Method and apparatus for prefiring cues during a digital cinema presentation

• US 8,493,544 B2
• Filed: 12/05/2012
• Issued: 07/23/2013
• Est. Priority Date: 10/08/2010
• Status: Expired due to Fees

• Current Assignee: Boulder Licensing LLC (IP Edge LLC)
• Original Assignee: Thomson Licensing (Vantiva SA)
• Inventors: Redmann, William Gibbens, Sabo, James Paul, Walker, Mark Leroy
• Primary Examiner(s): Dowling, William C
• Application Number:
  US13/705,216
• Publication Number:
  US 20130093999A1
• Time in Patent Office: 230 Days
• Field of Search: 352/40, 352/123, 352/244, 455/3.1, 715/730, 715/731, 715/37, 715/74, 715/105, 715/86
• US Class Current: 352/40
• CPC Class Codes: A63J 25/00 Equipment specially adapted for cinemas cinematographic projection means G03B
• CPC Class Codes: G03B 21/003 Cine-projectors

Abstract

Digital cinema exhibition facilities make use of a show play list (SPL) specifying a time sequence of the events to occur during the presentation of digital cinema content. One or more cues in the show play list trigger certain activities, such as displacing the screen curtain and dimming the house lights. To achieve an aesthetic, showman-like presentation, the cues in the show play undergo re-cuing. For each cue, a determination is made automatically of the prefire interval, that is, the interval by which the cue should be advanced. The execution the cue to trigger a corresponding activity is advanced by the automatically determined pre-fire interval.

Claims

1. A method comprising the steps of:

(a) examining a feature composition in a playlist specifying a time sequence of digital cinema compositions to determine whether a first marker corresponding to a cue is present;

(b) if the first marker is present, then placing the cue in the playlist at the first marker; and

,

(c) if the no marker corresponding to the cue is present, then notifying an exhibitor.

2. The method of claim 1 further comprising the step of:

(d) if the first marker is not present, then examining the feature composition to determine whether a second marker corresponding to the cue is present; and

,

(e) if the second marker is present, placing the cue in the playlist at the second marker.

3. The method of claim 2 wherein the first marker is for a first frame of end credits and the second marker is for a first frame of moving credits.

4. The method of claim 2 wherein the second marker is for a first frame of end credits and the first marker is for a first frame of moving credits.

5. The method of claim 2 further comprising the steps of:

(f) automatically determining for the cue, a pre-fire interval by which the cue should be advanced; and

(g) advancing execution of the cue to trigger the corresponding activity by the automatically determined pre-fire interval.

6. The method of claim 1 wherein the first marker is for one of a first frame of end credits and a first frame of moving credits.

7. The method of claim 1 further comprising the steps of:

(d) automatically determining for the cue, a pre-fire interval by which the cue should be advanced; and

(e) advancing execution of the cue to trigger the corresponding activity by the automatically determined pre-fire interval.

8. The method of claim 1 further comprising the step of:

(d) automatically examining the playlist to determine the feature composition.

9. The method of claim 8 wherein the feature composition is determined by having a content kind designating a feature.

10. The method of claim 8 wherein the feature composition is determined by being the longest composition in the playlist.