s support medium or of it'"'"'s ingredient or ingredients;

it is a form prepared that visually resembles or looks similar to a conventional artist'"'"'s support medium, canvas, paper, acrylic sheeting or clay;

preparing such a form which also functions in a manner that is like or similar to the conventional artist'"'"'s support medium it resembles or looks similar to;

or it is a form that is one or more sheets or pages from a book or a pad, or it is a form developed from one or more sheets or pages from a book or pad;

it is prepared as a form or a planar form with sufficient mechanical or structural properties so that it can support its own weight or be freestanding;

preparing such a form which also bonds to a conventional artist'"'"'s medium;

or preparing such a form that is also one or more of;

transparent, translucent, planar, polymeric, resembling a conventional artist'"'"'s canvas, canvas board, acrylic sheeting or sheet of paper, made with a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light, or made with a fine art stabilizer that enables or enhances bonding;

or

the form is prepared with means of installation, mounting or display as an aesthetic image, which is;

(i) means for display on a wall or vertical surface or by hanging;

a hook or wire attached to enable hanging;

or holes to enable hanging, (ii) a base, a stand, a pedestal, a frame, a mount, a mount part, a matt, a part or a form that enables its installation, mounting or display in a manner that resembles the manner in which conventional aesthetic images are presented;

(iii) a part, parts or the means by which it can scroll, roll and unroll, or fold out and fold up for viewing;

(iv) a rigid mount system, a wire mount system, or a combination rigid and wire mount system;

or (v) means of installation, mounting or displaying the image-making support medium or image that leaves space between it and the wall, ceiling, floor or other structure from which it is installed, mounted or displayed;

it is prepared as a form that contributes to the image'"'"'s aesthetic by being one or more of;

rigid or inflexible, flexible, partially inflexible and partially flexible, representational, figurative or shaped like the human head, torso or part of the human form, openwork, hollow, discontinuous, non geometric, non-uniform, irregular, uneven, nonplanar, hollow, linear, with an open space within it'"'"'s form, with an air pocket;

with irregularities that make it look handmade;

with at least one curve, angle or undulation;

capable of folding, unfolding, rolling out or scrolling for viewing;

with two or more parts that are joined or separate;

with all edges deckled;

it is prepared as a form that is partially or entirely;

layered, opaque, transparent, or translucent;

that has one or more image supports, or that has a layer, part or other ingredient that enhances it'"'"'s permanence or stability;

it is prepared as a form that is a planar or two dimensional form that is transparent or translucent and made with polymer, glass or both, and that has one or more light sources, OLEDs or other LEDs within it or attached to it;

or that includes a conductive polymer;

it is prepared as a layered form that has conductive polymer in between two or more layers that are;

transparent, translucent, polymeric, glass, non conductive or poorly conductive or a combination of these, or with such a layered form that has conductive polymer between it'"'"'s other layers wherein this conductive polymer is capable of conducting electricity to one or more devices or light emitters that are also sandwiched in between it'"'"'s other layers;

it is prepared as a strong, stabile or permanent form made of two or more parts with joints, bonds or points of contact that appear visually to be too slight, too small or too few in number for the form to be strong, stabile or permanent;

or

C) the work or the image-making support medium is made with a utilitarian part or it is made so that it can also serve a utilitarian function as;

a door, a gate, a fence, a stage set, a partition, a screen, furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work;

a building faç

ade, a wall, a ceiling, a floor, stairs, a crosswalk, a bridge or another architectural form or structure;

craft design, a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen, a placemat, or a work of design for household use;

an altar, a menorah or an image for spiritual or religious use;

a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial image, or a plurality of associated sheets arranged in a book or pad form capable of such image making;

an image of graphic design or book design free or nearly free of visible legible text;

an image of design, a wearable image, fashion design, a fashion accessory, a handbag, jewelry, a hat, a belt, a tote bag or a costume;

or

the image or the image-making support medium is prepared as a form that has one, more than one or all of it'"'"'s utilitarian function, it'"'"'s utilitarian part or parts, it'"'"'s electronics, wires, cords, batteries, power sources, mounts or mount parts, or it'"'"'s other means of installation or display or parts thereof, hidden from viewers.

13. The method of claim 9, in which the work or the image-making support medium is made with one or more visual effects or aesthetic properties described in A)-E):

A) the work or the image-making support medium has at least one aesthetic property from;

an additive or subtractive process;

a conventional image-making process;

a conventional image making medium, a conventional artist'"'"'s medium or a conventional artist'"'"'s painting or drawing medium;

at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

a depiction or representation of a recognizable subject;

a primer conventionally used to make images;

an underlayer;

at least one conductive polymer that provides or enables a visual effect, an aesthetic effect or emitted light;

a colorant;

a light source, light emitting display or means of emitting light;

a material, a device or another means that provides or effects light properties;

a filter;

crystal, gem, stone, fabric, paper, clay, ceramic, wood, metal, an air pocket;

a conductive, semi-conductive or holographic pigment;

a photographic image, a photographic emulsion or a photographic transparency;

writing, text, incising, inlay, carving or embossing;

texture, irregular texture or texture deeper than a sandblasted surface or a sanded surface;

a moving part or means to be capable of movement;

music or sound;

B) the work or the image-making support medium has at least one visual effect or aesthetic property that is;

(i) a light effect;

(ii) from a form that functions as a lens, a Fresnel lens, a grating, a diffraction grating, a prism or a lenticular lens or form;

(iii) a photochromic, dichroic, iridescent or reflective effect or a light effect from a hologram or crystal;

(iv) an electrochromic effect whereby it responds to changes in electrical current by changing or by changing it'"'"'s state of or it'"'"'s level of;

transparency, translucency, reflectivity, light emission, the path or color of the light passing through it, or a combination of these;

(v) a change from being entirely or partially transparent or translucent, to being entirely or partially opaque;

(vi) a change from being entirely or partially light emitting to being entirely or partially transparent or translucent, or such a change in an OLED;

(vii) created by electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change, to align, to become more aligned, to become random or to become more random;

(viii) a visual or optical effect or one of these effects that is capable of changing or that changes in response to programming, stimulation, interaction, a trigger, means of activation or an influence;

(ix) one or more of (i)-(viii) that serves as part or all of an image support, an image support stabilizer, an underlayer, a reinvented version of an artist'"'"'s canvas or the surface of such a reinvented artist'"'"'s canvas;

or (x) one or more of (i)-(ix) that is one or more light sources or light emitting displays, or that is in the image-making support medium with one or more light sources or light emitting displays;

C) the work or the image-making support medium has at least one visual effect or aesthetic property that is;

(i) a visible change in the image-making support medium, the image or part thereof that occurs in relation to change in natural light, skylight or nature, or such a visible change that resembles or looks like change in natural light, skylight or nature;

(ii) a portrayal or depiction of the sky, the light of the sky, nature, a natural environment or scene, part thereof, plants, flowers or animals, that is;

static, changing or that can be changed;

that is;

abstract, representational, realistic, surrealistic, the depiction or representation of a recognizable subject, or any of these along with figures, landscape or a still life;

that is at least partially formed with light in one or more colors;

or that is at least partially formed by color or light changing as the real version of it'"'"'s subject matter might change or in a manner that portrays or represents the real version of it'"'"'s subject matter;

(iii) one or more of the variations in (i) or (ii) that are capable of being changed by a person, by change in the environment, by another stimulant, trigger, influence, means of activation, means of being interactive or by programming;

or any of the variations in (i) or (ii) accompanied by music or sound;

D) the work or the image-making support medium has at least one visual effect or aesthetic property that is a portrayal, representation or abstraction of one or more people, human forms, part thereof, human heads or human torsos that is static, that is capable of changing or of being changed, that has light or color that changes, that has another visible aesthetic element that changes, that has sound, voice or music, or that changes as a result of stimulation, activation, programming, triggering, an influence or interaction;

or

E) the image or the image-making support medium has any of the variations in A)-D) above or a combination of these, that is or has an OLED, an e-material, another light emissive or non-light-emissive reflective display device, or a form made with polymer or with polymer that is transparent or translucent.

14. The process of claim 9, in which the work or the image-making support medium is made with a fine art stabilizer, a conductive polymer, a technology, a structure, a material or a display with changeable, reversible, controllable, interactive, responsive, programmable or programmed coloration that is one or more of the following:

i) an e-material or electronic paper;

a display, medium or system that is electro-optic, reflective, non-light-emitting, electrochromic, bistable, electrophoretic, light emitting, an OLED, a small molecule OLED, an OLED made with conductive polymer, an OLED made with both conductive polymer and at least one small molecule, a hybrid OLED, an OLED made with at least one dendrimer;

ii) a composition or form made with;

cells, globes, capsules, spheres, a honeycomb structure, or enclosed parts, electrochromic molecules, conductive polymer, liquid crystal, cholesteric liquid crystal, micro-variations of any of these, or organic electronics;

or made with parts that show different coloration when their position changes or when the position of their contents or parts changes;

iii) non-light-emissive colorants in one or multiple microcapsules;

made with charged non-light-emissive colorants that are able to change from visible to hidden, or from hidden to visible with electrical current which causes their position to change within a fluid with respect to an electrode;

or

a form made with or as a visible display device that includes multiple non-light-emissive colorants capable of changing their visibility, their color or both, with energy from a source that is part of the image or the image-making support medium or with energy conducted by the image or by the image-making support medium, so that the overall visual effect is sufficient to enable at least a portion of the image or the image-making support medium to have a display that is a visible aesthetic or pictorial element;

iv) the image or the image-making support medium is capable of being controlled, modulated or changed by one or more image makers or viewers, or by one or more elements in the environment, or made with a part or other means which provides or enables this capability;

or with a sensor or other part or other means which can be used, stimulated, activated, influenced, or triggered to cause the image making support medium or the image to respond, self actuate, interact, be controlled, modulate or change;

v) one or more in i)-iv) above that is;

flexible, transparent or translucent, thin or very thin in part or entirely;

made with a fine art stabilizer;

made with at least one polymer in the form of a film, layer, thin layer or image support;

made with polymer that is transparent or translucent, made with conductive polymer;

partially or entirely made by printing, ink jet printing, screen printing, solution processing or in a roll to roll or continuous manufacturing process;

made with a battery, solar cell, photovoltaics or a power source;

made with it'"'"'s power source, wires, cords or electrical parts hidden from viewers;

made with or provided with means of installation or display;

or accompanied by with instructions, or

the work or the image-making support medium is prepared with at least one fine art stabilizer which;

i) provides or enhances permanence, stability, impact resistance, scratch resistance, hardness, bonding capability, color stability or the ability to remain stabile with exposure to ultraviolet light;

provides, modifies or enhances polymer absorbency;

crosslinks an absorbent polymer or is a crosslinking monomer used with an absorbent polymer;

ii) is;

a surface preparation stabilizer, a processing aid, an image support stabilizer, a strengthening stabilizer;

a layer;

an ultraviolet light stabilizer, an ultraviolet light absorber or a hindered amine light stabilizer;

radiation which cures or crosslinks a polymer;

energy or electricity conducted by or used in conjunction with one or more nanomaterials, or OLEDs, or the means by which this energy is carried;

the source for energy used by an OLED;

polymer that supports, reinforces, strengthens or enhances the support of an OLED;

a material or a process that protect photovoltaics or solar cells made using conductive polymer or nanomaterials from adverse external or environmental elements;

light converted by a solar cell, by photovoltaics or by other such means made using conductive polymer or nanomaterials;

energy or electricity produced by photovoltaics or a solar cell;

or a microprocessor, chip or integrated circuit used for an e-material or an OLED;

iii) is a fine art stabilizer that causes or that assists in causing the image, the image-making medium or part of one of these to respond, change or modulate, or such a fine art stabilizer that is;

electricity, a chemical, a liquid, a solvent, light, radiation, heat, temperature change, a sensor, an electron beam, stress, pressure, a magnetic field, ionic energy, acidity or pH, change in any of these, or another stimulant, trigger or influence;

iv) is a fine art stabilizer that partially or completely shields or blocks one or more vulnerable or potentially vulnerable parts of the image-making support medium or the image from moisture, oxygen, ultraviolet light, agents used to clean or care for it or them, or other agents that otherwise would or that otherwise have the risk of undesirably modifying, changing or damaging the shielded part or parts of, or the rest of the form of the image-making support medium or the image;

v) is an ingredient, process, layer or part in or on an OLED or part thereof which reduces or eliminates changes to the image, to the image-making support medium, or to a part of one of these;

is a fine art stabilizer that is a barrier, a shield, or means of encapsulation, encasing or sealing that protects;

is the image-making support medium, the image, conductive polymer, the display, the e-material, the OLED, photovoltaics or a solar cell made with conductive polymer or a nanomaterial that protects part of any of these against the ingress of moisture, water, oxygen or any agent that will or might modify, damage or destroy a property of the conductive polymer, the display, or the image-making support medium or the work;

or

vi) is energy, electrical current or electricity conducted by a conductive polymer;

a form, device, battery, solar cell, electrode, anode, cathode, or wire that supplies, conducts or carries energy to a conductive polymer;

spin casting, ink jet printing or other printing process used to apply conductive polymer;

an aid used to process conductive polymer;

a solvent or liquid that enables or enhances solution processing of conductive polymer;

a dopant or agent used to treat polymer so that it becomes conductive or more conductive, or this doping process or treatment, or

the work or the image-making support medium is prepared with at least one conductive polymer which;

i) conducts electricity, conducts ions or emits light in one or more colors;

provides, enhances or enables an aesthetic element;

provides, enhances or enables a visible, pictorial or audible aesthetic element or an interactive element;

or is made with at least one nanomaterial;

ii) is part of, enables or carries energy to at least one;

LED, OLED or other light source;

an e-material or a non-light-emissive display;

a device, an electrical device, a system, computer, computer chip or part of a computer;

an electrical wire or conduit;

an electrode, energy source, solar cell, battery or source of electricity;

transistor, capacitor, photovoltaic, photodiode, photoconductor or photorefractive device;

sensor or means of detecting a viewer, sound, light or change in the environment;

means by which the image or the image-making support medium can move visibly, emit music or emit sound;

conductive adhesive, circuit, ink, paint or colorant;

coating or coating that is transparent or translucent;

conductive fiber, fabric, or fabric that functions like a conventional canvas surface, a conventional painting surface, or a conventional surface for collage;

video, film or part thereof;

means or interactive means by which the image-making support medium can display a moving or changing picture or image;

electroactive layer or part;

or an aesthetic effect that uses electricity that flows or is non-static;

or

iii) is applied by;

a roll to roll process, a printing process, ink jet printing, screen or silk screen printing, a lithographic process, a coating process, blow molding, calendering, fiber spinning, a solution spinning process, compression molding, extrusion, brush, drawing or painting, writing, a rolling process, gel process, a spraying process, solution processing, a casting process, spin casting, blade coating, an evaporation process, conventional practices or conventional image making practices;

is applied thinly, unevenly or discontinuously;

is applied in pixels, or is applied in a layered composition.

121. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed with means that provides or enables interactivity;

it is prepared or developed with means that provides or enables interactivity in which the work is capable of being responsive;

or it is prepared or developed with means that provides or enables interactivity enabling a visible pictorial, artwork or design element to be created, developed and/or changed in a process in which the work is active, or

the work has at least one such interactive feature and;

it has a control mechanism or device;

it has means or a part that enables it or part of it to be controlled, modulated or changed;

it is capable of using a trigger, stimulant or influence;

it has sensing, detection or recognition capability;

it has means of activation, input, or programming;

it is capable of using a wireless connection, the Internet or a broadcast method;

or the work has a combination of these.

122. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling;

(i) the work to actively respond to light or to changes in light, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to light or changes in light;

(ii) the work to visibly change as a whole or partially in relation to change in natural light, skylight or nature, or such visible change that resembles or looks like change in natural light, skylight or nature;

(iii) the work or part of to be capable of changing;

self-actuating;

using a control mechanism or device;

using means or a part that enables it or part of it to be controlled, modulated or changed;

using a trigger, stimulant or influence;

using sensing, detection or recognition capability;

using means of activation, input, or programming;

using a wireless connection, the Internet or a broadcast method;

or a combination of these;

(iv) the work to produce sound, music and/or voice, and/or respond to sound, music or voice;

(v) the work to have one or more of the variations above that is part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

-a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural or

(vi) any combination of any of these.

123. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond to one or more triggers or stimulants, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to one or more triggers and/or stimulants, or

the work is capable of at least one of these kinds of active responses and it includes:

use of a control mechanism or device;

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

124. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond to movement and/or gesture, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to movement and/or gesture, or

the work is capable of at least one of these kinds of active responses and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

125. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond to temperature, to heat, to the environment, to an aspect of one or more of these, or to a combination of these, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to temperature, to the environment, to an aspect of one or both of these, or to a combination of these, or

the work is capable of at least one of these kinds of active responses and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

126. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling interacting with, controlling and/or changing the work from a distance, using the Internet, using a wireless connection, or using a broadcast method, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds to a subject that is separate from it and/or not present with it, or

the work is capable of at least one of these and it uses:

a trigger, stimulant or influence;

sensing, detection or recognition capability;

programming;

a wireless connection, the Internet or a broadcast method;

or a combination of these.

127. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond in a process that uses sensing, detection and/or recognition capability, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses sensing, detection and/or recognition capability.

128. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond in a process that uses the Internet, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses the Internet.

129. The method of claim 9 wherein the image making support medium and/or the work is prepared or developed so that it has means enabling it to actively respond in a process that uses means of input or means of viewer input, or enabling

the creation, development and/or change of a visible pictorial, artwork or design element in a process in which the work actively responds, and the process uses means of input, or

the work is capable of at least one of these kinds of active responses and it includes:

the work changing or self-actuating;

use of a control mechanism or device;

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation or programming;

use of a wireless connection, the Internet or a broadcast method;

or a combination of these.

130. The method of claim 9 wherein the image making support medium or the work is prepared or developed so that it has a visual aesthetic element visible to viewers resembling that in an image by Rembrandt, Vermeer, Turner, Van Gogh, Monet, Seurat, an Impressionist artist, Jackson Pollack, Marc Rothko, Brancusi, Noguchi, Tiffany or I.M. Pei, or resembling that in a known work of or kind of fine art or design.

131. The method of claim 9 wherein the image making support medium or the work is prepared or developed with the means enabling the creation and/or development of a visible, two or three-dimensional, pictorial, artwork or design element or at lest one aesthetic element that can change over time with the work being active, that is more complex than or other than the visual effect of a conventional on/off switch, or a conventional dimmer.

132. The method of claim 9, in which the image-making support medium, and/or the work are made with one or more of:

means of having and using energy from a source that is part of it or separate from it;

a power source, a battery, a thin film battery, a solar cell or panel a non-silicon solar or photovoltaic cell;

a photovoltaic device or cell;

a circuit, conductive ink, or a composition, material or technology that provides or carries power;

one or more of these made with at least one nanomaterial;

means of conducting energy or electricity using at least one nanomaterial;

or one of these that is at least partially transparent or translucent, flexible, thin or very thin;

or a combination of these.

133. The method of claim 9, in which the image-making support medium, or the work are made with or as a visible display device that has multiple non-light-emissive colorants capable of changing their visibility, their color or both with energy, to create a visual effect sufficient to enable at least a portion of the work to have a display that can show a visible aesthetic, design or pictorial element, to make a work of design for viewing or display apart from direct contact with the human body rather than worn on it;

or to make a work of fine art or architecture.

134. The method of claim 9, in which the image-making support medium, or the work are made with or as a technology, material or display that is one or more of:

electronic paper;

an e-material;

electro-optic, reflective, a reflective display, a non-light-emitting display, bistable and/or electrophoretic.

135. The method of claim 9, in which the image-making support medium, or the work are made with or as a technology, material or display prepared with:

(i) cells, globes, capsules, spheres, a honeycomb structure, or enclosed parts, electrochromic molecules, conductive polymer, liquid crystal, cholesteric liquid crystal, micro-variations of any of these, or organic electronics;

(ii) parts that show different coloration when their position changes or when the position of their contents or parts changes;

(iii) non-light-emissive colorants in one or multiple microcapsules; and

/or

(iv) charged non-light-emissive colorants that are able to change from visible to hidden, or from hidden to visible with electrical current which causes their position to change within a fluid with respect to an electrode.

136. The method of claim 9, in which the image-making support medium, or the work are made with means of display as art or design;

it is displayed as art or design;

it is hung, installed or mounted for display;

or a combination of these.

137. The method of claim 9 wherein the work is free of a computer;

the work has a display screen which is the screen of a computer and it leaves the work free from a functionality that is a separate alternative to the purpose described in claim 9;

or the work has a computer that is subsidiary or subordinate to the work'"'"'s visible aesthetic effect or effects.

138. The method of claim 9 wherein the work has one or more of:

a display screen in addition a computer that functions with its own display screen;

it has a computer that works free of a visible display screen;

it has a computer that is a hidden part of the work;

it has a computer that is free of word processing capability or free of an alphanumeric keyboard;

the work'"'"'s has a light emitting display screen that is;

(1) free of visible clearly legible text and numbers,

(2) partially free of visible clearly legible text and numbers, and;

(i) partially continuously showing clearly legible text, numbers or both,

(ii) temporarily showing text, numbers or both, or

(iii) both (i) and (ii);

or

(3) the display screen shows text, numbers or both that are poetic, nonsensical, unclear in appearance, with an aesthetic purpose, or a combination of these; and

/or

the work has a computer with its display screen meeting the requirements of options (1), (2) and/or (3) above.

139. The method of claim 9 wherein the aesthetic work has a computer with a visible display screen that provides or contributes to an aesthetic element, and the utilitarian elements of this computer are mostly or entirely hidden from view, they entirely or predominantly unobvious or unapparent to viewers looking at the whole work, or a combination of these.

190. The method of claim 9, in which the work and/or the image-making support medium is made or developed so that it shows at least one pictorial, artwork or design element or it has at least one aesthetic element that can be seen from one or more of the work'"'"'s sides or angles, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

191. The method of claim 9, in which the image-making support medium and/or the work are made with one or more parts for mounting, installation or display;

with one or more utilitarian parts;

with electronics, wiring, cords, control buttons, it'"'"'s battery or power source;

a framework, support or bracing;

an interactive feature or part, and/or with most or all of it'"'"'s utilitarian elements hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole.

192. The method of claim 9 wherein the work and/or the image-making support medium are made with a form that is partially or entirely:

rigid, inflexible and/or capable of flexing, rolling out, rolling up, scrolling, folding, unfolding, or a combination of these.

193. The method of claim 9 wherein the work and/or the image-making support medium are made with a form that is linear;

that is non-planar;

that has at least one curve, angle or undulation;

or that is a combination of these.

194. The method of claim 9 wherein the work and/or the image-making support medium are:

made with a form that is non-geometric, non-uniform, irregular and/or uneven;

made with a form that has irregularities so that it looks handmade;

made with deckled edges;

or a combination of these.

195. The method of claim 9 wherein the work and/or the image-making support medium have forms that are:

(i) discontinuous, (ii) made with two or more parts that are joined or that are separate;

(iii) a strong, stabile or permanent form made of two or more parts with joints, bonds or points of contact that appear visually to be too slight, too small or too few in number for the form to be strong, stabile or permanent;

or (iv) a combination of these.

196. The method of claim 9 wherein the work and/or the image-making support medium have forms that are partially or entirely:

(i) layered, (ii) transparent and/or translucent;

(iii) made with one or more image supports;

(iv) made with a layer, part or other ingredient that enhances it'"'"'s permanence or stability; and

/or (v) a combination of these.

197. The method of claim 9 wherein the work and/or the image-making support medium have a planar or two dimensional form that is transparent or translucent and made with polymer, glass or both, with (i) one or more light sources, OLEDs or other LEDs within it, attached to it, or included as part of the work;

(ii) a conductive polymer; and

/or (iii) an electrical conductor that is not visible or not apparent to viewers.

198. The method of claim 9, in which the work and/or the image-making support medium are at least partially:

hollow;

with a form that has at least one open space within it;

openwork;

with at least one air pocket;

or a combination of these.

199. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

a form or a planar form with sufficient mechanical or structural properties so that it can support its own weight or be freestanding.

200. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

a form with sufficient mechanical or structural properties so that it can support its own weight or be freestanding, and this form or part of it;

(i) bonds to a conventional artist'"'"'s medium; and

/or

(ii) is one or more of;

transparent, translucent, planar, polymeric, resembling a conventional artist'"'"'s canvas, canvas board, acrylic sheeting or sheet of paper, made with a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light, or made with a fine art stabilizer that enables or enhances bonding.

201. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

means of installation, mounting or display on a wall or vertical surface, or by hanging;

a hook or wire attached to enable hanging;

or holes to enable hanging.

202. The method of claim 9, in which the work and/or the image-making support medium are made with one or more of:

a matt or a frame;

a rigid mount system, a wire mount system, or a combination rigid and wire mount system;

means of installation, mounting or display that leaves space between it and the wall, ceiling, floor or other structure from which it is installed, mounted or displayed; and

/or a base, a stand or a pedestal for viewing.

203. The method of claim 9 wherein the work and/or the image making support medium have a form or a part that is substantially or entirely transparent or translucent;

or it has such a form or part made with at least one nanomaterial and/or polymer.

204. The method of claim 9, in which part or all of the work and/or the image-making support medium shows a portrayal, representation or abstraction of one or more people, human forms, part thereof, human heads or human torsos;

one or more animals or parts of animals;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

205. The method of claim 9, in which part or all of the work and/or the image-making support medium shows a portrayal or depiction of the sky, the light of the sky, nature, a natural environment or scene, part thereof, plants, flowers, animals or still life that is:

abstract, representational, realistic, surrealistic, or the depiction or representation of a recognizable subject;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

206. The method of claim 9, in which part or all of the work and/or the image-making support medium is pictorial;

or it is pictorial and figurative, realistic, abstract, surrealistic, representational, a landscape or a still life;

or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

207. The method of claim 9, in which part or all of the work and/or the image-making support medium shows subject matter that is not physically present, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

208. The method of claim 9, in which the work and/or the image-making support medium has at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

or it has a combination of these and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

209. The method of claim 9, in which the work and/or the image-making support medium is sculpture;

it is prepared with drawing, painting, a conventional artist'"'"'s medium, paint, an imprimatura, a ground and/or collage;

it is kinetic, a mobile or made with at least one part capable of moving; and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

210. The method of claim 9, in which the work and/or the image-making support medium is made as or developed into fine art, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

211. The method of claim 9, in which the work and/or the image-making support medium is made as or developed into a work of design, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

212. The method of claim 9, in which the work and/or the image-making support medium is made as or developed into a work of architecture, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

213. The method of claim 9, in which part or all of the work and/or the image-making support medium shows a pattern;

and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

214. The method of claim 9, in which part or all of the work and/or the image-making support medium are representational, or show a depiction or representation of a recognizable subject, or

show one such subject and part or all of the work:

changing, that is unchanging, self- actuating, that can be changed, or that can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detecting or recognition capability;

using programming or using means of activation or input;

using a wireless connection, the Internet or a broadcast method;

or a combination of these.

215. The method of claim 9, in which part or all of the work and/or the image-making support medium shows a two-dimensional depiction or representation of three-dimensional form, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

216. The method of claim 9, in which the work and/or the image-making support medium are made with one or more visible, two or three dimensional, pictorial, artwork or design elements that employ light emitted from part or all of the work, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

217. The method of claim 9, in which the work and/or the image-making support medium are made with one or more visible, two or three dimensional, pictorial, artwork or design elements that employ light transmitted through part or all of the work, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

218. The method of claim 9, in which the work and/or the image-making support medium have at least one

aesthetic property from:

a colorant;

a conventional image making medium, a conventional artist'"'"'s medium, a conventional artist'"'"'s painting or drawing medium, a primer conventionally used to make images or an underlayer;

from the use of a conventional image-making process, or from a combination of these; and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

219. The method of claim 9 in which the work and/or the image-making support medium has:

a visible, two or three-dimensional, pictorial, artwork or design element made by adding to the work and/or by subtracting from it;

at least one aesthetic property from an additive process;

at least one aesthetic property from inlay;

at least one aesthetic property from a subtractive process, from incising or from carving;

or at least one aesthetic property from a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

220. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from a picture that may be complete or partial or from such a picture that is figurative, realistic, representational, abstract, surrealistic, landscape or a still life, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

221. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from a design that may be complete or partial, or from such a design that is figurative, realistic, representational, abstract, surrealistic, landscape or a still life, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

222. The method of claim 9, in which the work and/or the image-making support medium is made:

with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if it were entirely free of nanomaterials such that it is stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if it were entirely free of nanomaterials, and/or

it is made as or developed into art, design or architecture with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if it were entirely free of nanomaterials so that the work is stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if the work were entirely free of nanomaterials.

223. The method of claim 9, in which the work and/or the image-making support medium is made:

with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if it were entirely free of nanomaterials such that it is about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if it were entirely free of nanomaterials, and/or

it is made as or developed into art, design or architecture with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if it were entirely free of nanomaterials so that the work is about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if it were entirely free of nanomaterials.

224. The method of claim 9, in which the work and/or the image-making support medium is made with at least one specification from each of (A) and (B):

(A) the work is made with the ratio of it'"'"'s strength to it'"'"'s weight, structure, form and/or mass different from what this ratio would be if it were entirely free of nanomaterials such that;

(i) the work is stronger than it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are about the same or less than they would be if the work were entirely free of nanomaterials;

or

(ii) the work is about as strong as it would be if it were entirely free of nanomaterials while it'"'"'s weight, structure, form and/or mass are less than they would be if the work were entirely free of nanomaterials;

(B) the work or the image-making support medium is made with a utilitarian part, or it is made so that it can also serve a utilitarian function as;

furniture;

a door, a gate, a fence, a stage set, a partition, a screen, a tent, an awning, a fountain, a basket, a case or container, a light fixture, candelabrum, a window, a skylight, a lunette, shades, shutters, a tile, a column, or a set, grouping or compositional arrangement of these that is a single work;

an architectural form or structure;

a building faç

ade, a wall, a ceiling, a floor;

craft design;

a work of design for household use;

a work for spiritual or religious use;

a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into visual pictorial image;

a plurality of associated sheets arranged in a book or pad form capable of use for image making;

a work of graphic design;

a work of book design optimally free or nearly free of visible legible text;

a wearable work of design or art;

fashion design, a fashion accessory, a handbag, jewelry, a hat, a belt, a tote bag or a costume;

a mural;

a work of art, design, or architecture;

a combination of any of these;

or one of these or a combination of any of these that is at least partially capable of light emission, changing over time, flexing, folding, rolling, transparency and/or translucency.

225. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from a photographic image, a photographic emulsion, a photographic transparency or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

226. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from texture, from irregular texture, from texture deeper than a sandblasted surface or a sanded surface, from embossing or from a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

227. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from writing or text, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

228. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from the use of it'"'"'s ability to move or from movement of a part, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

229. The method of claim 9, in which the work and/or the image-making support medium have at least one aesthetic property from:

metal, fabric, paper, wood, clay, ceramic, a gem, a stone, or a combination of these, and

part or all of the work can change over time, it is unchanging, self-actuating, it can be changed, or it can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

230. The method of claim 9, in which part or all of the work and/or the image-making support medium is capable of being interactive, responsive, controlled, modulated and/or changed;

or

it has this capability when stimulated, activated, self-activated, influenced, triggered, and/or programmed;

it has this capability with input, with the use of a control mechanism or device;

with the use of sensing, detection or recognition capability; and

/or with the use of a wireless method, the Internet or a broadcast method;

or

the work has any combination of these.

231. The method of claim 9, in which part or all of the work and/or the image-making support medium is made so that:

A) it is capable of being responsive, self-actuating, interactive, controlled, modulated, changed and/or programmed, or it has a part with this capability;

it has this capability when stimulated, activated, influenced or triggered or when externally stimulated, activated, influenced or triggered; and

/or

B) use of the capability in A) above causes or assists in causing the work, or the image-making support medium, or at least one of their aesthetic elements;

to change, modulate, move or stop moving;

to be visible, hidden, audible or silent;

or to change it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property, or a visible aesthetic property.

232. The method of claim 9, in which the work and/or the image-making support medium are prepared or developed with means enabling it to use a wireless connection, or enabling the creation, development and/or change of a visible pictorial, artwork or design element in a process that uses a wireless connection, or

the work is capable of at least one of these variations and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of the Internet or a broadcast method;

or a combination of these.

233. The method of claim 9, in which the work and/or the image-making support medium are prepared or developed with means enabling it to actively use a broadcast, or enabling the creation, development and/or change of a visible pictorial, artwork or design element using a broadcast, or

the work is capable of at least one of these variations and it includes:

use of means or a part that enables the work or part of it to be interactive, controlled, modulated or changed;

use of a trigger, stimulant or influence;

use of sensing, detection or recognition capability;

use of means of activation, input, or programming;

use of a wireless connection or the Internet;

or a combination of these.

234. The method of claim 9, in which the work and/or the image-making support medium has means, a part, an area, a layer, an element, a device or a mechanism that can be activated, stimulated, triggered or used by:

a person intentionally or unintentionally, the environment, temperature, heat, radiation, light, movement, gesture, acidity, pH, magnetism, a magnetic field, a magnetic force, a solvent, a chemical, a liquid, moisture, pressure, stress, programming, electricity, ionic energy, an electron beam, by change in any of these, by sound, voice, using the Internet, using broadcasting, using wireless connection, from a distance, or a combination of these; and

this causes or assists in causing change, modulation or another response in the work, in the image-making support medium, in a part of one or more of these, or in one or more of their aesthetic elements.

235. The method of claim 9, in which the work and/or the image-making support medium has programming and/or means by which a person can intentionally or unintentionally control, change or vary:

the electrical current;

it'"'"'s color, light, form, shape, movement, position, volume, density, viscosity or appearance;

a physical property;

an aesthetic element;

or a combination of these.

236. The method of claim 9, in which the work and/or the image-making support medium is capable of:

(i) visible change, or visible change of at least one aesthetic element;

(ii) visible change that is;

a modulation;

movement or stopping movement;

a change from visible to unseen, or from unseen to visible;

change in color, in a light property or in emitted light;

to be audible, to be silent;

change in form, in a physical property, in appearance, in it'"'"'s electrical current, in shape, in position, in volume, in density, or in viscosity;

or (iii) a combination of these.

237. The method of claim 9, in which the work and/or the image-making support medium is capable of producing sound, music and/or voice;

it has at least one aesthetic property from music and/or sound;

it is capable of responding to sound, music or voice; and

/or

it has one or more of these capabilities and part or all of the work is;

self-actuating, programmed, interactive, responsive, it has means of input or activation, it can use means of broadcast, a wireless means and/or the Internet;

it can use a trigger, stimulant or influence, it can use sensing, detection or recognition capability; and

/or it has a microphone and/or speaker;

it has technology or capability for voice or speech recognition;

it has means of sensing or detecting sound;

or a combination of these.

238. The method of claim 9, in which the work and/or the image-making support medium have the technology or the capability for:

speech or voice recognition, movement or gesture recognition, capacitive sensing, human hand gesture recognition, motion recognition, human body motion recognition, sign language recognition, facial gesture recognition, pattern recognition, sensing or detecting any of these, or a combination of these.

239. The method of claim 9, in which the work and/or the image-making support medium have a touch control or a touch activated device.

240. The method of claim 9, in which the work and/or the image-making support medium have one or more of:

a control mechanism or device;

an interactive part or device;

a viewer input device;

a switch, a dial, a button;

a touch control or a touch activated device;

a drawing device;

a stylus or wand to control, interact with or change the work or image-making support medium;

a trackball or a mouse;

a computer vision system;

a mechanism or device which enables control or change when pressure or stress is applied;

or a combination of these.

241. The method of claim 9, in which the work and/or the image-making support medium have:

(i) a sensor and/or means detecting, (ii) it is capable of sensing and/or detecting;

a viewer;

movement, gesture, sound, light, the environment or an aspect of it, heat, temperature, change in any of these, or other change;

(iii) it has means of sensing and/or detecting plus means of responding or responding with change in the work, the image-making support medium, or one of their aesthetic elements;

(iv) it has a technology, sensor, device or ability that is sensitive to or that detects being bent or extended, or, such a technology, sensor, device or ability plus the ability to respond to this as a stimulant, trigger or influence, and/or it has a fabric strain gage or and/or (v) it has a combination of any of these.

242. The method of claim 9, in which the work and/or the image-making support medium have:

(i) a hologram or it has a hologram that appears two or three dimensional and partially or entirely intangible;

(ii) it has at least one such hologram and it or part or all of the work;

can change over time, can self-actuate, is unchanging, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

(iii) it has at least one such hologram that partially or wholly;

activates, triggers, stimulates, produces, interactively, by the use of sensing, detecting or recognition capability or by sensing or detecting touch, movement or gesture, is at least part of a process by which part or all of the work or one of its aesthetic elements;

changes, modulates, moves or stop moving;

becomes visible, hidden, audible or silent;

or changes it'"'"'s electrical current, color, a light property, form, shape, position, volume, density, viscosity, appearance, a physical property or a visible aesthetic property;

or

(iv) any combination of these.

243. The method of claim 9, in which part or all of the work and/or the image-making support medium are prepared with at least one aesthetic property and:

(i) it is from;

an additive or subtractive process;

a conventional image-making process;

a conventional image making medium, a conventional artist'"'"'s medium or a conventional artist'"'"'s painting or drawing medium;

at least part of a drawing, picture or design, or one of these that is figurative, realistic, representational, abstract, surrealistic, a landscape or a still life;

a depiction or representation of a recognizable subject;

a primer conventionally used to make images;

an underlayer;

a colorant;

a light source, light emitting display or means of emitting light;

a material, a device or another means that provides or effects light properties;

a filter;

crystal, gem, stone, fabric, paper, clay, ceramic, wood, metal, an air pocket;

a conductive, semi-conductive or holographic pigment;

a photographic image, a photographic emulsion or a photographic transparency;

writing, text, incising, inlay, carving or embossing;

texture, irregular texture or texture deeper than a sandblasted surface or a sanded surface;

or moving part or means to be capable of movement;

music or sound;

or a combination of these;

or

(ii) the work has an aesthetic property and part or all of the work;

changes over time, self-actuates, changes discontinuously, interactively, in a responsive process, using;

a trigger, a stimulant, an influence, sensing, detection or recognition capability;

a control mechanism or device;

means or a part that enables the work or part of it to be interactive, responsive, controlled, modulated or changed;

programming or means of activation or input;

using sensing, detection or recognition capability; and

/or using a wireless connection, the Internet or a broadcast method;

or any combination of these;

(iii) the work has an aesthetic property as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, a mural;

or

(iii) any combination of any of these.

244. The method of claim 9, in which part or all of the work and/or the image-making support medium are prepared with:

(i) a portrayal or depiction of the sky, the light of the sky, nature, a natural environment or scene, part thereof, plants, flowers or animals, that is;

static, changing or that can be changed;

that is;

abstract, representational, realistic, surrealistic, or the depiction or representation of a recognizable subject;

any of these along with a figure, landscape or a still life;

any of these that is at least partially formed with light in one or more colors;

or

any of these that is at least partially formed by color or light changing as the real version of it'"'"'s subject matter might change or in a manner that portrays or represents the real version of it'"'"'s subject matter;

or

(ii) one or more of the variations above, or part or all of the work that changes over time, self-actuates, that changes discontinuously, interactively, in a responsive process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(iii) any of the variations above with the work capable of producing sound, music and/or voice, and/or capable of responding to sound, music or voice;

(iv) one or more of the above as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(v) any combination of any of these.

245. The method of claim 9, in which part or all of the work and/or the image-making support medium are prepared with at least one visual effect or aesthetic property that is:

(i) a portrayal, representation or abstraction of one or more people, human forms, part thereof, human heads or human torsos that is static, that is capable of changing or of being changed;

or such a work that has light or color that changes, another visible aesthetic element that changes, the ability to produce sound, music and/or voice, and/or to respond to sound, music or voice;

(ii) one or more of the variations above or part or all of the work that changes over time, self-actuates, discontinuously, interactively, in a responsive process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(iii) such a visual effect or aesthetic property as part of or throughout one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or mural;

or

(iii) a combination of any of these.

246. The method of claim 9 wherein the work and/or the image making support medium are prepared with one or more of:

(i) at least one visible light effect;

at least one visible light effect and at least part of the work is light-emissive, transparent and/or translucent; and

/or a material, a device or another means that provides or effects light properties;

(ii) a visible element, effect or part that is partially or entirely;

electrochromic, reflective, photochromic;

dichroic;

iridescent;

a hologram;

crystal, a filter;

an air pocket;

a pigment that is conductive, semi-conductive or holographic;

or a combination of these;

(iii) a form that functions as;

a lens;

a Fresnel lens;

a grating;

a diffraction grating;

a prism;

or a lenticular lens or form;

or a combination of these;

or a visual effect from one or more of these,

(iv) the work has one or more of the variations above, that is visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, that is visible as a response, and/or that is visible in using;

a trigger, a stimulant, an influence, programming, means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method; and

/or

(v) the work has one or more of the variations above that is part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(vi) any combination of these.

247. The method of claim 9, in which part or all of the work and/or the image-making support medium have a visible element, effect or part that is entirely or partially reflective.

248. The method of claim 9, in which part or all of the work and/or the image-making support medium have one or more visible elements, effects or parts that are entirely or partially photochromic.

249. The method of claim 9, in which part or all of the work and/or the image-making support medium has an electrochromic technology, material, display or effect, or it is electrochromic and capable of changing color;

capable of changing it'"'"'s state of or level of transparency, translucency, reflectivity and/or light emission; and

/or capable of changing the light passing through it;

or

it has an electrochromic effect and it has means of having and using energy or electricity from a source that is part of it or separate from it;

or

it has an electrochromic effect and it'"'"'s means of having and using energy is hidden from view and/or entirely or largely unobvious or unapparent to viewers looking at the work as a whole;

or

any combination of these.

250. The method of claim 9, in which part or all of the work and/or the image-making support medium are prepared with the ability to visibly change it'"'"'s level of transparency, and/or the ability to visibly change from being entirely or partially transparent or translucent, to being entirely or partially opaque;

or

(i) the work is capable of such a change that is visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, in a response process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(ii) the work is capable of such a change that is visible on part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) any combination of these.

251. The method of claim 9, in which part or all of the work and/or the image-making support medium are capable of visibly changing from being entirely or partially light emitting to being entirely or partially transparent or translucent, or:

(i) the work is capable of such a change that is visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, in a response process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(ii) the work is capable of such a change that is visible on part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an OLED;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) any combination of these.

252. The method of claim 9, in which part or all of the work and/or the image-making support medium are prepared with a visible effect or aesthetic property created or contributed to by the use of electricity that causes the positions of particles, of liquid crystals, or of liquid crystals in a polymer layer or matrix to change, to align, to become more aligned, to become random or to become more random;

or

(i) the work is capable of having this effect or aesthetic property visible continuously, that is visible discontinuously, the visibility of which changes over time, that self-actuates, that is visible by interactivity, in a response process, using;

a trigger, a stimulant, an influence, programming or means of activation or input;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability; and

/or using a wireless method, the Internet or a broadcast method;

(ii) the work is capable of having this effect or aesthetic property visible on part or all of one or more of;

an image support;

an image support stabilizer;

an underlayer;

a light source;

a light emitting display;

an e-material or electronic paper;

a non-light-emissive, reflective display;

a form made with polymer or with polymer that is transparent or translucent;

a work of art, design or architecture;

a work that is also serves as part or all of a wall, a ceiling, a window, a floor, furniture, a partition, a light, an architectural form, a wearable design, or a mural;

or

(iii) any combination of these.

253. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

furniture, a table, a chair, a stool, a chest, a cabinet, a cart, a bench, or as a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

254. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a tile or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

255. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a door, partition, a screen, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

256. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a gate, a fence, a column, a stage set, a tent, an awning, a fountain, a candelabrum, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

257. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a basket, a case or container, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that partially or entirely;

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

258. The method of claim 9, in which the work and/or the image-making support medium are prepared as or with one or more light emitting devices;

light emitting materials;

light emitting silicon;

electroluminescent materials;

lighting;

light fixtures;

as a set, grouping or compositional arrangement with two or more light fixtures that is a single work; and

/or as lighting design, or

such a work that is at least partially flexible, thin, very thin, transparent or translucent, or made with at least one light effect;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

259. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a window, a skylight, a lunette, or as a set, grouping or compositional arrangement of these that is a single work or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, such a work that has a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or any combination of these.

260. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

shades, shutters, or a set, grouping or compositional arrangement of these that is a single work, or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

261. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

an architectural form or structure, a building faç

ade, stairs, a crosswalk or a bridge, or

such a work that has at least one light effect, is photochromic and/or capable of emitting light;

such a work that is electrochromic;

such a work that has means of having and using energy from a source that is part of it or separate from it, a power source, a solar cell, and/or photovoltaics;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

262. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as a wall, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

263. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as a ceiling, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

264. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as a floor, or

such a work that partially or entirely:

emits light, has at least one light effect, changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

265. The method of claim 9, in which the work and/or the image-making support medium are craft design, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

266. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a work of design for household use, or as a vase, a bowl, a tray, a cup or goblet, a plate, a dish, a pitcher, a soup tureen or a placemat, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

267. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a work of art, design or architecture for spiritual or religious use, or as an altar, or a menorah, or

such a work that is capable of emitting light, made with at least one light effect or that is electrochromic;

or

such a work that partially or entirely;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

268. The method of claim 9, in which the work and/or the image-making support medium are:

made capable of serving as book design, optimally free or nearly free of visible legible text;

or

made as a plurality of associated sheets arranged in a book or pad form capable of use for image making;

or

made capable of serving as a book or pad that is a new version of the conventional image making blank book or blank paper pad capable of being developed into a visual pictorial image;

or

made as such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

269. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as graphic design, or

such a work that partially or entirely:

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

270. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as a wearable work of design or art;

as fashion design; and

/or as a costume, or

such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

271. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as jewelry, or

such a work that partially or entirely:

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

272. The method of claim 9, in which the work and/or the image-making support medium are made capable of serving as:

a fashion accessory, a hat, a belt, a handbag, or a tote bag, or

such a work that partially or entirely;

emits light, has at least one light effect, is capable of flexing, rolling, scrolling or folding;

changes over time, is unchanging, self-actuating, can be changed, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

273. The method of claim 9, in which the work and/or the image-making support medium are made with one or more organic electronics, polymer electronics, printed electronics;

one or more of these that is at least partially transparent or translucent, or a combination of these.

274. The method of claim 9, in which the work and/or the image-making support medium have a conductive electronic material or device that is:

made with at least one nanomaterial;

at least partially transparent or translucent;

flexible;

made with polymer or conductive polymer;

or a combination of these.

275. The method of claim 9, in which the work and/or the image-making support medium have an integrated circuit or chip, or a non-silicone integrated circuit or chip.

276. The method of claim 9, in which the work and/or the image-making support medium have a transistor, a thin film transistor (TFT), a backplane, a TFT backplane, an active matrix backplane;

a light emitting transistor, an organic transistor, one of these that is at least partially transparent or translucent;

or a combination of these.

277. The method of claim 9, in which the work and/or the image-making support medium are or have one or more organic light emitting diodes (OLEDs), or

it is or it has one or more OLEDs that are at least partially flexible, thin, very thin, transparent or translucent;

or

it is or it has one or more OLEDs, and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or it is or it has a combination of these.

278. The method of claim 9, in which the work and/or the image-making support medium are or have one or more light emitting diodes (LEDs), or

it is or it has one or more LEDs that are at least partially flexible, thin, very thin, transparent or translucent;

or

it is or it has one or more LEDs, and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or it is or it has a combination of these.

279. The method of claim 9, in which part or all of the work and/or the image-making support medium are made with liquid crystal, cholesteric liquid crystal, a liquid crystal display (LCD), or liquid crystal elastomer, or

it is made as such and it is at least partially transparent or translucent, flexible, thin or very thin, or

it has one or more of these and part or all of the work can change over time, can be changed, can self-actuate, or can be changed by interactivity, using a responsive feature, using a trigger, stimulant or influence;

using means or a part that enables the work or part of the work to be interactive, controlled, modulated or changed;

using a control mechanism or device;

using sensing, detection or recognition capability;

using programming or using means of activation or input;

using a wireless method, the Internet or a broadcast method;

or a combination of these.

280. The method of claim 9, in which the work and/or the image-making support medium are prepared as or with at least one:

(i) conductive polymer, or polymer that is capable of conducting electricity and/or emitting light;

or

(ii) layered form that has conductive polymer in between two or more layers that are;

transparent, translucent, polymeric, glass, non conductive or poorly conductive or a combination of these;

or such a layered form with conductive polymer between it'"'"'s other layers wherein this conductive polymer is capable of conducting electricity to one or more devices or light emitters that are also sandwiched in between it'"'"'s other layers;

281. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

polymer, transparent or translucent polymer, acrylic, poly(methyl methacrylate), methacrylate ester or methacrylamide derivative, absorbent polymer or conductive polymer, or they are prepared with one or more of these in a nanocomposite or hybrid nanomaterial, or in a polymer carbon nanotube nanocomposite, or a polymer clay nanocomposite.

282. The method of claim 9, in which the work and/or the image-making support medium have one or a combination of these:

a polymer that is re-mendable, self-healing and/or regenerative;

a polymer that is capable of changing or responding to stimulation, a control, activation, a trigger or influence;

a photorefractive polymer, a polymer gel, hydrogel, or redox polymer;

a shape memory polymer; and

/or an ionomeric polymer-metal composite;

a material or a polymeric material that is;

electroactive, thermochromic, piezochromic, piezorochromic, piezoelectric, solvatochromic, carsolchromic or gasochromic;

a phase change material;

a photonic colorant, a photonic crystal, a photonic material, a photonic band gap material or structure, a synthetic opal or a synthetic opal containing silica spheres or imbibed with liquid crystal, polymerized crystalline colloidal arrays, or gel particles embedded in crystalline colloidal arrays;

it has or is a field emission display;

it has a smart fluid that is a particle filled, oil based suspension that changes in viscosity reversibly or that changes from liquid to solid reversibly;

electro-rheological or magneto-rheostatic fluids;

a polymer or conductive polymer magnet; and

/or porphyrin.

283. The method of claim 9, in which the work and/or the image-making support medium is prepared with at least one or any combination of these:

it is prepared with at least one nanomaterial that is man-made and/or grown by man, or that is non-natural; and

/or

it is prepared with at least one nanocomposite, hybrid nanomaterial, nanotube, carbon nanotube, single wall carbon nanotube, graphene, buckypaper, nanoparticle, nanocrystal, quantum dot, nanowire, nanofiber, nanoclay, molybdenum, and/or nanomaterial made with molybdenum; and

/or

it is prepared with a nanocomposite, a hybrid nanomaterial, a polymer nanocomposite or a polymer hybrid nanomaterial, that is in the form of a thin or very thin layer, in or on which there is graphene, buckypaper, or at least one but optimally many nanoscale nanomaterials, carbon nanotubes, single wall carbon nanotubes, nanoparticles, nanowires, nanocrystals, nanofibers or molybdenum; and

/or

it is prepared with at least one nanomaterial that is partially, largely or completely;

(i) nano-pure;

(ii) made, manipulated, or engineered on an atomic or molecular scale or from the bottom up;

(iii) made, manipulated, or engineered using nanotechnology to control most or all atoms, or to control most atoms or every atom that serves a particular function or that is in a particular position or on a particular part of the image;

or (iv) one or more of (i)-(iii) and the nanomaterial is visible to the unaided or naked eye or it is unseen by viewers.

284. The method of claim 9, in which the work and/or the image-making support medium are prepared with at least one fine-art stabilizer;

at least one fine art stabilizer that is or that has at least one nanomaterial;

at least one fine-art stabilizer that bonds to or enhances the bond to one or more superimposed conventional artists'"'"' mediums or paints;

or at least one fine-art stabilizer that is a combination of these.

285. The method of claim 9, in which the work and/or the image-making support medium are cleaned sufficiently to render it receptive to superimposed artists'"'"' paint, so that it has enhanced bond strength and permanence.

286. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

(i) a monomer that is methacrylate ester, methacrylamide derivative or methyl methacrylate;

(ii) a polymer that is poly(methyl methacrylate) or that is made from methacrylate ester or methacrylamide derivative;

(iii) any of these that are strengthened, made stiffer or made more rigid by at least one nanomaterial, by a fine art stabilizer or by another polymer;

(iv) polycarbonate;

(v) a polymer and a fine art stabilizer;

(vi) a polymer and a fine art stabilizer that provides or enhances it'"'"'s ability to remain unchanged with exposure to ultraviolet light;

or (vii) any of these that are transparent or translucent forms.

287. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

(i) a conventional image-making medium made with at least one nanomaterial,

(ii) a conventional image making medium that is improved, enhanced, changed or made more permanent by at least one nanomaterial, or

(iii) a nanocomposite or hybrid nanomaterial made with a conventional image making medium that is more permanent, stronger, tougher, more resilient, more durable, stiffer, less flexible, less breakable, less fragile, less brittle, or less fibrous than the conventional image-making medium in it'"'"'s conventional state, or that is enhanced for use in art, design or architecture or for use in making such works in comparison to the conventional image-making medium.

288. The method of claim 9, in which the work and/or the image-making support medium are prepared with at least one material or medium that is entirely free of nanotechnological processing or that is made:

(i) using bulk technology;

(ii) by nature or a by a natural process; and

/or (iii) with natural rather than manmade, nanoscale, structure(s), feature(s), or physical phenomena.

289. The method of claim 9, in which the work and/or the image-making support medium are prepared with a conventional medium that is more permanent, stronger, tougher, more resilient, more durable, stiffer, less flexible, less breakable, less fragile, less brittle, less fibrous or enhanced for use in art, design or architecture or for use in making such works, due to one or more nanomaterials.

290. The method of claim 9, in which the work and/or the image-making support medium are prepared with metal, glass, crystal, ceramic, clay, stone, paper, wood, conventional artist'"'"'s canvas fabric, and/or plaster in a nanocomposite, a hybrid nanomaterial or a nanomaterial.

291. The method of claim 9, in which the work and/or the image-making support medium are prepared with or as one or more:

devices, machines and/or systems;

fabrics, conventional artist'"'"'s canvas fabrics, textiles, meshes, woven materials, threads, yarns, cords, cables, fibers, wires and/or ropes that is nanoscale or larger, made with one or more nanomaterials; and

/or prepared with one or more nanomaterials that are conductive.

292. The method of claim 9, in which the work and/or the image-making support medium are prepared with a form that is sufficiently strong, stabile or permanent, and one or more of:

it is structural or it is sufficient to serve as the work'"'"'s structure;

it is rigid, planar, slight, thin or very thin;

unreinforced, unbacked, or unbolstered;

it is a form made with a strengthening stabilizer;

it is a form that is an image support or an image support stabilizer or it is a form made with an image support or image support stabilizer; and

/or

it is a form prepared as a mural or as a design on a wall, ceiling or other architectural structure.

293. The method of claim 9, in which the work and/or the image-making support medium are prepared with:

(i) a form that is largely or almost completely made of a conventional artist'"'"'s support medium or of it'"'"'s ingredient or ingredients;

(ii) a form that visually resembles or looks similar to a conventional artist'"'"'s support medium, canvas, paper, acrylic sheeting or clay, or it is such a form that also functions in a manner that is like or similar to the conventional artist'"'"'s support medium it looks similar to or resembles;

(iii) the visual appearance of or resembling a conventional artist'"'"'s canvas;

texture resembling conventional canvas;

deckled edges;

irregularities resembling handmade paper, or

(iv) any combination of these.