Music synthesis controller and method

• US 6,049,034 A
• Filed: 01/19/1999
• Issued: 04/11/2000
• Est. Priority Date: 01/19/1999
• Status: Expired due to Term

• Current Assignee: Vulcan Patents LLC
• Original Assignee: Interval Research Corporation
• Inventors: Cook, Perry R.
• Primary Examiner(s): Donels, Jeffrey
• Application Number:
  US09/233,690
• Time in Patent Office: 448 Days
• Field of Search: 84/600, 84/622, 84/659, 84/736, 84/743
• US Class Current: 84/736
• CPC Class Codes: G10H 2220/561 Piezoresistive transducers, i.e. exhibiting vibration, pressure, force or movement -dependent resistance, e.g. strain gauges, carbon-doped elastomers or polymers for piezoresistive drumpads, carbon microphones
• CPC Class Codes: G10H 2240/311 MIDI transmission G10H2240/056 takes precedence
• CPC Class Codes: G10H 2250/051 with variable time delay or variable length
• CPC Class Codes: G10H 5/007 Real-time simulation of G10B, G10C, G10D-type instruments using recursive or non-linear techniques, e.g. waveguide networks, recursive algorithms

Abstract

A music synthesizer has one or more sensors that generate a respective plurality of sensor signals, at least one of which is an audio frequency sensor signal. Electronic circuitry, such as a specialized circuit or a programmed digital signal processor or other microprocessor, implements a physical model. The electronic circuitry includes an excitation signal input port for continuously receiving the audio frequency sensor signal as well as a control signal port for continuously receiving a control signal corresponding to the audio frequency sensor signal. The-control signal can have much lower bandwidth than the audio frequency sensor signal. The electronic circuitry also includes circuitry for generating an audio frequency output signal in accordance with the physical model, utilizing the audio frequency sensor signal received via the excitation signal port as an excitation signal for stimulating the physical model, and using the received control signal to set at least one parameter that controls the generation of the audio frequency output signal. In some implementations, the music synthesizer will include a second sensor for generating a second control signal. The circuitry for generating the audio frequency output signal may include a variable length delay element whose effective delay length is controlled by at least one of the sensor signals.

Claims

1. A music synthesizer, comprising:

a sensor that generates an audio frequency sensor signal in response to direct stimulation of the sensor by a human user; and

electronic circuitry for implementing a physical model, the electronic circuitry including;

an excitation signal input port for continuously receiving the audio frequency sensor signal;

a control signal port for receiving a control signal; and

circuitry for generating an audio frequency output signal in accordance with the physical model, utilizing the audio frequency sensor signal received via the excitation signal port as an excitation signal for stimulating the physical model, and using the received control signal to set at least one parameter that controls the generation of the audio frequency output signal.

2. The music synthesizer of claim 1, further including a second sensor for generating a second control signal;

wherein the circuit for generating the audio frequency output signal includes a variable length delay element whose effective delay length is controlled by at least one of the sensor signals.

3. The music synthesizer of claim 1, the control signal corresponds to the audio frequency sensor signal.

4. The music synthesizer of claim 1, further including a second sensor for generating a second control signal;

wherein

at least one of the sensor signals corresponds to a position where one of the sensors is touched by a user;

the generated audio frequency output signal has an associated pitch; and

the circuit for generating the audio frequency output signal modifies the pitch of the audio frequency output signal in accordance with at least one of the sensor signals that corresponds to a position where one of the sensors is touched by a user.

5. The music synthesizer of claim 1, wherein

the sensor senses both pressure and position and generates a first sensor signal corresponding to a position at which it is touched by a user and a second sensor signal corresponding to how much pressure is being applied to the sensor by the user;

the generated audio frequency output signal has an associated pitch; and

the circuit for generating the audio frequency output signal modifies the pitch of the audio frequency output signal in accordance with at least the first sensor signal, and adjusts at least one control parameter that controls generation of the audio frequency output signal in accordance with the second sensor signal.

6. The music synthesizer of claim 5, wherein

the second sensor signal is the audio frequency sensor signal used as the excitation signal for stimulating the physical model;

and

the circuit for generating the audio frequency output signal is responsive to and the generated audio frequency output signal it generates is distinctively responsive to a variety of respective user gestures, including striking, rubbing, slapping, tapping, and thumping the sensor.

7. A music synthesizer, comprising:

a plurality of sensors, wherein the sensors are configured to generate a respective plurality of sensor signals in response to direct stimulation thereof by a human user;

an input port for receiving the plurality of sensor signals;

an output port for outputting audio signals; and

a data processing unit for implementing a music synthesis model that is responsive to the sensor signals and generates the audio signals output at the output port, wherein the music synthesis model includes;

at least one resonator having an associated pitch that is controlled by at least one of the sensor signals;

an excitation function that is directly responsive to at least one of the sensor signals so as make the music synthesizer responsive to user gestures.

8. The music synthesizer of claim 7, wherein the excitation function includes a variable length delay element that is controlled by at least one of the sensor signals.

9. The music synthesizer of claim 8, wherein

the user gestures have associated therewith a position and an amount of force;

the excitation function is responsive to a first sensor signal indicative of the amount of force associated with a user gesture and the variable length delay element is controlled by the position associated with the user gesture.

10. The music synthesizer of claim 7, wherein the music synthesis model includes at least one amplitude control element that is controlled by at least one of the sensor signals.

11. A method of synthesizing music comprising an audio frequency output signal, the method comprising:

continuously receiving at least one sensor signal, including an audio frequency sensor signal, in response to direct user stimulation of one or more sensors;

receiving a control signal; and

generating an audio frequency output signal in accordance with a physical model, utilizing the audio frequency sensor signal as an excitation signal for stimulating the physical model, and using the received control signal to set at least one parameter that control s the generation of the audio frequency output signal.

12. The music synthesis method of claim 11, wherein the physical model includes a variable length delay element whose effective delay length is controlled by the control signal, and the control signal corresponds to a second received sensor signal that is distinct from the audio frequency sensor signal.

13. The music synthesis method of claim 11, wherein

the first receiving step includes receiving a second sensor signal that corresponds to a position where one of the sensors is touched by a user;

the generated audio frequency output signal has an associated pitch; and

the generating step modifies the pitch of the audio frequency output signal in accordance with the second sensor signal.

14. The music synthesis method of claim 11, wherein

the first receiving step includes receiving a first sensor signal corresponding to a position at which a first sensor it is touched by a user and receiving a second sensor signal corresponding to how much pressure is being applied to the first sensor by the user;

the generated audio frequency output signal has an associated pitch; and

the generating step modifies the pitch of the audio frequency output signal in accordance with at least the first sensor signal, and adjusts at least one control parameter that controls generation of the audio frequency output signal in accordance with the second sensor signal.

15. The music synthesis method of claim 14, wherein

the second sensor signal is the audio frequency sensor signal used as the excitation signal for stimulating the physical model;

and

the generating step is responsive to and the audio frequency output signal it generates is distinctively responsive to a variety of respective user gestures, including striking, rubbing, slapping, tapping, and thumping the sensor.

16. A method of synthesizing music comprising an audio frequency output signal, the method comprising:

receiving a plurality of sensor signals in response to direct user stimulation thereof, at least one of the sensor signals comprising an audio frequency sensor signal that is received continuously; and

generating an audio frequency output signal in accordance with a music synthesis model, utilizing the received audio frequency sensor signal as an excitation signal for stimulating the music synthesis model, and using at least one other received sensor signal to set at least one parameter that controls the generation of the audio frequency output signal.

17. The music synthesis method of claim 16, wherein the music synthesis model includes:

at least one resonator having an associated pitch that is controlled by at least one of the sensor signals; and

an excitation function that is directly responsive to at least the audio frequency sensor signal so as make the music synthesizer responsive to user gestures.

18. The music synthesis method of claim 17, wherein

the user gestures have associated therewith a position and an amount of force;

the music synthesis model includes a variable length delay element that is controlled by at least one of the sensor signals; and

the music synthesis model is responsive to a first sensor signal indicative of the amount of force associated with the user gestures and the variable length delay element is controlled by the position associated with the user gestures.

19. The music synthesis method of claim 18, wherein the music synthesis model includes at least one amplitude control element that is controlled by at least one of the sensor signals.